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Nederlandse Bachvereniging
The Netherlands Bach Society ( nl, Nederlandse Bachvereniging) is the oldest ensemble for Baroque music in the Netherlands, and possibly in the world. The ensemble was founded in 1921 in Naarden to perform Bach's ''St Matthew Passion'' on Good Friday and has performed the work annually since then in the Grote of Sint-Vituskerk (Great Church or St Vitus Church). From 1983 until 2018, Jos van Veldhoven was artistic director and conductor. Shunsuke Sato became artistic director on 1 June 2018. The ensemble is now 100 years old. Due to the 100 year landmark, the Society is publishing a new and freely accessible recording every two weeks, including HD video of all 1080 works of Johann Sebastian Bach, performed by members of the ensemble and guest musicians under the title ''All of Bach''. History Early years ''De Nederlandse Bachvereniging'' was officially founded on 13 September 1921. Johan Schoonderbeek was one of the founding members and the first conductor. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naarden
Naarden () is a List of cities in the Netherlands by province, city and former List of municipalities of the Netherlands, municipality in the Gooi region in the Provinces of the Netherlands, province of North Holland, Netherlands. It has been part of the new municipality of Gooise Meren since 2016. History Naarden was granted its City rights in the Netherlands, city rights in 1300 (the only town in the Gooi with these rights) and later developed into a fortified garrison town with a textile industry. Naarden is an example of a star fort, complete with fortification, fortified walls and a moat. The moat and walls have been restored on numerous occasions, most notably during the French era (1795-1814). After the Battle of Leipzig, Battle of Leipzig (1813), the Netherlands were liberated by an allied force of Dutch, Prussian and Russian armies. During this period, Naarden was besieged for months since the French commander didn't believe that Napoleon was captured. In May 1814, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertgebouw
The Royal Concertgebouw ( nl, Koninklijk Concertgebouw, ) is a concert hall in Amsterdam, Netherlands. The Dutch term "concertgebouw" translates into English as "concert building". Its superb acoustics place it among the finest concert halls in the world, along with Boston's Symphony Hall and the Musikverein in Vienna. In celebration of the building's 125th anniversary, Queen Beatrix bestowed the royal title "Koninklijk" upon the building on 11 April 2013, as she had on the Royal Concertgebouw Orchestra upon its 100th in 1988. History The architect of the building was , who was inspired by the Gewandhaus in Leipzig, built two years earlier (and destroyed in 1943). Construction began in 1883 in a pasture that was then outside the city, in Nieuwer-Amstel, a municipality that in 1964 became Amstelveen. A total of 2,186 wooden piles, twelve to thirteen metres (40 to 43 ft) long, were emplaced in the soil. The Concertgebouw was completed in late 1886, however due to the dif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Kuhnau
Johann Kuhnau (; 6 April 16605 June 1722) was a German polymath, known primarily as a composer today. He was also active as a novelist, translator, lawyer, and music theorist, and was able to combine these activities with his duties in his official post as Thomaskantor in Leipzig, which he occupied for 21 years. Much of his music, including operas, masses, and other large-scale vocal works, is lost. His reputation today rests on his ''Biblical Sonatas'', a set of programmatic keyboard sonatas published in 1700, in which each sonata depicted in detail a particular story from the Bible. After his death, Kuhnau was succeeded as Thomaskantor by Johann Sebastian Bach. Biography Much of the biographical information on Kuhnau is known from an autobiography published by Johann Mattheson in 1740 in his ''Grundlage einer Ehrenpforte''. Kuhnau's Protestant family was originally from Bohemia, and their name was Kuhn. Kuhnau was born in Geising, present-day Saxony. His musical talents we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Servaes De Koninck
Servaes de Koninck, or Servaes de Konink, Servaas de Koninck or Servaas de Konink, or Servaes de Coninck (1653/54 – c.1701) was a Flemish baroque composer of motets, Dutch songs, chamber and incidental music, French airs and Italian cantatas. After training and starting his career in Flanders he moved to Amsterdam in the Dutch Republic, where he was active in circles connected to the Amsterdam Theatre. Life and work Youth and education in the Southern Low Countries De Koninck (Coninck) was born at Dendermonde (Flanders) in 1653. From 1663 to 1665, he was a boy chorister at St. James Church in Ghent. In 1675, he became a student at the University of Leuven. Around 1680, he lived in Brussels. Career in the Republic About 1685, he took up residence in Amsterdam in the Dutch Republic, where he had been preceded by another composer from the Southern Netherlands, Carolus Hacquart. He operated in circles connected to the Amsterdam Theatre and he probably worked later on as an indep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Friedrich Händel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical bre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Grandi
Alessandro Grandi (1590 – after June 1630, but in that year) was a northern Italy, Italian composer of the early Baroque music, Baroque era, writing in the new concertato style. He was one of the most inventive, influential, and popular composers of the time, probably second only to Claudio Monteverdi, Monteverdi in northern Italy. Life Grandi was born in Venice and spent the first part of his life there, likely studying with Giovanni Gabrieli. He held several posts in Ferrara as ''maestro di cappella'' at different cathedrals and academies. In 1617 he won a post at San Marco di Venezia, St. Mark's in Venice, during the time Monteverdi was choirmaster there. Eventually he became Monteverdi's assistant, and during this time seems to have chosen to write works in some of the smaller forms which Monteverdi was neglecting. In 1627 he went to Bergamo, probably because he had an opportunity to be ''maestro di cappella'' at a place where he could build up the music program from scr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Carissimi
(Gian) Giacomo Carissimi (; baptized 18 April 160512 January 1674) was an Italian composer and music teacher. He is one of the most celebrated masters of the early Baroque or, more accurately, the Roman School of music. Carissimi established the characteristic features of the Latin oratorio and was a prolific composer of masses, motets and cantatas. He was highly influential in musical developments in north European countries through his pupils, like Kerll in Germany and Charpentier in France, and the wide dissemination of his music.Andrew V. Jones, "Giacomo Carissimi", ''Grove Music Online'' Biography Carissimi's exact birthdate is not known, but it was probably in 1604 or 1605 in Marino near Rome, Italy. Of his early life almost nothing is known. Giacomo's parents, Amico (1548–1633, a cooper by trade) and Livia (1565–1622), were married on 14 May 1595 and had four daughters and two sons; Giacomo was the youngest. Nothing is known of his early musical training. His fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dietrich Buxtehude
Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707) was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach. Buxtehude is considered one of the most important composers of the 17th century. Life Early years in Denmark He is thought to have been born with the name Diderich Buxtehude.Snyder, Kerala J. Dieterich Buxtehude: Organist in Lübeck. New York: Schirmer Books, 1987. His parents were Johannes (Hans Jensen) Buxtehude and Helle Jespersdatter. His father originated from Oldesloe in the Duchy of Holstein, which at that time was a part of the Danish realms in Northern Germany. Scholars dispute both the year and country of Dieterich's birth, although most now accept that he was born in 1637 in Helsingborg, Skåne at the time part of Den ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Family
The Bach family refers to several notable composers of the Baroque music, baroque and Classical period (music), classical periods of music, the best-known of whom was Johann Sebastian Bach (1685–1750). A family genealogy was drawn up by Johann Sebastian Bach himself in 1735 when he was 50 and was completed by his son Carl Philipp Emanuel Bach, Carl Philipp Emanuel. Ancestors of Johann Sebastian Bach Four branches of the Bach family were known at the beginning of the 16th century; a Hans Bach of Wechmar, a village between Gotha and Arnstadt in Thuringia, is known to have been alive in 1561. He is believed to be the father of Veit Bach. * Veit (Vitus) Bach (c. 1550–1619, Wechmar) was, according to Johann Sebastian's genealogy, "a white-bread baker in Hungary" who had to flee Hungary because he was a Lutheranism, Lutheran, settling in Wechmar. He "found the greatest pleasure in a little cittern which he took with him even into the mill"; * His son Johannes Bach I (c. 1580–16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaus Harnoncourt
Johann Nikolaus Harnoncourt or historically Johann Nikolaus Graf de la Fontaine und d'Harnoncourt-Unverzagt; () (6 December 1929 – 5 March 2016) was an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble, Concentus Musicus Wien, in 1953, and became a pioneer of the Early Music movement. Around 1970, Harnoncourt began conducting opera and concert performances, soon leading international symphony orchestras, and appearing at leading concert halls, operatic venues and festivals. His repertoire then widened to include composers of the 19th and 20th centuries. In 2001 and 2003, he conducted the Vienna New Year's Concert. Harnoncourt was also the author of several books, mostly on subjects of performance history and musical aesthetics. Early life Johann Nikolaus Harnoncourt was born as an Austrian citizen in Berlin, German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
