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Narciso (opera)
''Amor d'un'ombra e gelosia d'un'aura'' ("The Love of a Shade (mythology), Shade and the Jealousy of an Aura (mythology), Aura"), also known as ''Narciso'' ("Narcissus"), is an opera in three acts composed by Domenico Scarlatti to a libretto by Carlo Sigismondo Capece. It premiered in Rome in January 1714 at the private theatre of Marie Casimire Louise de La Grange d'Arquien, Maria Casimira of Poland who had commissioned the work. The libretto is based on two fables from Ovid's ''Metamorphoses'': Echo (mythology), Echo and Narcissus (mythology), Narcissus (Book III) and Cephalus and Procris (Book VII).Kirkpatrick p. 53 Background and performance history Queen Maria Casimira had taken up residence in Rome in 1699 following the death of her husband John III Sobieski, Jan III Sobieski and her subsequent exile from Poland. Once in Rome she set up a court and became an active figure the city's musical life. In 1709, Domenico Scarlatti succeeded his father Alessandro Scarlatti, Alessand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amor D'un' Ombra E Gelosia D'un' Aura, Libretto Title Page, 1714
Amor ("love" in Latin, Spanish and Portuguese) may refer to: Music Albums *Amor (Julio Iglesias album), ''Amor'' (Julio Iglesias album), 1982 *Amor (Andrea Bocelli album), ''Amor'' (Andrea Bocelli album), 2006 Songs *Amor (Los Auténticos Decadentes song), "Amor" (Los Auténticos Decadentes song), 2000 *Amor (Cristian Castro song), "Amor" (Cristian Castro song), 1995 *Amor (Gabriel Ruiz song), "Amor" (Gabriel Ruiz song), recorded by Bing Crosby in 1944, Ben E. King in 1961, and Luis Miguel in 2001 *Amor (Ricky Martin song), "Amor" (Ricky Martin song), 2001 Other uses * Amor (name), a list of notable people with the name * Amor, the Roman deity Cupid *The land of the ancient Amorites, also known as Amurru *1221 Amor, an asteroid *Amor asteroid, a group of near-Earth asteroids named after 1221 Amor *Amor (automobile), a German car *Amor Vincit Omnia (Caravaggio), ''Amor Vincit Omnia'' (Caravaggio), 17th-century painting *Amor (film), ''Amor'' (film), a 1940 Argentine comedy film * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy
An academy ( Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, '' Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliothèque Nationale De France
The Bibliothèque nationale de France (, 'National Library of France'; BnF) is the national library of France, located in Paris on two main sites known respectively as ''Richelieu'' and ''François-Mitterrand''. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum (formerly known as the ) on the Richelieu site. The National Library of France is a public establishment under the supervision of the Ministry of Culture. Its mission is to constitute collections, especially the copies of works published in France that must, by law, be deposited there, conserve them, and make them available to the public. It produces a reference catalogue, cooperates with other national and international establishments, and participates in research programs. History The National Library of France traces its origin to the royal library founded at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Besançon International Music Festival
The Besançon International Music Festival (french: Festival de musique de Besançon Franche-Comté) is one of the oldest festivals of classical music that takes place in the city of Besançon, northeastern France, over two weeks from around the middle of September. It was created in 1948. It is particularly known for its International Besançon Competition for Young Conductors (''Concours international de jeunes chefs d'orchestre'') created in 1951, which is organized every two years and rewarded famous conductors such as Seiji Ozawa (1959), Michel Plasson (1962), Zdeněk Mácal (1965), Jesús López-Cobos (1968), Sylvain Cambreling (1974) or Yutaka Sado is a Japanese conductor. While still in school, Sado obtained a position in the Kansai Nikikai, a Japanese school of opera, where he had the opportunity to work with the New Japan Philharmonic and the Kyoto Symphony Orchestra, learning operati ... (1989), who began their international careers with its first prize. The Besan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marionettes
A marionette (; french: marionnette, ) is a puppet controlled from above using wires or strings depending on regional variations. A marionette's puppeteer is called a marionettist. Marionettes are operated with the puppeteer hidden or revealed to an audience by using a vertical or horizontal control bar in different forms of theatres or entertainment venues. They have also been used in films and on television. The attachment of the strings varies according to its character or purpose. Etymology In French, ''marionette'' means "little Mary". In France, during the Middle Ages, string puppets were often used to depict biblical events, with the Virgin Mary being a popular character, hence the name. In France, the word ''marionette'' can refer to any kind of puppet, but elsewhere it typically refers only to string puppets. History Ancient times Puppetry is an ancient form of performance. Some historians claim that they predate actors in theatre. There is evidence that they wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Chrysander
Karl Franz Friedrich Chrysander (8 July 1826 – 3 September 1901) was a German music historian, critic and publisher, whose edition of the works of George Frideric Handel and authoritative writings on many other composers established him as a pioneer of 19th-century musicology. Biography Born at Lübtheen, in Mecklenburg-Schwerin, Chrysander was the son of a miller. He earned a Doctorate in Philosophy from the University of Rostock in 1853. He then focused his studies on music, and in an obituary for Chrysander in October 1901, the ''Musical Times'' said of him that :"From the beginning he assumed the role of an historian in rigorously defending the right and claims of musical masterpieces of a distant past to a legitimate and faithful reproduction, i.e., without modernising, and without instrumental or vocal additions." Chrysander is also credited with rediscovering the autograph score of Johann Sebastian Bach's ''Mass in B Minor,'' which he then sold to the Royal Library in B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ann Turner Robinson
Ann Turner Robinson (née Turner; died 5 January 1741, London) was an English soprano of the 18th century. Life She was the youngest daughter of William Turner, a composer and countertenor who was a contemporary of Henry Purcell, and is best remembered for her association with the composer George Frideric Handel, in whose operas she sang.Grove On 6 September 1716 she married the organist John Robinson. They had a daughter who had a singing career, and other children who died young.''A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800''. SIU Press, 1991Page 26./ref> Her first public performances were in 1718: in the April of that year she sang a cantata by Ariosti at the King's Theatre, and the year after she performed in a private concert, accompanied by Handel, as a replacement for Jane Barbier. The librettist John Hughes commented at the time that Evidently the concert did nothing to harm Handel's opinio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anastasia Robinson
Anastasia Robinson ( – April 1755), later known as Anastasia, Countess of Peterborough, was an English soprano, later contralto, of the Baroque era. She is best remembered for her association with the composer George Frideric Handel, in whose operas she sang. Early life and initial career Robinson was the eldest daughter of Thomas Robinson, a portrait painter who worked for a time in Italy (where she is thought to have been born). Initially her musical talent was privately trained, and her first performances were at private society concerts at Golden Square, where her father owned a property. At these concerts she both sang and accompanied herself on the harpsichord. In the early 1710s her father's eyesight began to fail and Robinson, forced to earn a living for herself and her family, turned professional. Dean, Winton, "Robinson, Anastasia", Grove Music Online', ed L. Macy, accessed 2 October 2009 Professional career Her association with Handel can be dated to 1714, when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margherita Durastanti
Margherita Durastanti (active 1700–1734) was an Italian singer of the 18th century. Vocally, she is best described as a soprano, though later in her career her tessitura descended to that of a mezzo-soprano. First heard of professionally in Mantua in 1700–01, she later appeared in Bologna and Reggio Emilia (1710), Milan and Reggio (1713) and Florence (1715). Today she is particularly remembered for her association with the composer George Frideric Handel: indeed she enjoyed a longer personal association with the composer than any other musician. As well as performing many of his early Italian solo cantatas, Durastanti's first roles for Handel included Mary Magdalene in his oratorio ''La resurrezione'' (1708) and the title role in '' Agrippina'' (1709), in her capacity as ''prima donna'' of the S Giovanni Grisostomo Theatre in Venice, where she sang from 1709 to 1712. After singing at Parma, Florence, Naples (where she appeared in operas by Scarlatti), and, in 1719, Dresden, sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Antonio Rolli
Paolo Antonio Rolli (13 June 1687 – 20 March 1765) was an Italian librettist, poet and translator. Biography Paolo Rolli was born in Rome, Italy and like Metastasio was trained by Gian Vincenzo Gravina. The earl of Burlington brought him to England, which he commemorates in the dedication of his opera of “Astarte” to his noble patron, who attached him to the court as master of the Tuscan language to the princesses. He was Italian tutor to Caroline of Ansbach and then undertook the same role in London from 1715 to 1744 for her children Frederick, Amelia and Caroline. During this period, he wrote librettos for numerous Italian operas including Handel's '' Floridante'' (1721), ''Muzio Scevola'' (1722), '' Riccardo Primo'' (1927) and '' Deidamia'' (1741) and Nicola Porpora's '' La festa d'Imeneo'' (1736) and Orfeo' (1736).R. A. Streatfeild, 'Handel, Rolli, and Italian Opera in London in the Eighteenth Century', ''The Musical Quarterly'', Vol. 3, No. 3 (Jul., 1917), pp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haymarket Theatre
The Theatre Royal Haymarket (also known as Haymarket Theatre or the Little Theatre) is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama (meaning spoken drama, as opposed to opera, concerts or plays with music) in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate. The Haymarket has been the site of a significant innovation in theatre. In 1873, it was the venue for the first scheduled matinée performance, establishing a custom soon followed in theatres everywhere. Its managers have included Benjamin Nottingham Webster, John Baldwin Buckstone, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Roseingrave
Thomas Roseingrave (1690 or 1691 – 23 June 1766), like his father Daniel Roseingrave, was an English-born Irish composer and organist. Early years He was born at Winchester, where his father Daniel Roseingrave was the Cathedral organist, but spent his early years in Dublin, studying music with his father (who, by then, was organist of both St Patrick’s Cathedral, Dublin and Christ Church Cathedral, Dublin. In 1707 he entered Trinity College but failed to complete his degree. In 1710 he was sent to Italy with the financial assistance of St Patrick’s Cathedral, Dublin (awarded in 1709) in order "to improve himself in the art of music". In Venice he met Domenico Scarlatti and was greatly impressed by his harpsichord playing. He followed Scarlatti to Naples and Rome and, later in life, he published an edition of Scarlatti's sonatas for harpsichord which led to a "Scarlatti cult" in England. Roseingrave composed several works in Italy including an anthem and a cantata. He r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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