|
La Reine Fiammette
''La reine Fiammette'' is an opera in four acts by composer Xavier Leroux. The opera uses a French language libretto by Catulle Mendès which is based on Mendès's 1898 work of the same name, a ''conte dramatique'' in six acts set in Renaissance Italy. The opera's premiere was given by the Opéra-Comique at the Salle Favart theatre in Paris on 23 December 1903. The production was directed by Albert Carré and conducted by André Messager. The United States premiere of the work was given at the Metropolitan Opera in New York City on 24 January 1919. That production was directed by Richard Ordynski, conducted by Pierre Monteux, and starred Geraldine Farrar as Orlanda, Hipolito Lazaro as Danièlo, Adamo Didur as Giorgio, Léon Rothier as César, and Flora Perini Flora Perini (20 November 1887 – 23 September 1975) was an Italian operatic mezzo-soprano who had a prominent opera career in Europe, South America, and the United States during the first half of the twentieth century. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Périer As Giorgio D'Ast In La Reine Fiammette
Jean may refer to: People * Jean (female given name) * Jean (male given name) * Jean (surname) Fictional characters * Jean Grey, a Marvel Comics character * Jean Valjean, fictional character in novel ''Les Misérables'' and its adaptations * Jean Pierre Polnareff, a fictional character from ''JoJo's Bizarre Adventure'' Places * Jean, Nevada, USA; a town * Jean, Oregon, USA Entertainment * Jean (dog), a female collie in silent films * "Jean" (song) (1969), by Rod McKuen, also recorded by Oliver * ''Jean Seberg'' (musical), a 1983 musical by Marvin Hamlisch Other uses * JEAN (programming language) * USS ''Jean'' (ID-1308), American cargo ship c. 1918 * Sternwheeler Jean, a 1938 paddleboat of the Willamette River See also *Jehan * * Gene (other) * Jeanne (other) * Jehanne (other) * Jeans (other) * John (other) John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marguerite Giraud-Carré
Marguerite may refer to: People * Marguerite (given name), including a list of people with the name Places *Marguerite, Pennsylvania, an unincorporated community *Marguerite Bay, Antarctic Peninsula *Marguerite Island, Adélie Land, Antarctica Entertainment * ''Marguerite'' (musical), a 2008 West End musical by Michel Legrand *"Margueritte", a song by Oregon from the album ''Winter Light'' * ''Marguerite'' (2015 film), a French film * ''Marguerite'' (2017 film), a Canadian film Ships *, a United States Navy patrol vessel in commission from 1917 to 1919 *, another United States Navy patrol vessel in commission from 1917 and 1919; renamed ''SP-892'' in 1918 to avoid confusion *, a Royal Navy sloop transferred to the Royal Australian Navy in 1920 * ''Marguerite'' (ship), a French cargo ship launched in 1912, sunk by a U-boat in 1917 Plants *''Argyranthemum'', a genus of plants in the daisy family, especially '' A. frutescens'' *Garden marguerites, a group of hybrids derived fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Carbonne
Raymond Jean-Baptiste Ernest Carbonne (30 July 1860 in Toulouse – 1924) was a French tenor and stage director who had a long association with the Opéra-Comique in Paris. Life and career Carbonne studied at the , gaining first prizes in opéra comique and acting in 1887.Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895. He was a pupil of Achard and Bax at the Paris Conservatoire, winning first prize for opéra comique in 1889. He made his debut at the Paris Opéra-Comique on 15 January 1890 as Sylvain in ''les Dragons de Villars'' and went on to sing many roles there. He created roles in '' La Basoche'', ''La Carmélite'', '' Louise'', ''La reine Fiammette'', as well as appearing in the Paris premieres of '' Le jongleur de Notre Dame'', ''Falstaff'' and '' La Navarraise''. Other roles included Steersman in ''The Flying Dutchman'', Évandre in '' Alceste'', Almaviva in ''The Barber of Seville'', Birotteau in ''Le Caïd'', Dickson in ''La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Delvoye
Jean Delvoye (25 November 1854, in Liège – 13 June 1938, in Ougrée) was a Belgian baritone, who, after working in the French provinces, enjoyed a long career in Paris, centred on the Opéra-Comique, and left some recordings representative of his repertoire. Life and career Delvoye studied singing at the Conservatoire de Liège under Georges Bonheur, obtaining a 2nd prize after only five months. He also won two first prizes in the "déclamation lyrique" class of baritone Sébastien Carman. Around 1881 he appeared in several performances of opéras comiques at the Salle de Fontainebleau in his home city. He sang in Dunkerque during the 1886-1887 season, before moving on to Angers (1887-1888) then Nantes for two seasons, singing Zurga in '' Les pêcheurs de perles'', and appearing as well in ''Les dragons de Villars'', '' La Béarnaise'', ''Si j'étais roi'' and ''Le Roi d'Ys''. He spent 1890 to 1893 in Marseille, where he also took lessons from Ismaël as well as appear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Périer
Jean (Alexis) Périer (2 February 1869 – 3 November 1954) was a French operatic baryton-martin and actor. Although he sang principally within the operetta repertoire, Périer did portray a number of opera roles; mostly within operas by Wolfgang Amadeus Mozart and Giacomo Puccini. His career was almost entirely centered in Paris and he had a long association with the Opéra-Comique. He sang in a large number of world premieres, most notably originating the role of Pelléas in Debussy's '' Pelléas et Mélisande'' in 1902. In addition to his opera career, Périer appeared in several films between 1900 and 1938. Biography Jean Périer was born in Paris, the son of Belgian parents. His father was an opera singer and repetiteur. After initially working at the Credit Lyonnais,Gänzl K. ''The Encyclopedia of the Musical Theatre.'' Blackwell, Oxford, 1994. he became a pupil of Émile-Alexandre Taskin (opéra comique) and Romain Bussine (singing) at the Paris Conservatoire, winning firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Maréchal
Adolphe (Alphonse) Maréchal (26 September 1867 – 1 February 1935) was a Belgian tenor whose career in the French and Italian repertoire took him to France and England.Steane JB. Adolphe Maréchal. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Life and career Maréchal was born in Liège. Having studied at the Liège Conservatoire, Maréchal made his debut at Dijon in 1891 and toured the French provinces, singing in Rheims, Nice, Bordeaux,Scott M. ''The Record of Singing to 1914.'' Duckworth, London, 1977. and especially at the Théâtre du Grand Cercle in Aix-les-Bains.La Roque A. ''Acteurs & Actrices de Paris.'' 33 Édition, 4 Serie. Paris, 1899. He was engaged by the Opéra-Comique in 1895, making his debut as Don José in ''Carmen'' on 7 October 1895. His repertoire at the Opéra-Comique covered ''Cavalleria Rusticana'' (Turriddu), ''Don Juan'' (don Ottavio), '' Les dragons de Villars'' (Sylvain), ''Joseph'', '' Lakmé'' (Gérald), ''Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
