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Marie Tiffany
Marie Berg Tiffany (July 8, 1881 - April 12, 1948) was an American operatic soprano. She was a member of the Metropolitan Opera in Manhattan, New York City from 1916 to 1928; making a total of 208 appearances at the Met during her career. She created roles in several world premieres at the Met and was notably the only performer to appear in all three one act operas at the premiere of Giacomo Puccini's ''Il Trittico'' in 1918. Biography She was born Marie Berg on July 8, 1881 in Chicago, Illinois. Tiffany married court reporter Willis N. Tiffany in 1900 and resided with him for 16 years in California where she was a soloist at the First Presbyterian Church of Pasadena. In 1916 she moved to New York City, where she soon became a member of the Metropolitan Opera. She made her Met debut on November 17, 1916 as the Milliner in Richard Strauss' ''Der Rosenkavalier'' under conductor Artur Bodanzky. She remained at the Met for the next 12 years, singing mainly comprimario roles. She perf ...
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Marie Tiffany In 1919
Marie may refer to: People Name * Marie (given name) * Marie (Japanese given name) * Marie (murder victim), girl who was killed in Florida after being pushed in front of a moving vehicle in 1973 * Marie (died 1759), an enslaved Cree person in Trois-Rivières, New France * ''Marie'', Biblical reference to Holy Mary, mother of Jesus * Marie Curie, scientist Surname * Jean Gabriel Marie (other) * Peter Marié (1826–1903), American socialite from New York City, philanthropist, and collector of rare books and miniatures * Rose Marie (1923–2017), American actress and singer * Teena Marie (1956–2010), American singer, songwriter, and producer Places * Marie, Alpes-Maritimes, commune of the Alpes-Maritimes department, France * Lake Marie, Umpqua Lighthouse State Park, Winchester Bay, Oregon, U.S. * Marie, Arkansas, U.S. * Marie, West Virginia, U.S. Art, entertainment, and media Music * "Marie" (Cat Mother and the All Night Newsboys song), 1969 * "Marie" (Johnny Hallyda ...
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Shanewis
''Shanewis'' (or ''The Robin Woman'') (1918) is an opera in one act and two scenes by American composer Charles Wakefield Cadman with an English-language libretto by Nelle Richmond Eberhart. They collaborated with Tsianina Redfeather Blackstone, a Cherokee/ Creek singer, who contributed elements from her life for the contemporary plot related to Native American issues.Pamela Karantonis, Dylan Robinson. ''Opera Indigene: Re/presenting First Nations and Indigenous Cultures''
Rout ...
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Zazà
''Zazà'' is an opera by Ruggero Leoncavallo, with a libretto by the composer. The story concerns the French music hall singer, Zazà, and her affair and subsequent decision to leave her lover, Milio, when she discovers that he is married. The music is influenced by the French music halls where Leoncavallo had spent his early years as a composer. Its premiere was at the Teatro Lirico (Milan), Teatro Lirico in Milan on 10 November 1900, starring Rosina Storchio as Zazà, Edoardo Garbin as Milio, Mario Sammarco as Cascart and Clorinda Pini-Corsi as Anaide, and conducted by Arturo Toscanini. It was later seen in opera houses around the world. Over the following twenty years it received over fifty new productions from Palermo to Paris, Buenos Aires to Moscow, Cairo to San Francisco, arriving at the Metropolitan Opera on 16 January 1920 in a production directed by David Belasco and conducted by Roberto Moranzoni, starring Geraldine Farrar, Giulio Crimi and Pasquale Amato, and later, G ...
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Madama Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel '' Madame Chrysanthème'' by Pierre Loti.Chadwick Jenna"The Original Story: John Luther Long and David Belasco" on columbia.edu Long's version was dramatized by David Belasco as the one-act play '' Madame Butterfly: A Tragedy of Japan'', which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year. The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan. It was poorly received, despite having such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in lead roles ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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L'elisir D'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ...
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Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ...
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Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ...
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Mireille (opera)
''Mireille'' is an 1864 opera in five acts by Charles Gounod to a French libretto by Michel Carré after Frédéric Mistral's poem Mirèio. The vocal score is dedicated to George V of Hanover. Composition history Mistral had become well known in Paris with the publication of the French prose translation of ''Mireio'' in 1859, and Gounod probably knew the work by 1861.Huebner 1992. He was charmed by its originality, the story being much less contrived than many of those on the operatic stage at the time.Condé G. Mireille (notes for the 1979 EMI recording). The action of the opera is quite faithful to Mistral, although the sequence of events of the Val d’Enfer (Act 3, Scene 1) and Mireille's avowal of her love of Vincent to her father (Act 2 finale) are reversed in the opera. Gounod's biographer James Harding has argued that "what matters in this extended lyric poem is not the story but the rich tapestry of Provençal traditions, beliefs and customs that Mistral unfolds." Durin ...
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La Reine Fiammette
''La reine Fiammette'' is an opera in four acts by composer Xavier Leroux. The opera uses a French language libretto by Catulle Mendès which is based on Mendès's 1898 work of the same name, a ''conte dramatique'' in six acts set in Renaissance Italy. The opera's premiere was given by the Opéra-Comique at the Salle Favart theatre in Paris on 23 December 1903. The production was directed by Albert Carré and conducted by André Messager. The United States premiere of the work was given at the Metropolitan Opera in New York City on 24 January 1919. That production was directed by Richard Ordynski, conducted by Pierre Monteux, and starred Geraldine Farrar as Orlanda, Hipolito Lazaro as Danièlo, Adamo Didur as Giorgio, Léon Rothier as César, and Flora Perini Flora Perini (20 November 1887 – 23 September 1975) was an Italian operatic mezzo-soprano who had a prominent opera career in Europe, South America, and the United States during the first half of the twentieth century. S ...
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Xavier Leroux
Xavier Henry Napoleón Leroux (11 October 1863 – 2 February 1919) was a French composer and a teacher at the Paris Conservatory. He was married to the famous soprano Meyrianne Héglon (1867–1942). Life Born in Italy at Velletri, 30 km south-east of Rome, Leroux was the son of a French military bandleader. He studied at the Conservatoire de Paris under Jules Massenet and Théodore Dubois, and won the Prix de Rome in 1885 with the cantata ''Endymion''. From 1896 he taught harmony there. Notable students include Eugène Bigot, Georges Dandelot, Marc Delmas, Roger Désormière, Louis Fourestier, Henri Mulet, Paul Paray, Louis Vuillemin, and Albert Wolff. Leroux composed various orchestral and choral works, songs, and piano pieces, but he became known above all as a representative of naturalistic French opera. His masterpiece is the opera ''Le Chemineau'', which was staged six times at the Opéra-Comique between 1907 and 1945. Alfredo Casella dedicated his Symphony ...
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Cleopatra's Night
''Cleopatra's Night'' is a short opera in two acts by American composer Henry Kimball Hadley. Its libretto is by Alice Leal Pollock based on the 1838 short story "One of Cleopatra's Nights" by French author Théophile Gautier. The opera premiered at the Metropolitan Opera on January 31, 1920. The opera was revived the following season, and was broadcast on NBC radio in 1929. ''Cleopatra's Night'' is written in an eclectic late romantic style, influenced both by the dramatic lyricism of the verismo movement and the rich orchestral approach employed by Wagner and Richard Strauss. The opera's first production was designed by Norman Bel Geddes. Frances Alda sang the title role, while tenor Orville Harrold sang the role of Meïamoun. Gennaro Papi conducted the premiere, though Hadley took the baton for the sixth and final performance of the season, becoming the first American composer to conduct his own opera at the Met. The opera was brought back the following season for three further ...
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