New Wimbledon Theatre (6856272185)
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New Wimbledon Theatre (6856272185)
The New Wimbledon Theatre is situated on the Broadway, Wimbledon, London, in the London Borough of Merton. It is a Grade II listed Edwardian theatre built by the theatre lover and entrepreneur, J. B. Mulholland, who at the time was also owner of the King's Theatre in Hammersmith and had owned the Theatre Metropole in Camberwell in the 1890's . Built on the site of a large house with spacious grounds, the theatre was designed by Cecil Aubrey Massey and Roy Young (possibly following a 1908 design by Frank H. Jones). It seems to have been the only British theatre to have included a Victorian-style Turkish bath in the basement. The theatre opened on 26 December 1910 with the pantomime ''Jack and Jill''. The theatre was very popular between the wars, with Gracie Fields, Sybil Thorndike, Ivor Novello, Markova, and Noël Coward all performing there. Lionel Bart's ''Oliver!'' received its world premiere at the theatre in 1960 before transferring to the West End's New Theatre. The the ...
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Wimbledon, London
Wimbledon () is a district and town of Southwest London, England, southwest of the centre of London at Charing Cross; it is the main commercial centre of the London Borough of Merton. Wimbledon had a population of 68,187 in 2011 which includes the electoral wards of Abbey, Dundonald, Hillside, Trinity, Village, Raynes Park and Wimbledon Park. It is home to the Wimbledon Championships and New Wimbledon Theatre, and contains Wimbledon Common, one of the largest areas of common land in London. The residential and retail area is split into two sections known as the "village" and the "town", with the High Street being the rebuilding of the original medieval village, and the "town" having first developed gradually after the building of the railway station in 1838. Wimbledon has been inhabited since at least the Iron Age when the hill fort on Wimbledon Common is thought to have been constructed. In 1086 when the Domesday Book was compiled, Wimbledon was part of the manor of Mortlake. ...
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Noël Coward Theatre
The Noël Coward Theatre, formerly known as the Albery Theatre, is a West End theatre in St. Martin's Lane in the City of Westminster, London. It opened on 12 March 1903 as the New Theatre and was built by Sir Charles Wyndham behind Wyndham's Theatre which was completed in 1899. The building was designed by the architect W. G. R. Sprague with an exterior in the classical style and an interior in the Rococo style. In 1973, it was renamed the Albery Theatre in tribute to Sir Bronson Albery who had presided as its manager for many years. Since September 2005, the theatre has been owned by Delfont-Mackintosh Ltd. It underwent major refurbishment in 2006, and was renamed the Noël Coward Theatre when it re-opened on 1 June 2006. The building is a Grade II Listed structure. History Early years, 1903–1919 The New was the second of the three theatres in St Martin's Lane. The Trafalgar Square (now the Duke of York's) opened in 1892 and the London Coliseum in 1904. The actor-manag ...
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London Coliseum
The London Coliseum (also known as the Coliseum Theatre) is a theatre in St Martin's Lane, Westminster, built as one of London's largest and most luxurious "family" variety theatres. Opened on 24 December 1904 as the London Coliseum Theatre of Varieties, it was designed by the theatrical architect Frank Matcham for the impresario Oswald Stoll. Their ambition was to build the largest and finest music hall, described as the "people's palace of entertainment" of its age. At the time of construction, the Coliseum was one of the few theatres in Europe to provide lifts for taking patrons to the upper levels of the house, and was the first theatre in England to have a triple revolve installed on its stage. The theatre has 2,359 seats making it the largest theatre in London. After being used for variety shows, musical comedies, and stage plays for many years, then as a cinema screening films in the Cinerama format between 1963 and 1968, the Sadler's Wells Opera Company moved into t ...
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English National Opera
English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English. The company's origins were in the late 19th century, when the philanthropist Emma Cons, later assisted by her niece Lilian Baylis, presented theatrical and operatic performances at the Old Vic, for the benefit of local people. Baylis subsequently built up both the opera and the theatre companies, and later added a ballet company; these evolved into the ENO, the Royal National Theatre and The Royal Ballet, respectively. Baylis acquired and rebuilt the Sadler's Wells theatre in north London, a larger house, better suited to opera than the Old Vic. The opera company grew there into a permanent ensemble in the 1930s. During the Second World War, the theatre was closed and the company toured British towns and cities. After the war, the comp ...
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Royal Opera House, Covent Garden
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, makin ...
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South Wimbledon Tube Station
South Wimbledon is a London Underground station in South Wimbledon, a suburb of Wimbledon in south-west London. The station is on the Northern line, situated between Colliers Wood and Morden stations. It is located on the corner of Merton High Street ( A238) and Morden Road ( A219). South Wimbledon is on the boundary between Travelcard Zone 3 and Zone 4. History The station was opened on 13 September 1926 as part of the Morden extension of the City & South London Railway south from Clapham Common. On the original plan it had the name "Merton Grove". For geographical accuracy, the station was shown as "South Wimbledon (Merton)" on tube maps from 1928, the name was also modified on platform signage, though not on the station building at street level. From the early-1950s, the "(Merton)" parenthetical fell out of use. Along with the other stations on the Morden extension, the building was designed by architect Charles Holden. They were Holden's first major project for the Under ...
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Wimbledon Station
Wimbledon is a National Rail, London Underground, and Tramlink station located on Wimbledon Bridge, Wimbledon in London, and is the only station in London that provides an interchange between the London Underground and Tramlink. The station serves as a junction for services from the Underground's District line and National Rail operators ( South Western Railway and Thameslink), as well as Tramlink services. The station is in Travelcard Zone 3. It is from on the South West Main Line. The station has 11 platforms. Platforms 1–4 are for London Underground, platforms 5 and 8 are for inner suburban South Western Railway services, platform 9 is for Thameslink and platforms 10a and 10b are for Tramlink. Platforms 6 and 7 are adjacent to the fast tracks intended for express and outer suburban South Western Railway services, but most of these services only call at Wimbledon during the Wimbledon Tennis Championships or on Sundays for outer suburban services. Access to these platforms i ...
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World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvation, ma ...
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Laurel Crown
A laurel wreath is a round wreath made of connected branches and leaves of the bay laurel (), an aromatic broadleaf evergreen, or later from spineless butcher's broom (''Ruscus hypoglossum'') or cherry laurel (''Prunus laurocerasus''). It is a symbol of triumph and is worn as a chaplet around the head, or as a garland around the neck. The symbol of the laurel wreath traces back to Ancient Greece. In Greek mythology, the god Apollo, who is patron of lyrical poetry, musical performance and skill-based athletics, is conventionally depicted wearing a laurel wreath on his head in all three roles. Wreaths were awarded to victors in athletic competitions, including the ancient Olympics; for victors in athletics they were made of wild olive tree known as ''" kotinos"'' (), (sc. at Olympia) – and the same for winners of musical and poetic competitions. In Rome they were symbols of martial victory, crowning a successful commander during his triumph. Whereas ancient laurel wreaths are m ...
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Laetitia (goddess)
Laetitia, deriving from the root word ''laeta'', meaning "happy", "glad", "lucky", "successful", "prosperous", "luxurious", "lush", or "abounding", was a minor Roman mythology, Roman goddess of Gaiety (mood), gaiety. Her name was used to mean happiness with prosperity and abundance. She is usually shown with greenery to depict the abundance of seasonal decorations that many sites would include. Wreaths of flowers or leaves are commonly worn at festivals or holy rituals, similarly Laetitia would be shown wearing a garland to mean celebration. She was sometimes depicted on Roman coinage with an anchor, as a representation of stability, or, like Fortuna, a ship's rudder symbolizing her guiding one to good fortune or prosperity. Laetitia, engraved Felicitas Temporum, ''the happiness of the times'', has children playing across the four seasons on different coins, the ''limes'' denarus holds Laetitia at an altar sacrificing near lit candles while the back features a half-moon and seven st ...
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Adamesque
The Adam style (or Adamesque and "Style of the Brothers Adam") is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728–1792) and James (1732–1794) were the most widely known. The Adam brothers advocated an integrated style for architecture and interiors, with walls, ceilings, fireplaces, furniture, fixtures, fittings and carpets all being designed by the Adams as a single uniform scheme. Commonly and mistakenly known as "Adams Style", the proper term for this style of architecture and furniture is the "Style of the Adam Brothers". The ''Adam style'' found its niche from the late 1760s in upper-class and middle-class residences in 18th-century England, Scotland, Russia (where it was introduced by Scottish architect Charles Cameron), and post- Revolutionary War United States (where it became known as Federal style and took on a variation of its own). The style was supersed ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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