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Narayan Hari Apte
Narayan Hari Apte, popularly known as Nanasaheb Apte (11 July 1889 – 14 November 1971) was a Marathi popular novelist, writer of advice books and editor from Maharashtra, India. Early life and education Apte was born on 11 July 1889 in the village of Samdoli in Sangli District of Maharashtra. After finishing his 7th-grade education in Samdoli and Satara.He joined the Satara New English School for his high school studie He left home in 1904 to participate in India's freedom movement by joining Vinayak Damodar Savarkar's Abhinav Bharat Society. He was influenced as a writer of novels and collections of short stories by the great writer Hari Narayan Apte and also was influenced by the ideas of social reform movements of the 19th century in Maharashtra. His stories cover historical and social themes, which are based on the everyday life of the Marathi middle class. He traveled extensively throughout northern India's parts like Rajasthan, Bengal (before partition in 1905) & Nep ...
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Mahatma Gandhi
Mohandas Karamchand Gandhi (; ; 2 October 1869 – 30 January 1948), popularly known as Mahatma Gandhi, was an Indian lawyer, anti-colonial nationalist Quote: "... marks Gandhi as a hybrid cosmopolitan figure who transformed ... anti-colonial nationalist politics in the twentieth-century in ways that neither indigenous nor westernized Indian nationalists could." and political ethicist Quote: "Gandhi staked his reputation as an original political thinker on this specific issue. Hitherto, violence had been used in the name of political rights, such as in street riots, regicide, or armed revolutions. Gandhi believes there is a better way of securing political rights, that of nonviolence, and that this new way marks an advance in political ethics." who employed nonviolent resistance to lead the successful campaign for India's independence from British rule, and to later inspire movements for civil rights and freedom across the world. The honorific ''Mahātmā'' (Sanskrit ...
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Marathi Language
Marathi (; ''Marāṭhī'', ) is an Indo-Aryan languages, Indo-Aryan language predominantly spoken by Marathi people in the Indian state of Maharashtra. It is the official language of Maharashtra, and additional official language in the state of Goa. It is one of the 22 scheduled languages of India, with 83 million speakers as of 2011. Marathi ranks 11th in the List of languages by number of native speakers, list of languages with most native speakers in the world. Marathi has the List of languages by number of native speakers in India, third largest number of native speakers in India, after Hindi Language, Hindi and Bengali language, Bengali. The language has some of the oldest literature of all modern Indian languages. The major dialects of Marathi are Standard Marathi and the Varhadi dialect. Marathi distinguishes Clusivity, inclusive and exclusive forms of 'we' and possesses a three-way Grammatical gender, gender system, that features the neuter in addition to the masculine ...
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Duniya Na Mane
Duniya may refer to: Arts and entertainment * ''Duniya'' (1968 film), a Hindi romantic thriller * ''Duniya'' (1984 film), a Hindi film * ''Duniya'' (2007 film), an Indian Kannada-language film * ''Duniya'' (album), a 1997 album by Raageshwari Loomba. * '' Duniya (The Intrinsic Passion of Mysterious Joy)'', a 1994 album by Loop Guru People * Duniya Soori, Indian film director * Duniya Vijay (born 1974), Indian actor See also * Dunia (other) * Dunya (other) * Dunja (other) Dunja is a Serbian and Croatian feminine given name. Dunja may also refer to: * ''Dunja'' (film), a 1955 Austrian film * Dogna (Slovene: ''Dunja''), a municipality in Italy * Lancia Fulvia Dunja, a concept car See also * * Dunja, du, a West ...
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Kunku
''Kunku'' (Marathi title) is a 1937 Marathi classic social drama film directed by V. Shantaram, and based on the novel, ''Na Patnari Goshta'' by Narayan Hari Apte, who also wrote film's screenplay. The film was simultaneously shot and released in Hindi as ''Duniya Na Maane''. The movie went on to become both a critical and commercial success, and was shown at the Venice International Film Festival.Films
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The film is now hailed for "its daring attack on the treatment of women in Indian society." and depiction of . For film's lead actress, Shanta Ap ...
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Prabhat Film Company
Prabhat Film Company (popularly known as Prabhat Films) was an Indian film production company and film studios founded in 1929 by the noted film director V.Shantaram and his friends. It was formed in Kolhapur, Maharashtra, India in 1929, towards the end of silent films' era, by the noted film director V. Shantaram, along with V.G. Damle, Keshav Rao Dhaibar, S. Fatelal and S.V. Kulkarni. The company moved to Pune in 1933, where it established its own studio and produced a total of 45 films in both Marathi and Hindi over 27 years, including are ''Kunku'' (''Duniya Na Mane'' in Hindi), ''Swarajyacha Toran'' also called '' Udaykal'', based on Shivaji's life, ''Dharmatma'' on life of saint Eknath, ''Sant Tukaram'', based on the saint-poet and social reformer, ''Shejari'' also called ''Padosi'', on communal harmony, ''Manoos'' (a.k.a. '' Aadmi'') about alcoholism and ''Amar Jyoti'' about woman's emancipation. While several companies such as, Imperial Film Company, Krishna Cinetone, ...
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Amrit Manthan (film)
''Amrit Manthan'' (English: ''Churning for nectar'') is a 1934 Indian costume-drama film directed by V. Shantaram for his Prabhat Film Company. The film was produced simultaneously in Hindi and Marathi. The film starred Chandra Mohan, Nalini Tarkhad, Shanta Apte, G. R. Mane, Varde and Kelkar. The film was based on Narayan Hari Apte's novel ''Bhagyashree''. The Hindi translation was done by Veer Mohammed Puri, who also wrote the lyrics for the film. The narrative in ''''Amrit Manthan'''' focuses on a reformist king who bans the sacrifice of animals and humans in his kingdom. The film was tremendously successful all over the country. It ran in one Bombay theatre for thirty weeks. Prabhat's distributor, Baburao Pai, coined the term "''silver jubilee''" when "''Amrit Manthan''" completed its twenty-fifth week: a first in the Indian film industry. Plot The story is about a reformist king Kantivarma (Varde), who bans the sacrifice of animals and humans. This angers the fanatical R ...
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Maharashtra Film Company
Maharashtra Film Company was an Indian film production company, established by Baburao Painter in Kolhapur. Established in 1918, it was a silent film studio, which was a pioneer in Maharashtra and Marathi cinema, under the patronage of the Shahu Maharaj, the Maharaja of Kolhapur. It released the first significant historical, '' Sairandhari'', released in Pune 7 February 1920. In the coming decade the only other major company was Dada Saheb Phalke's Hindustan Film Company. It made numerous films till the advent of talkies in 1931, but started collapsing after V. Shantaram left in 1929, to form Prabhat Film Company, it finally closed down in 1931. History Vishnupant Damle was trusted lieutenant of Baburao Painter in his Maharashtra film Company, Kolhapur. The company had made a name for itself with its silent films in early 1920s. Baburao Painter made many silent movies till 1930 however after a few more silent films, the Maharashtra Film Company pulled down its shutters with the a ...
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Pune
Pune (; ; also known as Poona, (List of renamed Indian cities and states#Maharashtra, the official name from 1818 until 1978) is one of the most important industrial and educational hubs of India, with an estimated population of 7.4 million As of 2021, Pune Metropolitan Region is the largest in Maharashtra by area, with a geographical area of 7,256 sq km. It has been ranked "the most liveable city in India" several times. Pune is also considered to be the cultural and educational capital of Maharashtra. Along with the municipal corporation area of Pimpri-Chinchwad Municipal Corporation, PCMC, Pune Municipal Corporation, PMC and the three Cantonment Board, cantonment towns of Pune Camp, Camp, Khadki, and Dehu Road, Pune forms the urban core of the eponymous Pune Metropolitan Region (PMR). Situated {{convert, 560, m, 0, abbr=off Height above sea level, above sea level on the Deccan Plateau, Deccan plateau, on the right bank of the Mutha River, Mutha river,{{cite web , last=Nala ...
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Dadasaheb Phalke
Dhundiraj Govind Phalke (Pronunciation: Help:IPA/Marathi, [d̪ʱuɳɖiɾaːd͡ʒ pʰaːɭke]), popularly known as Dadasaheb Phalke () (30 April 1870 – 16 February 1944), was an Indian producer-director-screenwriter, known as "the Father of Indian cinema". His debut film, ''Raja Harishchandra'', was the first Indian movie released in 1913, and is now known as India's first full-length feature film. He made 95 feature-length films and 27 short films in his career, spanning 19 years, until 1937, including his most noted works: ''Mohini Bhasmasur'' (1913), ''Satyavan Savitri'' (1914), ''Lanka Dahan'' (1917), ''Shri Krishna Janma'' (1918) and ''Kaliya Mardan'' (1919). The Dadasaheb Phalke Award, awarded for lifetime contribution to cinema by the Government of India, is named in his honour. Early life and education Dhundiraj Phalke was born on 30 April 1870 at Trimbak, Bombay Presidency into a Marathi language, Marathi-speaking Chitpavan Brahmin family. His father, Govind Sadashiv ...
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Shantaram Athavale
Shantaram Govind Athavale ( mr, शांताराम गोविंद आठवले) (21 January 1910 – 2 May 1975) was an Indian director of Marathi, Hindi and English language films, a lyricist, poet, and author. Part of the generation that emerged from the Prabhat Film Company in Pune in the 1930s, he made pioneering contributions to Marathi film. Biography In the early 1930s, Athavale undertook an apprenticeship with the popular novelist Narayan Hari Apte. When Apte was brought in by the Prabhat Film Company to script ''Amrit Manthan,'' Athavale joined him and achieved success as a songwriter on the film with ''Kiti sukhada.'' At Prabhat, as a lyricist under V. Shantaram and working alongside Vishram Bedekar, Master Vinayak, Keshavrao Bhole and others, Athavale would be part of the generation considered pioneers of Marathi cinema. Athavale's contribution as lyricist to Sant Tukaram, the first Indian film to achieve critical international success, was highly ...
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Baburao Painter
Baburao Krishnarao Mestry, popularly known as Baburao Painter (3 June 1890 – 16 January 1954) was an Indian filmmaker and artist. He was a man of many talents with proficiency in painting, sculpture, film production, photography, and mechanical engineering. Early life Baburao was born in a simple family on 3 June 1890 in Kolhapur, Maharashtra. He had only studied till class four or five in a Marathi medium school. His father Krishnarao Mestry was a blacksmith and carpenter by profession, but he also excelled in painting, stone and marble sculpting along with ivory carving. Baburao inherited art from his father and learned the basics of the same from him. He also taught himself to paint and sculpt in academic art school style. In the company of his cousin brother Anandrao, he also became fascinated with oil painting, photography and film making. Stage backdrop artist Noted theatre artist Keshavrao Bhosale, the owner of ''Lalit Kaladarsh Natak Mandali'' (theater troupe), hai ...
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Hindu
Hindus (; ) are people who religiously adhere to Hinduism.Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pages 35–37 Historically, the term has also been used as a geographical, cultural, and later religious identifier for people living in the Indian subcontinent. The term ''"Hindu"'' traces back to Old Persian which derived these names from the Sanskrit name ''Sindhu'' (सिन्धु ), referring to the river Indus. The Greek cognates of the same terms are "''Indus''" (for the river) and "''India''" (for the land of the river). The term "''Hindu''" also implied a geographic, ethnic or cultural identifier for people living in the Indian subcontinent around or beyond the Sindhu (Indus) River. By the 16th century CE, the term began to refer to residents of the subcontinent who were not Turkic or Muslims. Hindoo is an archaic spelling variant, whose use today is considered derogatory. The historical development of Hindu self-identity within the local In ...
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