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Mandakranta Metre
(Sanskrit: ) is the name of a metre commonly used in classical Sanskrit poetry. The name in Sanskrit means "slow-stepping" or "slowly advancing". It is said to have been invented by India's most famous poet Kālidāsa, (5th century CE), who used it in his well-known poem ("the Cloud-Messenger"). The metre characterises the longing of lovers who are separated from each other, expressed in the Sanskrit word "separation (of lovers), parting". Metrical pattern Modern analysis A line in has 17 syllables, divided into three sections, each separated by a pause. The first section consists of four long syllables, the second of 5 short syllables and one long, and the third a mixture of long and short alternating, in this pattern: :, – – – – , u u u u u – , – u – – u – x , As with other Sanskrit metres, the length of the final syllable is indifferent. Deo (2007) argues that the metre is basically trochaic (i.e. consisting of a "strong-weak, strong-weak" rhythm). Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janaka
Janaka is a character who appears in the Hindu epic Ramayana. He is an ancient Hindu king of Videha, which was located in the Mithila region. His name at birth was Sīradhvaja, and he had a brother named Kushadhvaja. His father's name was Hrasvaroman, a descendant of the king Nimi. The rulers of the Videha kingdom were accorded the title ''Janaka'', meaning 'father' in Sanskrit, and this character is the best-known bearer of the same. Janaka is revered as being an ideal example of non-attachment to material possessions. He was intensely interested in spiritual discourse and considered himself free from worldly illusions. His interactions with sages and seekers such as Ashtavakra and Sulabha are recorded in the ancient texts. His relationship with his adopted daughter Sita led her to be called Janaki. The city of Janakpur in Nepal is named after him and his daughter Sita. The Videha (or Mithila) kingdom was historically located between east of Gandaki River, west of Mahananda Rive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Words And Phrases
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a collec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shatavadhani Ganesh
R. Ganesh (also known popularly as Shatavadhani Ganesh, born 4 December 1962) is a practitioner of the art of avadhana, a polyglot, an author in Sanskrit and Kannada and an extempore poet in multiple languages. He has performed more than 1300 avadhanas, in Kannada, Sanskrit, Telugu and Prakrit. He is known for extempore composition of poetry (āśukavita) during these performances, and even of chitrakavya. He is the only Śatāvadhāni from Karnataka. He once set a record by composing poetry for twenty-four hours continuously. From 30 November 2012 to 2 December 2012, he performed the first ever Shatavadhana entirely in Kannada. On 16 February 2014, in Bangalore, he performed his 1000th avadhāna. Childhood and education Ganesh was born on 4 December 1962, in Kolar, Karnataka, to R. Shankar Narayan Aiyar and K. V. Alamelamma. Ganesh picked up Tamil, Kannada and Telugu from his environment as a child. Also in his childhood, he read Sanskrit and Kannada literature and was writing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhavabhuti
Bhavabhūti (Devanagari: भवभूति) was an 8th-century scholar of India noted for his plays and poetry, written in Sanskrit. His plays are considered the equal of the works of Kalidasa. Bhavabhuti was born in Padmapura, Vidarbha, in Gondia district, on Maharashtra and Madhya Pradesh border. He is described as an 'Udumbara Brahmin'. His real name was ''Srikantha Nilakantha'', and he was the son of Nilakantha and Jatukarni. He received his education at 'Padmapawaya', a place some 42 km South-West of Gwalior. Dayananidhi Paramahansa is known to be his guru. He composed his historical plays at 'Kalpi', a place on banks of river Yamuna. He is believed to have been the court poet of king Yashovarman of Kannauj. Kalhana, the 12th-century historian, places him in the entourage of the king, who was defeated by Lalitaditya Muktapida, king of Kashmir, in 736 AD. Malatimadhava The play is set in the city of Padmavati. The king desires that his minister's daughter Malati marry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandesha Kavya
Sanskrit Kavya literature has a long history of its development. The idea of sending of a message, through a messenger, from one person to another is not to be found wanting in the Hindu epics but it was taken up as an independent theme for a poem firstly by Ghatakarpara and later on by Kalidasa, Dhoyi, Udaya, Bhavabhuti and many other poets of note. sandesh kavya also called DutaKavya or message poem Sandesha Kavya (IAST: sandeśa-kāvya) belongs to the category of Khandakavya. Overview In Sanskrit language, ''sandeśa'' (संदेश) means "message", and ''kāvya'' (काव्य) means "poem" or "poetry". Sandesha kavya deals with the sending of a message through the agency of a messenger (Duta). The idea of sending a message through a messenger (Duta) is old and familiar in literature. Ghatakarpara’s Sandesha Kavya The fore-runner of ''Sandesha Kavya'' is a small poem bearing the title - "Poem of the Broken-jug" which is a poem by Ghatakarpara on the message sent t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rama
Rama (; ), Ram, Raman or Ramar, also known as Ramachandra (; , ), is a major deity in Hinduism. He is the seventh and one of the most popular '' avatars'' of Vishnu. In Rama-centric traditions of Hinduism, he is considered the Supreme Being. Rama is said to have been born to Kaushalya and Dasharatha in Ayodhya, the ruler of the Kingdom of Kosala. His siblings included Lakshmana, Bharata, and Shatrughna. He married Sita. Though born in a royal family, their life is described in the Hindu texts as one challenged by unexpected changes such as an exile into impoverished and difficult circumstances, ethical questions and moral dilemmas. Of all their travails, the most notable is the kidnapping of Sita by demon-king Ravana, followed by the determined and epic efforts of Rama and Lakshmana to gain her freedom and destroy the evil Ravana against great odds. The entire life story of Rama, Sita and their companions allegorically discusses duties, rights and social responsibil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sita
Sita (; ) also called as Janaki and Vaidehi is a Hindu goddess and the female protagonist of the Hindu epic, ''Ramayana''. She is the consort of Rama, the avatar of the god Vishnu, and is regarded as a form of Vishnu's consort, Lakshmi. She is also the chief goddess of Rama-centric Hindu traditions. Sita is known for her dedication, self-sacrifice, courage, and purity. She is one of the seventeen national heroes (r''astriya bibhuti'') of Nepal. Described as the daughter of Bhūmi (the earth), Sita is brought up as the adopted daughter of King Janaka of Videha. Sita, in her youth, chooses Rama, the prince of Ayodhya as her husband in a swayamvara. After the swayamvara, she accompanies her husband to his kingdom, but later chooses to accompany her husband, along with her brother-in-law Lakshmana, in his exile. While in exile, the trio settles in the Dandaka forest from where she is abducted by Ravana, the Rakshasa king of Lanka. She is imprisoned in the garden of Ashoka Vatik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yaksha
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature- fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kālidāsa
Kālidāsa (''fl.'' 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on the Vedas, the Rāmāyaṇa, the Mahābhārata and the Purāṇas. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his ''Kumārasambhava'', the display of his love for Ujjain in ''Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hemāngada in '' Raghuvaṃśa'' (sixth ''sarga''). Lakshmi Dhar Kalla (1891–1953), a Sanskrit scholar an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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