|
Zazà
''Zazà'' () is an opera by Ruggero Leoncavallo, with a libretto by the composer, which draws on the same material as the French play '' Zaza'' (1898). The story concerns the French music hall singer, Zazà, and her affair and subsequent decision to leave her lover, Milio, when she discovers that he is married. The music is influenced by the French music halls where Leoncavallo had spent his early years as a composer. Its premiere was at the Teatro Lirico in Milan on 10 November 1900, starring Rosina Storchio as Zazà, Edoardo Garbin as Milio, Mario Sammarco as Cascart and Clorinda Pini-Corsi as Anaide, and conducted by Arturo Toscanini. It was later seen in opera houses around the world. Over the following twenty years, it received more than fifty new productions from Palermo to Paris, Buenos Aires to Moscow, Cairo to San Francisco, arriving at the Metropolitan Opera on 16 January 1920 in a production directed by David Belasco and conducted by Roberto Moranzoni, starring G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruggero Leoncavallo
Ruggero (or Ruggiero) Leoncavallo (23 April 18579 August 1919) was an Italian opera composer and librettist. Throughout his career, Leoncavallo produced numerous operas and songs but it is his 1892 opera ''Pagliacci'' that remained his lasting contribution, despite attempts to escape the shadow of his greatest success. Today ''Pagliacci'' continues to be his most famous opera and one of the most popular and frequently performed works in the operatic repertory. His other notable compositions include the song " Mattinata", popularized by Enrico Caruso, and, to a lesser extent, his version of ''La bohème'' which, however, was overshadowed by Puccini's highly successful opera of the same name. Biography The son of Vincenzo Leoncavallo, a police magistrate and judge, Leoncavallo was born in Naples, Kingdom of the Two Sicilies, on 23 April 1857. As a child, Leoncavallo moved with his father to the town of Montalto Uffugo in Calabria, where he lived during his adolescence. In 1868 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edoardo Garbin
Edoardo Garbin (12 March 1865 – 12 April 1943) was an Italian operatic lirico-spinto tenor. He was married to the soprano Adelina Stehle. One of the most important Italian tenors of his day, Garbin created, inter alia, tenor roles in Alberto Franchetti's ''Cristoforo Colombo'', Fenton in Giuseppe Verdi, Verdi's last opera ''Falstaff (opera), Falstaff'' (1893), and Milio in Ruggero Leoncavallo, Leoncavallo's ''Zazà''; in 1917, in Rome, he appeared in the world premiere of Renzo Bianchi's ''Gismonda'' alongside Ida Quaiatti and Domenico Viglione Borghese. His success in the Anglosphere (such as England) was (put charitably) limited (he was, by ''The Times,'' described as "miserable" as Cavaradossi at Covent Garden in 1908); but in the Latin sphere (South America and Italy) he was in constant demand until his retirement in 1918. He recorded in Milan for G&T (to become His Master's Voice (British record label), His Master's Voice) in 1902 and 1903, Fonotipia from 1904 to 190 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zaza (play)
''Zaza'' is a French language, French-language play written by playwrights Pierre Berton (playwright), Pierre Berton and , and staged for the first time at the Théâtre du Vaudeville in Paris, in May 1898.Johnson, Katie N. (2002). "Zaza: That "Obtruding Harlot" of the Stage." ''Theatre Journal''. Vol. 54, no. 2. pp. 223-243. Retrieved 2017-08-31 via ''Project MUSE'' database. . The title character is a prostitute who becomes a music hall entertainer and the mistress of a married man. The play is probably best known in the English-speaking world in the adaptation of the same title by David Belasco, which premiered at the Lafayette Square Opera House in Washington, D.C., in December 1898, and subsequently opened at the Garrick Theatre (New York City), Garrick Theatre in New York City, in January 1899. It is also the source material for the 1900 opera ''Zazà'' by Ruggero Leoncavallo. A substantial difference between the two stagings is that in the original Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosina Storchio
Rosina Storchio (19 January 1872 – 24 July 1945) was an Italian lyric coloratura soprano who starred in the world premieres of operas by Puccini, Leoncavallo, Mascagni and Giordano. Biography Born in Venice in 1872, Storchio studied at the Milan Conservatory before making her operatic debut as Micaëla in Bizet's ''Carmen'' at Milan's Teatro Dal Verme in 1892. Three years later, she debuted at Italy's most famous opera house, La Scala, Milan, performing in Massenet's ''Werther''. She sang Violetta at La Scala in 1906, the first performance of the opera in contemporary dress. Milan became her home base from then on, but she also appeared during the pre-World War I period at theatres in other key Italian cities, including Rome and her native Venice. She toured South America and Spain, too, and undertook singing engagements in Paris and Moscow, unwisely attempting parts as heavy as that of the title role in Puccini's ''Tosca''. Storchio sang in the first performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Sammarco
(Giuseppe) Mario Sammarco (13 December 1873 – 24 January 1930) was an Italian operatic baritone noted for his acting ability. Biography Sammarco was born in Palermo, Sicily. At a young age he joined a choral class and took a few singing lessons but was dissuaded from pursuing music, the teacher saying that his voice was too small. It wasn't until he took the part of Valentine in an amateur performance of ''Faust'' that he was encouraged, at which point he began serious vocal study with Antonio Cantelli. His professional debut came in the fourth and final version of Puccini's Le Villi on November 7, 1889 at the Teatro Dal Verme, Milan. He subsequently sang to acclaim in at La Scala (Italy's most celebrated theatre), Buenos Aires, and London. Between 1904 and 1919 he appeared intermittently, in 26 different roles, at the Royal Opera House, Covent Garden. In New York City, he was hired by Oscar Hammerstein I for his Manhattan Opera Company as a replacement for the great French s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geraldine Farrar
Alice Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American lyric soprano who could also sing Dramatic soprano, dramatic roles. She was noted for her beauty, acting ability, and "the intimate timbre of her voice." In the 1910s, she also found success as an actress in silent films. She had a large following among young women, who were nicknamed "Gerry-flappers". Early life and education Farrar was born in Melrose, Massachusetts, the daughter of baseball player Sid Farrar, Sidney Farrar, and his wife Henrietta Barnes. At age five, she began studying music in Boston and by 14 was giving recitals. Later she studied voice with the American soprano Emma Cecilia Thursby, Emma Thursby in New York City, in Paris, and finally with the Italian baritone Francesco Graziani (baritone), Francesco Graziani in Berlin. Farrar created a sensation at the Berlin Hofoper with her debut as Marguerite in Charles Gounod's ''Faust (opera), Faust'' in 1901 and remained with the company ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Lirico (Milan)
The Teatro Lirico (known until 1894 as the Teatro alla Canobbiana) is a theatre in Milan, Italy. In the 19th and early 20th centuries it hosted numerous opera performances, including the world premieres of Donizetti's '' L'elisir d'amore'' and Giordano's '' Fedora''. The theatre, located on Via Rastrelli, closed in 1998. However, a restoration project was begun in April 2007, and it has finally re-opened in December 2021 as the Teatro Lirico Giorgio Gaber. Stage Entertainment carried on the renovation of the Theatre, completing all finishes and all workings started by the administration "Comune di Milano". History The Teatro Regio Ducale, the court theatre of the Royal Palace of Milan, was destroyed by fire on February 26, 1776. With the city deprived of its only theatre, Giuseppe Piermarini was commissioned to design and build two new theatres on land surrounding the Palace. The church of Santa Maria della Scala was demolished to build the Teatro alla Scala. A second thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Herald
The ''New York Herald'' was a large-distribution newspaper based in New York City that existed between 1835 and 1924. At that point it was acquired by its smaller rival the ''New-York Tribune'' to form the ''New York Herald Tribune''. History The first issue of the paper was published by James Gordon Bennett Sr., on May 6, 1835. The ''Herald'' distinguished itself from the partisan papers of the day by the policy that it published in its first issue: "We shall support no party—be the agent of no faction or coterie, and we care nothing for any election, or any candidate from president down to constable," although it was typically considered sympathetic to the Jacksonian Democratic Party and later, President John Tyler. Bennett pioneered the "extra" edition during the ''Heralds sensational coverage of the Robinson–Jewett murder case. By 1845 it was the most popular and profitable daily newspaper in the United States. In 1861 it circulated 84,000 copies and called its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophe, strophi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Tribune
The ''New-York Tribune'' (from 1914: ''New York Tribune'') was an American newspaper founded in 1841 by editor Horace Greeley. It bore the moniker ''New-York Daily Tribune'' from 1842 to 1866 before returning to its original name. From the 1840s through the 1860s it was the dominant newspaper first of the American Whig Party, then of the Republican Party. The paper achieved a circulation of approximately 200,000 in the 1850s, making it the largest daily paper in New York City at the time. The ''Tribune''s editorials were widely read, shared, and copied in other city newspapers, helping to shape national opinion. It was one of the first papers in the North to send reporters, correspondents, and illustrators to cover the campaigns of the American Civil War. It continued as an independent daily newspaper until 1924, when it merged with the '' New York Herald''. The resulting '' New York Herald Tribune'' remained in publication until 1966. Among those who served on the paper's ed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brooklyn Times-Union
The ''Brooklyn Times-Union'' was an American newspaper published from 1848 to 1937. Launched in 1848 as the ''Williamsburgh Daily Times'', the publication became the ''Brooklyn Daily Times'' when the cities of Brooklyn and Williamsburg were unified in 1855. The newspaper supported the then-progressive Republican Party, and the Abolition movement. Walt Whitman was one of their reporters, and was later the managing editor after he left the ''Brooklyn Daily Eagle''. The paper was published both daily and on Sunday, and had a peak circulation that included all of Kings County, and large segments of Nassau and Suffolk Counties. As the ''Brooklyn Daily Times'', the paper was published in various editions, including the Long Island, Wall Street, and Noon editions. The ''Daily Times'' was renamed the ''Brooklyn Times-Union'' after it bought out the ''Brooklyn Standard Union'' in 1932, and was itself bought out by the ''Brooklyn Eagle'' in 1937. Brooklyn's Times Plaza at the interse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
