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Vibhag
Vibhag (in music) represents a duration of rhythmic phrasing in Indian classical music made up of a certain number of beats. They are the rough equivalent of bars in western music, but instead of always being equal subdivisions of the tala (the rhythmic cycle - gdjg think 12 bar blues), they can be uneven. In certain traditions of Indian music, any number of beats may form a Vibhag. Usually the beats will be in two, three, or four. They should be designated either with a clap or a wave of the hand. The meaning of the word Bhag from is parts. The actual measure of the Vibhag is borders or boundaries or boundary lines, in short not in continuity or not continuous. The talas in Tabla or in any other percussion instrument in classical music have Vibhagas to get a track of the beats on Matras on which the singer or player is singing or playing on. For example taking different talas, Tala Teental has 16 mantras in it. It has 4 Vibhags. So Teental with Vibhags is written as This ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rupak Tala
Rupak Tala (rupak taal) or also known as Roopak Taal is a popular tala in Hindustani music that is common in Bhajans and Geets.Ram Avatar 'Vir' 2002, p. 33 It has seven matras (beats) in three vibhags (divisions). Unlike the popular Tintal, the vibhags of Rupak Tala are not of equal length. Also, both the khali and sam of Rupak Tala fall on the first matra. Aavartan The aavaratan (cycle) of Rupak Tala has three vibhags (divisions). The first vibhag has three matras and both the second and third vibhags have two matras. Sam is on the first matra of the first vibhag. The aavaratan of Rupak Taal may be written as follows: Examples There are numerous examples of Rupak Tala that differ based upon the instrument used. The following examples apply for the tabla. Theka The most common theka for Rupak tala contains the bols 'Tin', 'Na', and 'Dhin' (the transliteration of these bols may differ quite a lot among individuals). This theka is composed in the following manner Tin T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matra (music)
In Indian classical music, a Matra is a beat, the smallest rhythmic sub-unit of a tala - the musical meter. It is one of the three levels of structure for tala along with Vibhag (measure) and Avartan (cycle). Retrieved 2016-11-08 The significance of beats depends on their occurrence in a cycle. However, the value of the beats may be stretched or contracted depending on various factors. See also * * Tala *Vibhag
Vibhag (in mus ...
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Teental
Teentaal (alternatively spelled tintal, teental, or tintaal, and also called trital; Hindi: तीन ताल) is the most common '' taal'' of Hindustani Classical Music, and is used for ''drut'' (fast tempo). It is symmetrical and presents a very simple rhythmic structure against which a performance can be laid. It is played on the Tabla as well as on other percussion instruments. Arrangement Teentaal has sixteen (16) beats in four equal divisions (Vibhag). The period between every two beats is equal. The first beat out of 16 beats is called ''sam'' and the 9th beat is called ''khali'' ('empty'). To count the Teentaal, the audience claps on the first beat, claps on the 5th beat, then waves on the 9th beat and lastly again claps on the 13th beat; these three claps (Hindi ''teen'' 'three' + ''taal'' 'clap') give the rhythm its name. Uses Teentaal can be used for both accompaniment and solo. There are various Kaidas and Parans based on it. Teentaal is the most widely used taal. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tintal
Teentaal (alternatively spelled tintal, teental, or tintaal, and also called trital; Hindi: तीन ताल) is the most common '' taal'' of Hindustani Classical Music, and is used for ''drut'' (fast tempo). It is symmetrical and presents a very simple rhythmic structure against which a performance can be laid. It is played on the Tabla as well as on other percussion instruments. Arrangement Teentaal has sixteen (16) beats in four equal divisions (Vibhag). The period between every two beats is equal. The first beat out of 16 beats is called ''sam'' and the 9th beat is called ''khali'' ('empty'). To count the Teentaal, the audience claps on the first beat, claps on the 5th beat, then waves on the 9th beat and lastly again claps on the 13th beat; these three claps (Hindi ''teen'' 'three' + ''taal'' 'clap') give the rhythm its name. Uses Teentaal can be used for both accompaniment and solo. There are various Kaidas and Parans based on it. Teentaal is the most widely used taal. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ektal
Ektal or Ektaal is a tala in Indian music. It is commonly used in classical music like kheyal, and semi-classical forms like Rabindra Sangeet. In ''ektal'' the 12 matras are divided into 6 vibhags of two matras each. Ektal is played in Drut gatti ( fast speed ). This tala is mostly played by the use of tabla. One more tala similar to Ektal is Chowtal which is played with the use of Pakhavaj,Ektaal is the tabla counterpart of Chowtaal. Many beautiful Kaida are played in Ektal. But Ektal is mostly played for Vilambit (slow pace of any Tal) . Basic information on tal Ektal : Name - Ektal Sum - 1st matra Tali (claps) - 1, 5, 9, 11 matras Khali (wave) - 3, 7 matras Similar talas - Chowtal, Dadra, Garba (tal) Related instruments - Tabla Related to - Hindustani music The form of Ektal is as follows: clap, tap, wave, tap, clap, tap, wave, tap, clap, tap, clap, tap It has a characteri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jhaptal
Jhaptal is a tala of Hindustani music. It presents quite a different rhythmical structure from Teental, unlike which it is not symmetrical. It is used in madhyalay (medium-tempo) Khyal. Arrangement Jhaptal is a 10-beat pattern used in raga exposition. It has ten beats in four divisions (vibhag), of 2-3-2-3, the third of which is the khali, or open division. To follow the tal the audience clap on the appropriate beat, which in jhaptal is beats 1, 3 and 8 (the first beat in each full division). A wave of the hand indicates beat 6, the first beat of the khali section. Series of Claps and Waves: clap, 2, clap, 2, 3, wave, 2, clap, 2, 3 Theka The split for Jhaptaal : 2+3+2+3 che 4. In Devanagari : धी ना - धी धी ना -- ती ना - धी धी ना . It has a characteristic pattern of bols Bols may refer to: * Bol (music), an element of Indian rhythm * Lucas Bols, a Dutch distilling company * Bols (brand), a beverage brand name used by Lucas Bols * Bols ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keherwa
Keharwa or Kaharva is a tala of Hindustani music. Keherwa has many variations including dhumaali, "bhajani", and qawwali. Beats = 8 Division = 2 Arrangement Keharwa is an 8-beat pattern used in ragas. It has eight beats in two equal divisions (vibhag). The period between every two beats is equal. The first beat out of 8 beats is called "saam" and it denotes the start of the first division. The fifth beat out of 8 beats is called "khali" and denotes the start of the second division. To exhibit the Keherwa, the performer claps on the first beat and fifth beat is waved. Theka It has a characteristic pattern of bols (theka). In popular culture The popular Hindi film song, ''Rang Barse Bhige Chunar Wali'' from ''Silsila'' (1981), is also set in Keherwa by film's music composers duo, Shiv-Hari, who are noted classical musicians. The contemporary traditional Eid al-Fitr song for Bengali Muslims, O Mon Romzaner Oi Rozar Sheshe O Môn Rômzaner Oi Rozar Sheshe Elo Khushir Eid ( bn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of India
Owing to India's vastness and diversity, Indian music encompasses numerous genres in multiple varieties and forms which include classical music, folk (Bollywood), rock, and pop. It has a history spanning several millennia and developed over several geo-locations spanning the sub-continent. Music in India began as an integral part of socio-religious life. History Pre-history Paleolithic The 30,000-year-old paleolithic and neolithic cave paintings at the UNESCO world heritage site at Bhimbetka rock shelters in Madhya Pradesh show a type of dance. Mesolithic and chalcolithic cave art of Bhimbetka illustrates musical instruments such as Gongs, Bowed Lyre, daf etc. Neolithic Chalcolithic era (4000 BCE onward) narrow bar shaped polished stone celts like music instruments, one of the earlier musical instrument in India, were excavated at Sankarjang in the Angul district of Odisha. There is historical evidence in the form of sculptural evidence, i.e. musical instruments, si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the |
Jhoomra
Jhoomra is a tala of Hindustani music. Jhoomra tala has 14 beats. Jhoomra is often used in the vilambit or ati-vilambit (slow) Khyal Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the perfor .... Arrangement Jhoomra tala can be counted like this: *clap, 2, 3, clap, 2, 3, 4, wave, 2, 3, clap, 2, 3, 4 Or can be counted like this: *clap, 2, 3, clap, 5, 6, 7 wave, 9, 10, clap, 12, 13, 14 Theka This is arrangement of Jhoomra: Dhin , -Dha , TiRiKaTa Dhin , Dhin , Dha Ge , TiRiKaTa Tin , -Ta , TiRiKaTa Dhin , Dhin , Dha Ge , TiRiKaTa Theka of Jhoomra can be arranged like this: References {{Hindustani Classical Music page end Hindustani talas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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