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Mérode Altarpiece
The Mérode Altarpiece (or ''Annunciation Triptych'') is an oil on oak panel triptych, now in The Cloisters, in New York City. It is unsigned and undated, but attributed to Early Netherlandish painter Robert Campin and an assistant. The three panels represent, from left to right, the donors kneeling in prayer in a garden, the moment of the Annunciation to Mary, which is set in a contemporary, domestic setting, and Saint Joseph, a carpenter with the tools of his trade. The many elements of religious symbolism include the lily and fountain (symbolising the purity of Mary), and the Holy Spirit represented by the rays of light coming through from the central panel's left hand window. The central panel was completed after 1422, likely between 1425 and 1428, it is thought by a member of Campin's workshop. An earlier version, now in Brussels, may be Campin's original panel. The outer wing panels are later additions by a workshop member, probably on request by the donor who sought to elev ...
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Annunciation Triptych (Merode Altarpiece) MET DP273206
The ''Annunciation Triptych'' is a tempera on panel painting by the Italian late Gothic artist Lorenzo Monaco, now housed in the Gallerie dell'Accademia in Florence, Italy. History The triptych was commissioned for the church of San Procolo of Florence, where Renaissance art historian Giorgio Vasari saw it, but attributed it to Giotto. It was recognized as a work by Lorenzo Monaco by Giovanni Battista Cavalcaselle in 1864. It has been variously dated from 1408 to 1418. The work had originally different cusps (perhaps with heads of prophets) and a predella, which is now lost. Description The painting includes compartments divided into two panels surmounted by cusps, each sharing a golden background. The central painting depicts the Virgin, on a throne barely under her dress visible, on the right, and a hovering Angel of the Annunciation on the left. Behind her are parts of a house, including a double mullioned window, while next to her head is the Holy Ghost dove. The drap ...
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Lorne Campbell (art Historian)
Ian Lorne Campbell (born 1946) is a Scottish art historian and curator. Campbell was Beaumont Senior Research Curator at the National Gallery, London from 1996 to 2012, and from 1974 to 1996 lectured on the Northern Renaissance at the Courtauld Institute of Art, University of London. He has curated major exhibitions at the National Gallery and other museums, including ones on Rogier van der Weyden at Leuven in 2009 and the Prado in 2015. Biography Campbell was born in Stirling in 1946. He received his undergraduate degree from the University of Edinburgh and Ph.D from University of London in 1973. Between 1970 and 1971 he taught at the University of Manchester and later at the University of Cambridge. In 2016, KU Leuven awarded him an honorary doctorate of the Faculty of Arts. He is the author of a number of books on fourteenth, fifteenth and sixteenth-century art, and a leading expert on Early Netherlandish painting, and his contributions to research and knowledge on the p ...
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Ocher
Ochre ( ; , ), or ocher in American English, is a natural clay earth pigment, a mixture of ferric oxide and varying amounts of clay and sand. It ranges in colour from yellow to deep orange or brown. It is also the name of the colours produced by this pigment, especially a light brownish-yellow. A variant of ochre containing a large amount of hematite, or dehydrated iron oxide, has a reddish tint known as "red ochre" (or, in some dialects, ruddle). The word ochre also describes clays coloured with iron oxide derived during the extraction of tin and copper. Earth pigments Ochre is a family of earth pigments, which includes yellow ochre, red ochre, purple ochre, sienna, and umber. The major ingredient of all the ochres is iron(III) oxide-hydroxide, known as limonite, which gives them a yellow colour. * Yellow ochre, , is a hydrated iron hydroxide (limonite) also called gold ochre. * Red ochre, , takes its reddish colour from the mineral hematite, which is an anhydrous iron ...
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Lilium
''Lilium'' () is a genus of herbaceous flowering plants growing from bulbs, all with large prominent flowers. They are the true lilies. Lilies are a group of flowering plants which are important in culture and literature in much of the world. Most species are native to the northern hemisphere and their range is temperate climates and extends into the subtropics. Many other plants have "lily" in their common names, but do not belong to the same genus and are therefore not true lilies. Description Lilies are tall perennials ranging in height from . They form naked or tunicless scaly underground bulbs which are their organs of perennation. In some North American species the base of the bulb develops into rhizomes, on which numerous small bulbs are found. Some species develop stolons. Most bulbs are buried deep in the ground, but a few species form bulbs near the soil surface. Many species form stem-roots. With these, the bulb grows naturally at some depth in the soil, and each ye ...
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Candle Wick
A candle wick is usually a braided cotton that holds the flame of an oil lamp or candle. A candle wick works by capillary action, conveying ("wicking") the fuel to the flame. When the liquid fuel, typically melted candle wax, reaches the flame it then vaporizes and combusts. The candle wick influences how the candle burns. Important characteristics of the wick include diameter, stiffness, fire-resistance, and tethering. Wick types Candle wicks are normally made out of braided cotton.Franz Willhöft and Rudolf Horn "Candles" in Ullmann's Encyclopedia of Industrial Chemistry, 2000, Wiley-VCH, Weinheim. Wicks are sometimes braided flat, so that as they burn they also curl back into the flame, thus making them self-consuming. Prior to the introduction of these wicks specialty scissors were used to trim the excess wick without extinguishing the flame. Large diameter wicks typically result in a larger flame, a larger pool of melted wax, and the candle burning faster. In tealigh ...
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God The Father
God the Father is a title given to God in Christianity. In mainstream trinitarian Christianity, God the Father is regarded as the first person of the Trinity, followed by the second person, God the Son Jesus Christ, and the third person, God the Holy Spirit. Since the second century, Christian creeds included affirmation of belief in "God the Father ( Almighty)", primarily in his capacity as "Father and creator of the universe". However, in Christianity the concept of God as the father of Jesus Christ goes metaphysically further than the concept of God as the creator and father of all people, as indicated in the Apostles' Creed where the expression of belief in the "Father almighty, creator of heaven and earth" is immediately, but separately followed by in "Jesus Christ, his only Son, our Lord", thus expressing both senses of fatherhood. Christianity Overview In much of modern Christianity, God is addressed as the Father, in part because of his active interest in huma ...
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Book Of Hours
The book of hours is a Christian devotional book used to pray the canonical hours. The use of a book of hours was especially popular in the Middle Ages and as a result, they are the most common type of surviving medieval illuminated manuscript. Like every manuscript, each manuscript book of hours is unique in one way or another, but most contain a similar collection of texts, prayers and psalms, often with appropriate decorations, for Christian devotion. Illumination or decoration is minimal in many examples, often restricted to decorated capital letters at the start of psalms and other prayers, but books made for wealthy patrons may be extremely lavish, with full-page miniatures. These illustrations would combine picturesque scenes of country life with sacred images. Books of hours were usually written in Latin (the Latin name for them is ''horae''), although there are many entirely or partially written in vernacular European languages, especially Dutch. The closely related p ...
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Mérode Altarpiece (Mary)
The Mérode Altarpiece (or ''Annunciation Triptych'') is an oil on oak panel triptych, now in The Cloisters, in New York City. It is unsigned and undated, but attributed to Early Netherlandish painter Robert Campin and an assistant. The three panels represent, from left to right, the donors kneeling in prayer in a garden, the moment of the Annunciation to Mary, which is set in a contemporary, domestic setting, and Saint Joseph, a carpenter with the tools of his trade. The many elements of religious symbolism include the lily and fountain (symbolising the purity of Mary), and the Holy Spirit represented by the rays of light coming through from the central panel's left hand window. The central panel was completed after 1422, likely between 1425 and 1428, it is thought by a member of Campin's workshop. An earlier version, now in Brussels, may be Campin's original panel. The outer wing panels are later additions by a workshop member, probably on request by the donor who sought to e ...
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Gabriel
In Abrahamic religions (Judaism, Christianity and Islam), Gabriel (); Greek: grc, Γαβριήλ, translit=Gabriḗl, label=none; Latin: ''Gabriel''; Coptic: cop, Ⲅⲁⲃⲣⲓⲏⲗ, translit=Gabriêl, label=none; Amharic: am, ገብርኤል, translit=Gabrəʾel, label=none; arc, ܓ݁ܰܒ݂ܪܺܝܐܝܶܠ, translit=Gaḇrīʾēl; ar, جِبْرِيل, Jibrīl, also ar, جبرائيل, Jibrāʾīl or ''Jabrāʾīl'', group="N" is an archangel with power to announce God's will to men. He is mentioned in the Hebrew Bible, the New Testament, and the Quran. Many Christian traditions — including Anglicanism, Eastern Orthodoxy, and Roman Catholicism — revere Gabriel as a saint. In the Hebrew Bible, Gabriel appears to the prophet Daniel to explain his visions (Daniel 8:15–26, 9:21–27). The archangel also appears in the Book of Enoch and other ancient Jewish writings not preserved in Hebrew. Alongside the archangel Michael, Gabriel is described as the guardian angel o ...
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The Magdalen Reading
''The Magdalen Reading'' is one of three surviving fragments of a large mid-15th-century oil-on-panel altarpiece by the Early Netherlandish painter Rogier van der Weyden. The panel, originally oak, was completed some time between 1435 and 1438 and has been in the National Gallery, London since 1860. It shows a woman with the pale skin, high cheek bones and oval eyelids typical of the idealised portraits of noble women of the period. She is identifiable as the Magdalen from the jar of ointment placed in the foreground, which is her traditional attribute in Christian art. She is presented as completely absorbed in her reading, a model of the contemplative life, repentant and absolved of past sins. In Catholic tradition the Magdalen was conflated with both Mary of Bethany who anointed the feet of Jesus with oil and the unnamed "sinner" of . Iconography of the Magdalen commonly shows her with a book, in a moment of reflection, in tears, or with eyes averted. The background of t ...
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Annunciation To Mary
The Annunciation (from Latin '), also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is the Christian celebration of the biblical tale of the announcement by the angel Gabriel to Mary that she would conceive and bear a son through a virgin birth and become the mother of Jesus Christ, the Christian Messiah and Son of God, marking the Incarnation. Gabriel told Mary to name her son Jesus, meaning "YHWH is salvation". According to , the Annunciation occurred "in the sixth month" of Elizabeth's pregnancy with John the Baptist. Many Christians observe this event with the Feast of the Annunciation on 25 March, an approximation of the northern vernal equinox nine full months before Christmas, the ceremonial birthday of Jesus. The Annunciation is a key topic in Christian art in general, as well as in Marian art in the Catholic Church, having been especially prominent during the Middle Ages and Renaissance. A ...
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Annunciation Triptych (Merode Altarpiece) MET DT7255
The ''Annunciation Triptych'' is a tempera on panel painting by the Italian late Gothic artist Lorenzo Monaco, now housed in the Gallerie dell'Accademia in Florence, Italy. History The triptych was commissioned for the church of San Procolo of Florence, where Renaissance art historian Giorgio Vasari saw it, but attributed it to Giotto. It was recognized as a work by Lorenzo Monaco by Giovanni Battista Cavalcaselle in 1864. It has been variously dated from 1408 to 1418. The work had originally different cusps (perhaps with heads of prophets) and a predella, which is now lost. Description The painting includes compartments divided into two panels surmounted by cusps, each sharing a golden background. The central painting depicts the Virgin, on a throne barely under her dress visible, on the right, and a hovering Angel of the Annunciation on the left. Behind her are parts of a house, including a double mullioned window, while next to her head is the Holy Ghost dove. The drap ...
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