The Marriage Of The Virgin
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The Marriage of the Virgin is the subject in
Christian art Christian art is sacred art which uses subjects, themes, and imagery from Christianity. Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative ...
depicting the
marriage Marriage, also called matrimony or wedlock, is a culturally and often legally recognized union between people called spouses. It establishes rights and obligations between them, as well as between them and their children, and between ...
of the Virgin Mary and
Saint Joseph Joseph (; el, Ἰωσήφ, translit=Ioséph) was a 1st-century Jewish man of Nazareth who, according to the canonical Gospels, was married to Mary, the mother of Jesus, and was the legal father of Jesus. The Gospels also name some brothers of ...
. The marriage is not mentioned in the canonical Gospels but is covered in several apocryphal sources and in later redactions, notably the 14th century compilation the '' Golden Legend''. Unlike many other scenes in Life of the Virgin cycles (like the Nativity of Mary and Presentation of Mary), it is not a feast in the church calendar, though it sometimes has been in the past. In the Eastern Orthodox tradition, essentially the same scene, with very similar
iconography Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct fro ...
, is considered to represent the earlier scene of the "Entrusting of Mary to Joseph", with Joseph being made Mary's guardian by the temple authorities. In art the subject could be covered in several different scenes, and the betrothal of Mary, with Joseph's blossoming rod, was often shown, despite its apocryphal origin. The wedding procession may also be shown, especially in the Early Medieval period. Giotto's famous fresco cycle in the
Scrovegni Chapel The Scrovegni Chapel ( it, Cappella degli Scrovegni ), also known as the Arena Chapel, is a small church, adjacent to the Augustinian order, Augustinian monastery, the ''Monastero degli Eremitani'' in Padua, Italy, Padua, region of Veneto, I ...
(1303) covers the story in four scenes. By the later Middle Ages and Renaissance the betrothal and marriage were often shown as a single scene, with the disappointed suitors holding their bare rods, or snapping them. The lack of scriptural backing for the details, and the fall from fashion of predelle, led to it falling into disfavour in the Counter-Reformation. The feast for the
Espousals of the Blessed Virgin Mary The Espousals of the Blessed Virgin Mary or Marriage of the Virgin Mary is a Christian feast is celebrated by certain parts of the Roman Catholic Church such as the Oblates of Saint Joseph. It was formerly generally observed on January 23, but w ...
, now only celebrated by some parts of the Catholic Church, is on January 23.


The betrothal legend in the ''Golden Legend''

''The Golden Legend'', which derives its account from the much older Gospel of Pseudo-Matthew, recounts how, when Mary was 14 and living in the Temple, the
High Priest The term "high priest" usually refers either to an individual who holds the office of ruler-priest, or to one who is the head of a religious caste. Ancient Egypt In ancient Egypt, a high priest was the chief priest of any of the many gods rever ...
gathered all male descendants of David of marriageable age including
Saint Joseph Joseph (; el, Ἰωσήφ, translit=Ioséph) was a 1st-century Jewish man of Nazareth who, according to the canonical Gospels, was married to Mary, the mother of Jesus, and was the legal father of Jesus. The Gospels also name some brothers of ...
. The High Priest ordered them to each bring a rod; he that owned the rod which would bear flowers was divinely ordained to become Mary's husband. After the
Holy Spirit In Judaism, the Holy Spirit is the divine force, quality, and influence of God over the Universe or over his creatures. In Nicene Christianity, the Holy Spirit or Holy Ghost is the third person of the Trinity. In Islam, the Holy Spirit acts as ...
descended as a dove and caused Joseph's rod to blossom, he and Mary were wed according to Jewish custom. The account, quoted in its entirety, runs thus: In fact, neither the ''Golden Legend'' nor any of the early apocryphal accounts describe the actual ceremony, and they differ as to its timing, other than that it preceded the "Journey to Bethlehem". It is unclear whether this story was set before or after the
Annunciation The Annunciation (from Latin '), also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is the Christian celebration of the biblical tale of the announcement by the ange ...
which, in the New Testament account, occurred after their betrothal but before their marriage. In the Gospel of James it comes after the Annunciation, but in the Gospel of Pseudo-Matthew, the primary source in the West, it comes before it.


Artists

The scene, or scenes, was a common component in larger cycles of the Life of the Virgin and thus very frequently found, especially in the Middle Ages; it is not found in the typical cycle in a
Book of hours The book of hours is a Christian devotional book used to pray the canonical hours. The use of a book of hours was especially popular in the Middle Ages and as a result, they are the most common type of surviving medieval illuminated manuscrip ...
however. It was often a predella scene underneath the main scene in an altarpiece centred on Mary, The marriage scene has been painted by, among others, Giotto, Perugino, Raphael, Ventura Salimbeni (1613, his last painting),
Domenico Ghirlandaio Domenico di Tommaso Curradi di Doffo Bigordi (, , ; 2 June 1448 – 11 January 1494), professionally known as Domenico Ghirlandaio, also spelled as Ghirlandajo, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of ...
(1485-1490, at the Tornabuoni Chapel),
Bernardo Daddi Bernardo Daddi ( 1280 – 1348) was an early Italian Renaissance painter and the leading painter of Florence of his generation. He was one of the artists who contributed to the revolutionary art of the Renaissance, which broke away from the conven ...
(now in the
Royal Collection The Royal Collection of the British royal family is the largest private art collection in the world. Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the ...
),
Pieter van Lint Pieter van Lint or Peter van Lint (1609–1690) was a Flemish painter, draughtsman and designer of tapestries. He excelled in history paintings, genre scenes and portraits in the Flemish Baroque style with some Classisizing influence. He work ...
(1640,
Antwerp Cathedral The Cathedral of Our Lady ( nl, Onze-Lieve-Vrouwekathedraal) is a Roman Catholic cathedral in Antwerp, Belgium. Today's see of the Diocese of Antwerp started in 1352 and, although the first stage of construction was ended in 1521, has never been ...
), Tiburzio Baldini,
Alfonso Rivarola Alfonso Rivarola (1590 – January 8, 1640) was an Italian painter of the Baroque period, active mainly in Ferrara, where he was born. He is also known as ''il Chenda'' because of an inheritance he received from someone with that name. From a ...
,
Francesco Caccianiga Francesco Caccianiga (1700–1781) was an Italian painter and engraver. He was born in Milan. In Bologna, he became a pupil of Marcantonio Franceschini. He afterwards visited Rome, where he established himself under the patronage of Marcantonio B ...
,
Niccolò Berrettoni Niccolò Berrettoni (15 December 1637 – February 1682) was an Italian painter of the Baroque period. Life and Work He was born in Macerata Feltria on December 14. 1637. As a child he studied under Simone Cantarini in Pesaro; at the death of th ...
,
Giovanni Jacopo Caraglio Jacopo Caraglio, Giovanni Jacopo Caraglio or Gian Giacomo Caraglio (c. 1500/1505 – 26 August 1565) known also as ''Jacobus Parmensis'' and ''Jacobus Veronensis'' was an Italian engraver, goldsmith and medallist, born at Verona or Parma ...
,
Filippo Bellini Filippo Bellini (c. 1550/1555 – 1604) was an Italian painter from Urbino who was strongly influenced by artist Federico Barocci. He is known for his painting of Pope Sixtus V. Bellini worked mostly in the Marche and in Romagne regions of ...
,
Veronese Veronese is the Italian word denoting someone or something from Verona, Italy and may refer to: * Veronese Riddle, a popular riddle in the Middle Ages * ''Veronese'' (moth), a moth genus in the family Crambidae * Monte Veronese, an Italian chees ...
(in San Polo church,
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
),
Giulio Cesare Milani Giulio Cesare Milani (c. 1621–1678) was an Italian painter of the Baroque. He was born in Bologna, where he was a pupil of Simone Cantarini and Flaminio Torre. He painted a ''Marriage of the Virgin'' for the church of San Giuseppe; a ''Sant' An ...
, Franciabigio (in the Santissima Annunziata, Florence), and
Giacomo di Castro Giacomo di Castro (c. 1597–1687) was an Italian painter of the Baroque period. He was born at Sorrento. He was a pupil of Giovanni Battista Caracciolo, but afterwards worked under Domenichino when that master visited Naples to decorate the chape ...
.Iconology of Raphael's ''Marriage of the Virgin'': A Study
File:Giotto di Bondone - No. 11 Scenes from the Life of the Virgin - 5. Marriage of the Virgin - WGA09183.jpg, Giotto, c 1305 File:Domenico Ghirlandaio - Marriage of Mary - WGA8838.jpg,
Domenico Ghirlandaio Domenico di Tommaso Curradi di Doffo Bigordi (, , ; 2 June 1448 – 11 January 1494), professionally known as Domenico Ghirlandaio, also spelled as Ghirlandajo, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of ...
(1485–90, at the Tornabuoni Chapel) File:Casamento - perugino1.jpg, by Perugino File:Raffaello - Spozalizio - Web Gallery of Art.jpg, by Raphael File:Rosso fiorentino, sposalizio della vergine, s. lorenzo.jpg, Betrothal of the Virgin, Rosso Fiorentino, 1523


References


External links


Aquinas, Thomas. "Summa Theologica III q29. Of the espousals of the Mother of God"

Sansonvino, Andrea. ''The Wedding'', marble sculpture, Loretto, Italy, (1526)
{{Josephology Christian iconography Virgin Mary in art Wedding Saint Joseph (husband of Mary)