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Mātrika Metre
''Mātrika'' metre is a quantitative system of poetic metre in Indo-Aryan languages. The unit of measurement is the '' mātrā'' or 'beat', from which it takes its name. A short vowel or a pause is counted as one ''mātrā'', and long vowels, diphthongs, or a short vowel followed by a consonant cluster counts as two ''mātrās''. In recitation, however, 'long vowels may be pronounced as short, or short as long, in order to fit the words into the desired metre. For this reason, the ''mātrā'' count does not always correspond exactly to the written vowel arrangement.' Different ''mātrika'' metres have different rules determining caesurae; most require a specific pattern of rhyme. The most popular of these metres in Hindi are the '' chaupāī'' (sixteen ''mātrās''), the ''chaupaī'' (fifteen ''mātrās''), and the '' dohā'' (thirteen ''mātrās'' in the first and third feet and eleven, along with end-rhyme in the second and fourth). See also * Sanskrit prosody Sanskrit pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indo-Aryan Languages
The Indo-Aryan languages (or sometimes Indic languages) are a branch of the Indo-Iranian languages in the Indo-European languages, Indo-European language family. As of the early 21st century, they have more than 800 million speakers, primarily concentrated in India, Pakistan, Bangladesh, Nepal, Sri Lanka, and Maldives. Moreover, apart from the Indian subcontinent, large immigrant and expatriate Indo-Aryan–speaking communities live in Northwestern Europe, Western Asia, North America, the Caribbean, Southeast Africa, Polynesia and Australia, along with several million speakers of Romani languages primarily concentrated in Southeast Europe, Southeastern Europe. There are over 200 known Indo-Aryan languages. Modern Indo-Aryan languages descend from Old Indo-Aryan languages such as early Vedic Sanskrit, through Middle Indo-Aryan languages (or Prakrits). The largest such languages in terms of First language, first-speakers are Hindustani language, Hindi–Urdu (),Standard Hindi firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matra (music)
In Indian classical music, a Matra is a beat, the smallest rhythmic sub-unit of a tala - the musical meter. It is one of the three levels of structure for tala along with Vibhag (measure) and Avartan (cycle). Retrieved 2016-11-08 The significance of beats depends on their occurrence in a cycle. However, the value of the beats may be stretched or contracted depending on various factors. See also * * Tala *Vibhag
Vibhag (in mus ...
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Chaupai (poetry)
A chaupai (चौपाई) is a quatrain verse of Indian poetry, especially medieval Hindi poetry, that uses a metre of four syllables. Famous chaupais include those of poet-saint Tulsidas (used in his classical text ''Ramcharitamanas'' and poem ''Hanuman Chalisa'') . Chaupai is identified by a syllable count 16/16, counted with a value of 1 in case of Hrasva (short sounding letter) and 2 in case of Dirgha (long sounding letter). Examples Some of the famous 40 ''chaupais'' (known as "chalisa"); *Hanuman Chalisa * Ganesh Chalisa * Shiv Chalisa See also *Chhand (poetry) *Chaupai (Sikhism) Kaviyo Bach Benti Chaupai (also referred to as Chaupai Sahib) (Gurmukhi: ਕਬਿਯੋਬਾਚ ਬੇਨਤੀ ਚੌਪਈ or ਚੌਪਈ ਸਾਹਿਬ) is a hymn by Guru Gobind Singh. Chaupai is the 404th Charitar of the Charitropakhyan ... Indian poetics Stanzaic form Poetic rhythm {{India-lit-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doha (poetry)
Doha (Urdu: , Hindi: दोहा) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry.{{Cite web, url=http://dsalsrv02.uchicago.edu/cgi-bin/philologic/getobject.pl?c.4:1:1216.platts, title = Digital South Asia Library Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas, Surdas A doha is a couplet consisting of two lines, each of 24 instants (Matras). The rules for distinguishing light and heavy syllables is slightly different from Sanskrit. Each line has 13 instants in first part and 11 instants in the second. The first and third quarters of doha have 13 instants which must parse as 6-4-3. Many Hindi poets have created several books which explain whole stories and epics in the form of dohas. The most popular is Tulsidas' ''Ramcharitmanas'', a popular rendition of the Sanskrit epic ''Ramayana''. Examples न ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Prosody
Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies.James Lochtefeld (2002), "Chandas" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , page 140 It is the study of poetic metres and verse in Sanskrit. This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism, so central that some later Hindu and Buddhist texts refer to the Vedas as ''Chandas''. The Chandas, as developed by the Vedic schools, were organized around seven major metres, and each had its own rhythm, movements and aesthetics. Sanskrit metres include those based on a fixed number of syllables per verse, and those based on fixed number of morae per verse. Extant ancient manuals on Chandas include Pingala's ''Chandah Sutra'', while an example of a medieval Sanskrit prosody manual is Kedara Bhatta's ''Vrittaratnakara''. The most exhaustive compilations of Sanskrit prosody describe over 600 metres. This is a subst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Words And Phrases
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a collec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Rhythm
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
