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Anastasia Robinson
Anastasia Robinson ( – April 1755), later known as Anastasia, Countess of Peterborough, was an English soprano, later contralto, of the Baroque era. She is best remembered for her association with the composer George Frideric Handel, in whose operas she sang. Early life and initial career Robinson was the eldest daughter of Thomas Robinson, a portrait painter who worked for a time in Italy (where she is thought to have been born). Initially her musical talent was privately trained, and her first performances were at private society concerts at Golden Square, where her father owned a property. At these concerts she both sang and accompanied herself on the harpsichord. In the early 1710s her father's eyesight began to fail and Robinson, forced to earn a living for herself and her family, turned professional. Dean, Winton, "Robinson, Anastasia", Grove Music Online', ed L. Macy, accessed 2 October 2009 Professional career Her association with Handel can be dated to 1714, when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anastasia Robinson Seated At The Harpsichord John Faber The Younger 1727 After John Vanderbank 1723
Anastasia (from el, Ἀναστασία, translit=Anastasía) is a feminine given name of Greek origin, derived from the Greek word (), meaning "resurrection". It is a popular name in Eastern Europe, particularly in Russia, where it was the most used name for decades until 2008. Origin The name Anastasia originated during the early days of Christianity and was given to many Greek girls born in December and around Easter. It was established as the female form (Greek: ) of the male name Anastasius (Greek: ''Anastasios'' ), and has the meaning of "she/he of the resurrection". It is the name of several early saints; including Anastasia of Sirmium, a central saint from the 2nd century who is commemorated during the first Mass on Christmas Dawn each year according to the traditional calendar of the Catholic Church and on December 22 according to the Eastern Orthodox Church. Slavic diminutives include Nastya, Nastia or Nastja (Serbian, Slovenian) as well as various hypocorist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joanna Maria Lindehleim
Joanna Lindehleim who performed as the Baroness (16?? – 1724) was a singer in London who was born abroad. She came to notice in about 1703. She was known as the wife of a Swedish baron named Andrew Lenduss of Lendenheim. Life The details of her early life are unknown. She was advertised as Italian, which was very fashionable for singers, however Charles Burney thought she was only trained in Italy and she was maybe born in Germany. In 1703 she was billed as ''Signiora Joanna Maria Lindehleim’'' and she sang in both French and Italian. Her first few performances were at York Buildings in 1702 and then at Drury Lane and each time she sang with Gasparo Visconti. Visconti was known as Gasparini. In 1702 she and her husband, Andrew Lenduss of Lendenheim, also appears to have given birth and buried a son Andrew. On 9 April 1705, the Queen's Theatre in London was officially opened with Greber's opera ''Gli amori di Ergasto'' (''The Loves of Ergasto'') by Jakob Greber. It was said to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsons Green
Parsons Green is a mainly residential district in the London Borough of Hammersmith and Fulham. The Green itself, which is roughly triangular, is bounded on two of its three sides by the New King's Road section of the King's Road, A308 road and Parsons Green Lane. The wider neighbourhood is bounded by the Harwood and Wandsworth Bridge Roads, A217 road to the East and Munster Road to the West, while the Fulham Road, A3219 road may be said to define its northern boundary. Its southern boundary is less clearly defined as it merges quickly and imperceptibly with the Peterborough estate and Hurlingham. At its historic centre lie two open spaces, the Green itself and Eel Brook Common. The name stems from the original village green, after the former residence of the rectors of Fulham Parish. It is one of the Conservation areas in Hammersmith and Fulham, that extends from the borough boundary in the east to Fulham High Street in the west. History Timber rights attached to the Green ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hercules (Handel)
''Hercules'' ( HWV 60) is a ''Musical Drama'' in three acts by George Frideric Handel, composed in July and August 1744. The English language libretto was by the Reverend Thomas Broughton, based on Sophocles's ''Women of Trachis'' and the ninth book of Ovid's ''Metamorphoses''. Performance history ''Hercules'' was first given at the King's Theatre in London on 5 January 1745 in concert style. There were only two performances in the original run. The role of Lichas was written first as a small one for tenor, but it was greatly expanded before the premiere to provide Susanna Cibber with six airs. She was too ill to sing on the first night, and the music was either omitted or redistributed on that occasion. She sang in the second performance on 12 January. The music for the chorus "Wanton God" and the air "Cease, ruler of the day" was never given in this opera: the latter was adapted for the final chorus of ''Theodora''. The work was a total failure and caused Handel to suspend h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mistress (lover)
A mistress is a woman who is in a relatively long-term sexual and romantic relationship with a man who is married to a different woman. Description A mistress is in a long-term relationship with her attached mister, and is often referred to as "the other woman". Generally, the relationship is stable and at least semi-permanent, but the couple does not live together openly and the relationship is usually, but not always, secret. There is often also the implication that the mistress is sometimes "kept"i.e. her lover is contributing to her living expenses. A mistress is usually not considered a prostitute: while a mistress, if "kept", may, in some sense, be exchanging sex for money, the principal difference is that a mistress has sex with fewer men and there is not so much of a direct ''quid pro quo'' between the money and the sex act. There is usually an emotional and possibly social relationship between a man and his mistress, whereas the relationship between a prostitute and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mordaunt, 3rd Earl Of Peterborough
Charles Mordaunt, 3rd Earl of Peterborough and 1st Earl of Monmouth, (1658 – 25 October 1735) was an English nobleman and military leader. He was the son of John Mordaunt, 1st Viscount Mordaunt, and his wife Elizabeth, the daughter and sole heiress of Thomas Carey, the second son of Robert Carey, 1st Earl of Monmouth. Mordaunt's father, John Mordaunt, was created Viscount Mordaunt of Avalon and Baron Mordaunt of Reigate, Surrey, in 1659. Political career Charles attended Tonbridge School, then later matriculated at Christ Church, Oxford, on 11 April 1674. When about sixteen years of age he joined Sir John Narborough's fleet in the Mediterranean, and won his first distinction in arms in the destruction of the dey's fleet under the guns of Tripoli. His father died on 5 June 1675, and Charles Mordaunt succeeded to the peerage as Viscount Mordaunt. On his return from the second expedition to Tangier, he plunged into active political life as a zealous Whig and an unswerv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attilio Ariosti
Attilio Malachia Ariosti (or Frate Ottavio) (5 November 1666 – 1729) was a Servite Friar and Italian composer in the Baroque style, born in Bologna. He produced more than 30 operas and oratorios, numerous cantatas and instrumental works. Life Ariosti was born into the middle class. He became a monk in 1688 at age 22, but he soon obtained permission to leave the order and become a composer in the court of the Duke of Mantua and Monferrato. He became a deacon in 1692, the same year he achieved the post of organist at Santa Maria dei Servi in Bologna. In 1697, he went to Berlin at the request of Sophia Charlotte of Hanover, Queen of Prussia, a great-granddaughter of James I of England and daughter of the Electress Sophia of Hanover, an enlightened patroness of the arts with a keen interest in music. After enjoying the favor of the Queen, Ariosti wrote and collaborated in the writing of a number of stage works performed for the court in Berlin. He resided in Berlin as the court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Bononcini
Giovanni Bononcini (or Buononcini) (18 July 1670 – 9 July 1747) (sometimes cited also as Giovanni Battista Bononcini) was an Italian Baroque composer, cellist, singer and teacher, one of a family of string players and composers. Biography Early years Bononcini was born in Modena, Italy, the oldest of three sons. His father, Giovanni Maria Bononcini (1642–1678), was a violinist and a composer, and his younger brother, Antonio Maria Bononcini, was also a composer. An orphan from the age of 8, Giovanni Battista studied in the music school of Giovanni Paolo Colonna at San Petronio Basilica in Bologna (perhaps in 1680 or 1681). In 1685, at the age of 15, he published three collections of instrumental works (in two of which he gave his age as 13). On 30 May 1686, he was accepted as a member of the prestigious Accademia Filarmonica di Bologna. His services were already much in demand: he worked at San Petronio as a string player and singer, published further collections of instru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. The opera's plot is loosely based on historic events during the Roman Civil War of 49–45 BC. Composition history ''Giulio Cesare in Egitto'' was first performed at the King's Theatre in the Haymarket, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724: ...the opera is in full swing also, since Hendell's new one, called Jules César – in which Cenesino and Cozzun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flavio
''Flavio, re de' Longobardi'' ("Flavio, King of the Lombards", HWV 16) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was by Nicola Francesco Haym, after Matteo Noris's ''Flavio Cuniberto''. It was Handel's fourth full-length opera for the Royal Academy of Music. Handel had originally entitled the opera after the character of Emilia in the opera. Dean, Winton, "A Handel Tragicomedy" (August 1969). ''The Musical Times'', 110 (1518): pp. 819–822. ''Flavio'' is unusually concise for an opera by Handel of this period. It is also notable as a skillful blend of tragedy and comedy, both in the text and the music, and for being one of Handel's few operas to feature leading roles for all major voice categories of his day – soprano, contralto, castrato, tenor and bass. Performance history Handel completed the score only seven days before the premiere, at the King's Theatre in the Haymarket on 14 May 1723. There were eight performances in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottone
''Ottone, re di Germania'' ("Otto, King of Germany", HWV 15) is an opera by George Frideric Handel, to an Italian–language libretto adapted by Nicola Francesco Haym from the libretto by Stefano Benedetto Pallavicino for Antonio Lotti's opera ''Teofane''. It was the first new opera written for the Royal Academy of Music (1719)'s fourth season and had its first performance on 12 January 1723 at the King's Theatre, Haymarket in London. Handel had assembled a cast of operatic superstars for this season and the opera became an enormous success. The story of the opera is a fictionalisation of some events in the lives of Adalbert of Italy, his mother Willa of Tuscany (called "Gismonda" in the opera), Otto II, and the Byzantine Princess Theophanu, who became the wife of Otto II in a state marriage intended to form an alliance between the Byzantine and Holy Roman empires. Background The German-born Handel, after spending some of his early career composing operas and other pieces i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floridante
''Floridante'' ( HWV 14) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was by Paolo Antonio Rolli after Francesco Silvani's libretto for Marc'Antonio Ziani dramma per musica ''La costanza in trionfo'' of 1696. The opera was first given at the King's Theatre in London on 9 December 1721 and was a success with audiences, being revived by Handel in several subsequent seasons. The plot involves dynastic struggles and love tangles in a fictionalised Ancient Persia and is notable for an exceptionally beautiful duet, "Ah, mia cara." Background The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought Italian opera for the first time with his opera '' Rinaldo''. A tremendous success, ''Rinaldo'' created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appoin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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