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Musée De Picardie
The Musée de Picardie is the main museum of Amiens and Picardy, in France. It is located at 48, rue de la République, Amiens. Its collections include artifacts ranging from prehistory to the 19th century, and form one of the largest regional museums in France. As an institution, the museum was founded as the ''Musée Napoléon'' in 1802 (the year of the Treaty of Amiens). However, the current building that houses the museum is more recent, being purpose-built as a regional museum between 1855 and 1867. The Second Empire style building was designed by architects Henri Parent and Arthur-Stanislas Diet. It was built thanks to the ''Société des Antiquaires de Picardie'', keen to give the city somewhere to house the collections the society had gathered over decades. A prototype for other French regional museums, it was France's first building constructed exclusively for the purpose of conservation and exhibition of artworks. Collections Archaeology Housed in the basement, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amiens - Musée De Picardie
Amiens (English: or ; ; pcd, Anmien, or ) is a city and commune in northern France, located north of Paris and south-west of Lille. It is the capital of the Somme department in the region of Hauts-de-France. In 2021, the population of Amiens was 135,429. A central landmark of the city is Amiens Cathedral, the largest Gothic cathedral in France. Amiens also has one of the largest university hospitals in France, with a capacity of 1,200 beds. The author Jules Verne lived in Amiens from 1871 until his death in 1905, and served on the city council for 15 years. Incumbent French president Emmanuel Macron was born in Amiens. The town was fought over during both World Wars, suffering significant damage, and was repeatedly occupied by both sides. The 1918 Battle of Amiens was the opening phase of the Hundred Days Offensive which directly led to the Armistice with Germany. The Royal Air Force heavily bombed the town during the Second World War. In the aftermath, the city was rebui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Boucher
François Boucher ( , ; ; 29 September 1703 – 30 May 1770) was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century. Life A native of Paris, Boucher was the son of a lesser known painter Nicolas Boucher, who gave him his first artistic training. At the age of seventeen, a painting by Boucher was admired by the painter François Lemoyne. Lemoyne later appointed Boucher as his apprentice, but after only three months, he went to work for the engraver Jean-François Cars.Alastair Laing. "Boucher, François." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 16 June 2016 In 1720, he won the elite Grand Prix de Rome for painting, but did not take up the consequential opportunity to study in Italy until five years later, due to financi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Jordaens
Jacob (Jacques) Jordaens (19 May 1593 – 18 October 1678) was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations.d'Hulst, pp. 23 In fact, except for a few short trips to locations elsewhere in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries.d'Hulst, pp. 24–25. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general.d'Hulst, p. 26–27. However, he is best known today for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Lepoittevin
Eugène Lepoittevin (31 July 1806 – 6 August 1870), also known as Poidevin, Poitevin, and Le Poittevin, was a French artist who achieved an early and lifelong success as a landscape and maritime painter. His work ranged from erotic caricatures to massive battle scenes. His works are in the collections of many museums throughout France. He made many paintings set in and around the fishing village of Étretat, and in 2020 he was the subject of an exhibition and book, ''L'invention d'Étretat: Eugène Le Poittevin, un peintre et ses amis à l'aube de l'impressionnisme'' (The invention of Étretat: Eugène Le Poittevin, a painter and his friends at the dawn of Impressionism). Family and personal life Eugène Lepoittevin was born as Eugène Modeste Edmond Poidevin on 31 July 1806 in Paris. He was the son of Nicolas Potdevin of Rouen in Normandy, who moved to Paris and became chief cabinetmaker at the Palace of Versailles. Over time, Nicholas Potdevin changed the family name to Poidev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frans Hals
Frans Hals the Elder (, , ; – 26 August 1666) was a Dutch Golden Age painter, chiefly of individual and group portraits and of genre works, who lived and worked in Haarlem. Hals played an important role in the evolution of 17th-century group Portrait painting, portraiture. He is known for his loose painterly brushwork. Biography Hals was born in 1582 or 1583 in Antwerp, then in the Spanish Netherlands, as the son of cloth merchant Franchois Fransz Hals van Mechelen ( 1542–1610) and his second wife Adriaentje van Geertenryck.Frans Hals iat the Netherlands Institute for Art History Like many, Hals's parents fled during the Fall of Antwerp (1584–1585) from the south to Haarlem in the new Dutch Republic in the north, where he lived for the remainder of his life. Hals studied under Flemish people, Flemi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Guardi
Francesco Lazzaro Guardi (; 5 October 1712 – 1 January 1793) was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting. In the early part of his career he collaborated with his older brother Gian Antonio in the production of religious paintings. After Gian Antonio's death in 1760, Francesco concentrated on ''vedute''. The earliest of these show the influence of Canaletto, but he gradually adopted a looser style characterized by spirited brush-strokes and freely imagined architecture. Biography Francesco Guardi was born in Venice into a family of nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolò and Gian Antonio were also painters, later inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His sist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Greco
Domḗnikos Theotokópoulos ( el, Δομήνικος Θεοτοκόπουλος ; 1 October 1541 7 April 1614), most widely known as El Greco ("The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance. "El Greco" was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters, (), often adding the word (), which means Cretan. El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done.J. Brown, ''El Greco of Toledo'', 75–77 In 1570, he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artists of the time, notably Tinto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Giordano
Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Early life and training Born in Naples, Giordano was the son of the painter Antonio Giordano. In around 1650 he was apprenticed to Ribera on the recommendation of the viceroy of Naples and his early work was heavily influenced by his teacher. Like Ribera, he painted many half-length figures of philosophers, either imaginary portraits of specific figures, or generic types. He acquired the nickname ''Luca fa presto'', which translates into "Luca paints quickly." His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, "The Thunderbolt" (''Fulmine'') and "The Proteus" of painting. Following a period studying in Rome, Parma and Venice, Gior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Honoré Fragonard
Jean-Honoré Fragonard (; 5 April 1732 (birth/baptism certificate) – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism. One of the most prolific artists active in the last decades of the Ancien Régime, Fragonard produced more than 550 paintings (not counting drawings and etchings), of which only five are dated. Among his most popular works are genre paintings conveying an atmosphere of intimacy and veiled eroticism. Biography Jean-Honoré Fragonard was born at Grasse, Alpes-Maritimes, the son of François Fragonard, a glover, and Françoise Petit. Fragonard was articled to a Paris notary when his father's circumstances became strained through unsuccessful speculations, but showed such talent and inclination for art that he was taken at the age of eighteen to François Boucher. Boucher recognized the youth's rare gifts but, disinclined to waste his time with one so inexperienc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jusepe De Ribera
Jusepe de Ribera (1591 – 1652) was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was not longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century."Pérez-Sánchez, Alfonso E., and Nicola Spinosa. 1992. Jusepe de Ribera 1519–1652'. The Metropolitan Museum of Art/Harry N. Abrams, Inc. New York. 290 pp, Jusepe de Ribera () has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto ("the Little Spaniard") by his contemporaries, early historians, and biographers. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe De Champaigne
Philippe de Champaigne (; 26 May 1602 – 12 August 1674) was a Brabançon-born French Baroque era painter, a major exponent of the French school. He was a founding member of the Académie de peinture et de sculpture in Paris, the premier art institution in France in the eighteenth century. Life and work Born of a poor family in Brussels (Duchy of Brabant, Southern Netherlands), during the reign of the Archduke Albert and Isabella, Champaigne was a pupil of the landscape painter Jacques Fouquières. In 1621 he moved to Paris, where he worked with Nicolas Poussin on the decoration of the Palais du Luxembourg under the direction of Nicolas Duchesne, whose daughter he would eventually marry. According to Houbraken, Duchesne was angry at Champaigne for becoming more popular than he was at court, and this is why Champaigne returned to Brussels to live with his brother. It was only after he received news of Duchesne's death that he returned to marry his daughter. After the death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Gerritsz Cuyp
Jacob Gerritszoon Cuyp (or Jacob Gerritsz. Cuijp; 1594 – 1652) was a portrait and landscape painter, best known for his portraits. He was born and died in Dordrecht, the son of the stained glass designer Gerrit Gerritsz Cuyp, who moved to Dordrecht from Venlo. He was the half-brother of Benjamin Gerritsz Cuyp and the father of the much more famous Aelbert Cuyp. He first painted still lifes, interiors with figures, and animals but later specialized in the pastoral landscapes for which he is famous. According to Houbraken, he helped the painters Jacques de Claeuw, Isaac van Hasselt, and Cornelis Tegelberg set up a Guild of Saint Luke in Dordrecht in 1642.Jakob Gerretze Kuip ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by |
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