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Nama Sankeerthanam
Nama Japam or Nama Sankeertanam is the ''japa'' (repetition) or ''Sankirtana'' of ''nama'' (name) of the Almighty. The devotee chooses '' Ishta-deva'' or ''Ishta devata'' (Sanskrit ', literally "cherished divinity" from ''iṣṭa'' "desired, liked, cherished" and '' devatā'' "godhead, divinity," or ''deva'' "deity") and picks up a name of the Ishta deva to repeatedly chant the name vocally or in the mind any time, anywhere. Devotees can form a group and do sankeertanam or singing together of name of the Almighty. The trinities of Namasankeerthanam '' Bodhendra Saraswathi'',''Sridhara Venkatesa Ayyaval'' and ''Marudanallur''Sadguru Swamigal compiled the Bhajana Sampradaya. Namasankeerthanam also gained momentum through stalwarts such as Pudukottai Gopalakrishna Bhagavathar and ''Haridhos Giri'' who popularized it with adherence to paddathi(tradition). ''Gita Govinda'','' Tarangini (music)'',''Abhang'' and Namavalis(''Tempo'') are few common genres. Devotional songs were sung ...
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Japa
''Japa'' ( sa, जप) is the meditative repetition of a mantra or a divine name. It is a practice found in Hinduism, Jainism, Sikhism, and Buddhism, with parallels found in other religions. ''Japa'' may be performed while sitting in a meditation posture, while performing other activities, or as part of formal worship in group settings. The mantra or name may be spoken softly, loud enough for the practitioner to hear it, or it may be recited silently within the practitioner's mind. Etymology The Sanskrit word ''japa'' is derived from the root ''jap-'', meaning "to utter in a low voice, repeat internally, mutter". It can be further defined as ''ja'' to destroy birth, death, and reincarnation and ''pa'' meaning to destroy ones sins. Monier-Williams states that the term appears in Vedic literature such as in the Aitareya Brahmana (Rigveda) and the Shatapatha Brahmana (Yajurveda). The term means muttering, whispering or murmuring passages from the scripture, or charms, or name ...
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Surdas
Surdas (IAST: Sūr, Devanagari: सूर) was a 16th-century blind Hindu devotional poet and singer, who was known for his works written in praise of Krishna, the supreme lord. He was a Vaishnava devotee of Lord Krishna, and he was also a revered poet and singer. His compositions glorified and captured his devotion towards lord Krishna. Most of his poems were written in the Braj language, while some were also written in other dialects of medieval Hindi, like Awadhi. There are many theories about Surdas, but most popularly, he is said to have been blind from birth. During his time, lived another saint by the name of Vallabhacharya. Vallabhacharya was the founder of the Pushti Marg Sampraday, and his successor, Vithalnath, had selected eight poets who would help him to further spread the glory of lord Krishna, by composing works of music. These eight poets were known as the "Astachap", and Surdas is believed to be the foremost among them due to his outstanding devotion and po ...
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Lakshmi
Lakshmi (; , sometimes spelled Laxmi, ), also known as Shri (, ), is one of the principal goddesses in Hinduism. She is the goddess of wealth, fortune, power, beauty, fertility and prosperity, and associated with ''Maya'' ("Illusion"). Along with Parvati and Saraswati, she forms the Tridevi of Hindu goddesses. Within the goddess-oriented Shaktism, Lakshmi is venerated as the prosperity aspect of the Mother goddess. Lakshmi is both the consort and the divine energy (''shakti'') of the Hindu god Vishnu, the Supreme Being of Vaishnavism; she is also the Supreme Goddess in the sect and assists Vishnu to create, protect, and transform the universe. She is an especially prominent figure in Sri Vaishnavism, in which devotion to Lakshmi is deemed to be crucial to reach Vishnu. Whenever Vishnu descended on the earth as an avatar, Lakshmi accompanied him as consort, for example, as Sita and Radha or Rukmini as consorts of Vishnu's avatars Rama and Krishna, respectively. The eight ...
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Gita
The Bhagavad Gita (; sa, श्रीमद्भगवद्गीता, lit=The Song by God, translit=śrīmadbhagavadgītā;), often referred to as the Gita (), is a 700-Sanskrit prosody, verse Hindu texts, Hindu scripture that is part of the Hindu epic, epic ''Mahabharata'' (chapters 23–40 of book 6 of the Mahabharata called the Bhishma Parva), dated to the second half of the first millennium BCE and is typical of the Hindu synthesis. It is considered to be one of the holy scriptures for Hinduism. The Gita is set in a narrative framework of a dialogue between Pandava prince Arjuna and his guide and charioteer Krishna. At the start of the dharma War, yuddha (or the "righteous war") between the Pandavas and the Kauravas, Arjuna is preoccupied by a Morality, moral and emotional dilemma and despairs about the violence and death the war will cause in the battle against his kin. Wondering if he should renounce the war, he seeks Krishna's counsel, whose answers and discourse ...
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Bhaja Govindam
"Bhaja Govindam" ( sa, भज गोविन्दं, meaning "Praise/Seek Govinda"), also known as "Moha Mudgara" ("Destroyer of illusion"), is a popular Hindu devotional poem in Sanskrit composed by Adi Shankara. This work of Adi Shankara underscores the view that ''bhakti'' (devotion) is also important along with ''jñāna'' (knowledge), as emphasised by the bhakti movement. Sanskrit Text The first stanza of the composition, featuring the eponymous line "Bhaja Govindam", reads as follows: Story There is a story related to the composition of this Hymn. It is said that Shri Adi Shankaracharya, accompanied by his disciples, was walking along a street in Varanasi one day when he came across an old aged scholar reciting the rules of Sanskrit grammar of Panini repeatedly on the street. Taking pity on him, Adi Shankara went up to the scholar and advised him not to waste his time on grammar at his age but to turn his mind to God in worship and adoration, which would only sav ...
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Advaita
''Advaita Vedanta'' (; sa, अद्वैत वेदान्त, ) is a Hindu sādhanā, a path of spiritual discipline and experience, and the oldest extant tradition of the orthodox Hindu school Vedānta. The term ''Advaita'' (literally "non-secondness", but usually rendered as "nondualism", and often equated with monism) refers to the idea that ''Brahman'' alone is ultimately real, while the transient phenomenal world is an illusory appearance (''maya'') of Brahman. In this view, (''jiv) Ātman'', the experiencing self, and ''Ātman-Brahman'', the highest Self and Absolute Reality, is non-different. The ''jivatman'' or individual self is a mere reflection or limitation of singular ''Ātman'' in a multitude of apparent individual bodies. In the Advaita tradition, ''moksha'' (liberation from suffering and rebirth) is attained through recognizing this illusoriness of the phenomenal world and disidentification from the body-mind complex and the notion of 'doership' ...
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Adi Sankaracharya
Adi Shankara ("first Shankara," to distinguish him from other Shankaras)(8th cent. CE), also called Adi Shankaracharya ( sa, आदि शङ्कर, आदि शङ्कराचार्य, Ādi Śaṅkarācāryaḥ, lit=First Shankaracharya, ), was an Indian Vedic scholar and teacher (''acharya''), whose works present a harmonizing reading of the ''sastras'', with liberating knowledge of the self at its core, synthesizing the Advaita Vedanta teachings of his time. The title of Shankracharya, used by heads of the amnaya monasteries is derived from his name. Due to his later fame, over 300 texts are attributed to his name, including commentaries (''Bhāṣya''), introductory topical expositions (''Prakaraṇa grantha'') and poetry (''Stotra''). However most of these are likely to be by admirers or pretenders or scholars with an eponymous name.W Halbfass (1983), Studies in Kumarila and Sankara, Studien zur Indologie und Iranistik, Monographic 9, Reinbeck Works known ...
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Bhishma
Bhishma (Sanskrit: भीष्‍म, , ), also known as Pitamaha, Gangaputra, and Devavrata, played an integral role in Mahabharata. He was the supreme commander of the Kaurava forces during the Kurukshetra War mentioned in the Hindu epic Mahabharata. He was the only character who witnessed the entirety of the Mahabharata, beginning from the reign of his father, King Shantanu of the Kuru kingdom. Bhishma was the step-brother of Vyasa, the grandfather of both the Pandavas and the Kauravas. He was a prominent statesman of the Kuru Kingdom. He was born as the elder son of the illustrious King Shantanu and Ganga. Originally named Devavrata, he was made the heir-apparent of his kingdom. However, he ceded his throne for his father's happiness and took the vow of lifelong celibacy. Owing to this selfless decision, he came to be known as Bhishma and was blessed to live as long as he wanted, by his father, Shantanu. He played a major role in the political affairs of the Kuru kingdo ...
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Bhakti
''Bhakti'' ( sa, भक्ति) literally means "attachment, participation, fondness for, homage, faith, love, devotion, worship, purity".See Monier-Williams, ''Sanskrit Dictionary'', 1899. It was originally used in Hinduism, referring to devotion and love for a personal god or a representational god by a devotee.Bhakti
''Encyclopædia Britannica'' (2009)
In ancient texts such as the '' Shvetashvatara Upanishad'', the term simply means participation, devotion and love for any endeavor, while in the '' Bhagavad Gita'', it connotes one of the possible paths of spirituality and towards

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Kali Yuga
''Kali Yuga'', in Hinduism, is the fourth and worst of the four ''yugas'' (world ages) in a ''Yuga Cycle'', preceded by '' Dvapara Yuga'' and followed by the next cycle's '' Krita (Satya) Yuga''. It is believed to be the present age, which is full of conflict and sin. The "Kali" of ''Kali Yuga'' means "strife", "discord", "quarrel", or "contention" and ''Kali Yuga'' is associated with the demon Kali (not to be confused with the goddess Kālī). According to Puranic sources, Krishna's death marked the end of '' Dvapara Yuga'' and the start of ''Kali Yuga'', which is dated to 17/18 February 3102 BCE. Lasting for 432,000 years (1,200 divine years), ''Kali Yuga'' began years ago and has years left as of   CE. ''Kali Yuga'' will end in the year 428,899 CE. Etymology ''Yuga'' ( sa, युग), in this context, means "an age of the world", where its archaic spelling is ''yug'', with other forms of ''yugam'', , and ''yuge'', derived from ''yuj'' ( sa, युज्, ...
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Purandara Dasa
Purandara Dasa (IAST: Purandara dāsa) ( 1470 – 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding-proponents of Carnatic music (Karnataka classical music). In honor of his significant contributions to Carnatic music, he is widely referred to as the ''Pitamaha'' (''lit''. "father" or "grandfather") of Carnatic music. According to a legend, he is considered as an incarnation of Saint Narada. Purandara Dasa was a wealthy merchant of gold, silver and other miscellaneous jewellery from Karnataka, who gave away all his material riches to become a Haridasa (literally meaning a servant of Lord Hari or Lord Krishna), a devotional singer who made the difficult Sanskrit tenets of Bhagavata Purana available to everyone in simple and melodious songs. He was one of the most important music scholars of medieval India. He formulated the basic lessons of t ...
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