Niccolò Di Buonaccorso
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Niccolò di Buonaccorso, also Niccolò di Niccolò di Buonaccorso or Bonaccorso, (active 1355 – 1388) was an Italian painter and one of the most prominent
Sienese Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena. The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centuri ...
painters of the 14th century. The small body of his work that survives shows the artist's highly refined miniaturist technique.Niccolò di Buonaccorso, ''The Coronation of the Virgin''
at the Metropolitan Museum of Art
The artist was also briefly involved in local politics.H. B. J. Maginnis. "Niccolò di Buonaccorso." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 12 July 2016


Life

Very little is known about this painter. It is believed his father was the painter Buonaccorso di Pace (fl c. 1348–c. 1362). In 1355 Niccolò di Buonaccorso enrolled in the Guild of Sienese painters. In May and June 1372 and in March and April 1376 the artist served in the government of Siena. In 1381 he was elected honorary Gonfaloniere in the parish of San Martino. Niccolò di Buonaccorso was commissioned to paint the
capello Capello is a surname of Italian origin that may refer to: * Alessandro Capello (born 1995), Italian footballer * Ambrosius Capello (1597–1676), bishop of Antwerp * Angelo Cappello (born 2002), Belizean professional footballer * Bartolomeo Ign ...
over the high altar of Siena Cathedral in 1376 and a panel of the prophet Daniel for an altar in the Cathedral in 1383.


Work

Only two signed works by the artist are known. One of these is ''The Marriage of the Virgin'' ( National Gallery), which is one of a series of panels, perhaps a triptych. The other is a polyptych (now fragmented), which is dated 1387. The artist's style is close to that of the Sienese masters of the Trecento, such as
Jacopo di Mino del Pellicciaio Jacopo di Mino del Pellicciaio (14th century) was an Italian painter, active in Siena. He is also called Giacomo di Mino. He appears to be a follower of Simone Martini. He was the contemporary of Lippo Vanni and Luca Thome, being in 1373 appoin ...
whom he resembles in his capacity to represent space through
illusionistic An illusion is a distortion of the senses, which can reveal how the mind normally organizes and interprets sensory stimulation. Although illusions distort the human perception of reality, they are generally shared by most people. Illusions may o ...
techniques.Carla Attanasio, ''Altarolo con lo sposalizio mistico di S.Caterina con i SS. Giovanni Battista e Giacomo, e la Crocifissione, NICCOLÒ DI BUONACCORSO (SIENA, doc. dal 1356 al 1388)'' in: Fabrizio Ludovico Porcaroli, 'S.O.S. Arte dall'Abruzzo, una mostra per non dimenticare - Castel Sant'Angelo Roma', 2010, p. 172 Other influences are Ambrogio Lorenzetti and Pietro Lorenzetti and the traditions of Simone Martini. The artist demonstrates a sharp style and an exceptionally refined technical ability. His work shows a certain repetitiveness in the figures.


References


Further reading

* Miklòs Boskovitz, Su Niccolò di Bonaccorso, Benedetto di Bindo and Sienese painting in the early fifteenth century, Comparison, 1980. * Pia Palladino, Art and devotion to Siena after 1350: Luca di Tommè, Nicolò di Buonaccorso, Timken Museum of Art, 1998. * Juliet Dini, Five Centuries of Sienese painting (from Duccio to the Birth of the Baroque), Thames & Hudson, 1998. * (see index; plate 14-15)


External links

* {{DEFAULTSORT:Buonaccorso, Niccolo di Year of birth unknown Year of death unknown 14th-century Italian painters Italian male painters Italian politicians