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Max Reinhardt
Max Reinhardt (; born Maximilian Goldmann; 9 September 1873 – 30 October 1943) was an Austrian-born theatre and film director, intendant, and theatrical producer. With his radically innovative and avante garde stage productions, Reinhardt is regarded as one of the most prominent stage directors of the early 20th century. For example, Reinhardt's 1917 stage premiere of Reinhard Sorge's Kleist Prize-winning stage play ''Der Bettler'' almost single-handedly gave birth to Expressionism in the theatre and ultimately in motion pictures as well. In 1920, Reinhardt established the Salzburg Festival by directing an open air production of Hugo von Hofmannsthal's acclaimed adaptation of the '' Everyman'' Medieval mystery play in the square before the Cathedral with the Alps as a background. This remains an annual custom at the Salzburg Festival to this day. Toby Cole and Helen Krich Chinoy have dubbed Reinhardt, "one of the most picturesque actor-directors of modern times", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Perscheid
Nicola Perscheid (3 December 1864 – 12 May 1930) was a German photographer. He is primarily known for his artistic portrait photography. He developed the "Perscheid lens", a soft focus lens for large format portrait photography. Life and career Perscheid was born as Nikolaus Perscheid in near Koblenz, German Confederation, where he also went to school. At the age of 15, he began an apprenticeship as a photographer. Subsequently, Perscheid earned his living as an itinerant photographer; he worked, amongst other places, in Saarbrücken, Trier, and Colmar, but also in Nice, Vienna, or Budapest. In Klagenfurt in Austria he finally found a permanent position and on 1 March 1887, he became a member of the Photographic Society of Vienna (''Wiener Photographische Gesellschaft''). In 1889, he moved to Dresden, where he initially worked in the studio of Wilhelm Höffert (1832–1901), a well-known studio in Germany at that time, before opening his own studio in Görlitz on 6 June 1891 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expressionism (theatre)
Expressionism was a movement in drama and theatre that principally developed in Germany in the early decades of the 20th century. It was then popularized in the United States, Spain, China, the U.K., and all around the world. Similar to the broader movement of Expressionism in the arts, Expressionist theatre utilized theatrical elements and scenery with exaggeration and distortion to deliver strong feelings and ideas to audiences. History The early Expressionist theatrical and dramatic movement in Germany had Dionysian, Hellenistic philosophy, Hellenistic, and Nietzsche philosophy influences. It was impacted by the likes of German poet August Stramm and Swedish playwright August Strindberg. ''Murderer, the Hope of Women'' by Oskar Kokoschka, written in 1907 and first performed in Vienna in 1909, was the first fully expressionist drama. Expressionism was then explored and evolved in Germany by a multitude of playwrights, the most famous of which being Georg Kaiser, whose first succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Theatre
Medieval theatre encompasses theatrical performance in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering dramatic performance in Europe over a thousand-year period. A broad spectrum of genres needs to be considered, including mystery plays, morality plays, farces and masques. The themes were almost always religious. The most famous examples are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays, and the N-Town Plays, as well as the morality play known as ''Everyman''. One of the first surviving secular plays in English is ''The Interlude of the Student and the Girl'' (c. 1300). Due to a lack of surviving records and texts, low literacy in the general population, and the opposition of the clergy, there are few surviving sources from the Early and High Medieval periods. However, by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Ancient Greece
Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Etymology The word grc, τραγῳδία, tragoidia, label=none, from which the word "tragedy" is derived, is a compound of two Greek words: grc, τράγος, tragos, label=none or "goat" and grc, ᾠδή, ode, label=none meaning "song", from grc, ἀείδειν, ae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anschluss
The (, or , ), also known as the (, en, Annexation of Austria), was the annexation of the Federal State of Austria into the German Reich on 13 March 1938. The idea of an (a united Austria and Germany that would form a " Greater Germany") began after the unification of Germany excluded Austria and the German Austrians from the Prussian-dominated German Empire in 1871. Following the end of World War I with the fall of the Austro-Hungarian Empire, in 1918, the newly formed Republic of German-Austria attempted to form a union with Germany, but the Treaty of Saint Germain (10 September 1919) and the Treaty of Versailles (28 June 1919) forbade both the union and the continued use of the name "German-Austria" (); and stripped Austria of some of its territories, such as the Sudetenland. Prior to the , there had been strong support in both Austria and Germany for unification of the two countries. In the immediate aftermath of the dissolution of the Habsburg monarchy—with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refugee
A refugee, conventionally speaking, is a displaced person who has crossed national borders and who cannot or is unwilling to return home due to well-founded fear of persecution.FAQ: Who is a refugee? ''www.unhcr.org'', accessed 22 June 2021 Such a person may be called an until granted by the contracting state or the |
United States
The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territories, nine Minor Outlying Islands, and 326 Indian reservations. The United States is also in free association with three Pacific Island sovereign states: the Federated States of Micronesia, the Marshall Islands, and the Republic of Palau. It is the world's third-largest country by both land and total area. It shares land borders with Canada to its north and with Mexico to its south and has maritime borders with the Bahamas, Cuba, Russia, and other nations. With a population of over 333 million, it is the most populous country in the Americas and the third most populous in the world. The national capital of the United States is Washington, D.C. and its most populous city and principal financial center is New York City. Paleo-Americ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helen Krich Chinoy
Helen Krich Chinoy (September 25, 1922 – May 24, 2010) was an American theater historian who documented the role of women in United States theater. Biography Helen Krich was born on September 25, 1922, in Newark, New Jersey. She was awarded bachelor's and master's degrees from New York University, where she majored in English. She later earned her doctorate, also in English, from Columbia University. Together with Toby Cole, she co-authored the 1949 book ''Actors on Acting'' in 1949 which was a collection of pieces about the theater from Ancient Greece to the modern stage. She wrote an essay to introduce the book, which has been used over the years as a college textbook. She and Cole wrote the 1953 compilation ''Directors on Directing'' as a followup to their first book, providing a historical perspective on the director's craft, primarily using their own writings.Weber, Bruce"Helen Chinoy, A Historian of Theater, Dies at 87" ''The New York Times'', June 13, 2010. Accessed Aug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toby Cole
Toby is a popular, usually male, name in many English speaking countries. The name is from the Middle English vernacular form of Tobias. Tobias itself is the Greek transliteration of the Hebrew טוביה ''Toviah'', which translates to ''Good is Yahweh''. Yahweh is the name of the Jewish God. Toby is also an alternate form of Tobias. It is also used as a contraction of Tobin, an Irish surname now also used as a forename. People named or nicknamed Toby * Toby Alderweireld (born 1989), Belgian professional football player * Toby Bailey (born 1975), American sports agent former professional basketball player * Toby Balding (1936–2014), British racehorse trainer * Toby Barker (born 1981), American politician * Toby Barrett (born 1945), Canadian politician * Toby Brighty (born 1995), English Graphic Designer * Toby Colbeck (1884-1918), English cricketer * Toby Cosgrove (born 1940), American surgeon * Toby Creswell (born 1955), Australian music journalist and writer * Toby ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mystery Play
Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably) are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the representation of Bible stories in churches as tableaux with accompanying antiphonal song. They told of subjects such as the Creation, Adam and Eve, the murder of Abel, and the Last Judgment. Often they were performed together in cycles which could last for days. The name derives from ''mystery'' used in its sense of ''miracle,'' but an occasionally quoted derivation is from ''ministerium'', meaning ''craft'', and so the 'mysteries' or plays performed by the craft guilds. Origins As early as the fifth century living tableaux were introduced into sacred services. The plays originated as simple ''tropes'', verbal embellishments of liturgical texts, and slowly became more elaborate. At an early period chants from the service of the day were added t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elckerlijc
''Elckerlijc'' (also known as ''Elckerlyc'') is a morality play from the Low Countries which was written in Dutch somewhere around the year 1470. It was first printed in 1495. The play was extremely successful and may have been the original source for the English play ''Everyman'', as well as many other translations for other countries. The authorship of ''Elckerlijc'' is attributed to Peter van Diest, a medieval writer from the Low Countries. The play won the first prize in a theater contest in Brabant; it is uncertain whether it won at the Antwerp Landjuweel in 1496. As a morality play, it stresses the didactic message. It uses allegory of the hero as an "everyman" (a typical human person) and is written in moderately elevated Rederijker style. Dutch and English historians argued for decades over whether the English play ''Everyman'' was based on ''Elckerlijc'' (or vice versa). The most convincing evidence that ''Elckerlijc'' was the original was provided by the En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jedermann (play)
(''Everyman. The play of the rich man's death'') is a play by the Austrian playwright Hugo von Hofmannsthal. It is based on several medieval mystery plays, including the late 15th-century English morality play ''Everyman''. It was first performed on 1 December 1911 in Berlin, directed by Max Reinhardt at the Circus Schumann. Since 1920, it has been performed regularly at the Salzburg Festival. Plot God sends Death (Tod) to summon the rich bon viveur Jedermann who is then abandoned by his friends, his wealth and his lover (Buhlschaft). History The play was conceived by Hugo von Hofmannsthal in the tradition of medieval morality plays, based on ''Elckerlijc'' (ca. 1470) by Peter van Diest, the late 15th-century English ''Everyman'', ''Hecastus'' (1539) by Macropedius, and ''Hekastus'' (1549) by Hans Sachs. It was first performed on 1 December 1911 in Berlin under the direction of Max Reinhardt at the Circus Schumann (which later became the Großes Schauspielhaus). In 1920, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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