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Musidora As Irma Vep
Jeanne Roques (23 February 1889 – 11 December 1957), known professionally as Musidora, was a French actress, film director, and writer. She is best known for her acting in silent films, and rose to public attention for roles in the Louis Feuillade serials ''Les Vampires'' as Irma Vep and in ''Judex'' as Marie Verdier. Early life Born Jeanne Roques in Paris, France to music composer and theorist of socialism Jacques Roques and painter and feminist Adèle Clémence Porchez, Musidora began her career in the arts at an early age, writing her first novel at the age of fifteen and acting on the stage with the likes of Colette, one of her lifelong friends. During the very early years of French cinema Musidora began a professional collaboration with the highly successful French film director Louis Feuillade. She made her film debut in ''Les miseres de l'aiguille'', directed by Raphael Clamour, in January 1914. The film highlights the problems of the urban women in the French wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Monde
''Le Monde'' (; ) is a French daily afternoon newspaper. It is the main publication of Le Monde Group and reported an average circulation of 323,039 copies per issue in 2009, about 40,000 of which were sold abroad. It has had its own website since 19 December 1995, and is often the only French newspaper easily obtainable in non-French-speaking countries. It is considered one of the French newspapers of record, along with '' Libération'', and ''Le Figaro''. It should not be confused with the monthly publication '' Le Monde diplomatique'', of which ''Le Monde'' has 51% ownership, but which is editorially independent. A Reuters Institute poll in 2021 in France found that "''Le Monde'' is the most trusted national newspaper". ''Le Monde'' was founded by Hubert Beuve-Méry at the request of Charles de Gaulle (as Chairman of the Provisional Government of the French Republic) on 19 December 1944, shortly after the Liberation of Paris, and published continuously since its first edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinémathèque Française
The Cinémathèque Française (), founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris's 12th arrondissement, the archive offers daily screenings of worldwide films. History The collection emerged from the efforts of Henri Langlois and Lotte H. Eisner in the mid 1930s to collect and screen films. Langlois had acquired one of the largest collections in the world by the beginning of World War II, only to have it nearly wiped out by the German authorities in occupied France, who ordered the destruction of all films made prior to 1937. He and his friends smuggled huge numbers of documents and films out of occupied France to protect them until the end of the war. After the war, the French government provided a small screening room, staff and subsidy for the collection, which was relocated to the Avenue de Messine. Significant French filmmakers of the 1940s and 1950s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musidora Graffiti
Jeanne Roques (23 February 1889 – 11 December 1957), known professionally as Musidora, was a French actress, film director, and writer. She is best known for her acting in silent films, and rose to public attention for roles in the Louis Feuillade serials ''Les Vampires'' as Irma Vep and in ''Judex'' as Marie Verdier. Early life Born Jeanne Roques in Paris, France to music composer and theorist of socialism Jacques Roques and painter and feminist Adèle Clémence Porchez, Musidora began her career in the arts at an early age, writing her first novel at the age of fifteen and acting on the stage with the likes of Colette, one of her lifelong friends. During the very early years of French cinema Musidora began a professional collaboration with the highly successful French film director Louis Feuillade. She made her film debut in ''Les miseres de l'aiguille'', directed by Raphael Clamour, in January 1914. The film highlights the problems of the urban women in the French wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Vagabond (novel)
''The Vagabond'' (french: La Vagabonde) is a 1910 novel by the French writer Colette. It tells the story of a woman, Renée Néré, who after a divorce becomes a dancer in music halls. It was inspired by Colette's own experiences. Synopsis Divorced after eight years of her husband’s faithlessness and cruelty, Renée Néré has been struggling to support herself as a music-hall performer for the past three years. The first part of the three parts of the book opens as she waits in her dressing room until it is time for her to perform. She checks her make-up in the mirror that she hates to face, then goes off to perform, no longer anxious, but confident and controlled. Renée’s life as an artist is described: her work as a dancer, her casual relations with her fellow performers, the small apartment that she shares with her maid, Blandine, and her dog Fossette, and her introduction to Maxime Dufferein-Chautel. Maxime presents himself at her dressing-room door one evening, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivier Assayas
Olivier Assayas (born 25 January 1955) is a French film director, screenwriter and film critic. Assayas is known for his slow-burning period pieces, psychological thrillers, neo-noirs and French comedies. His work has become synonymous with the film movement known as the New French Extremity and has collaborated frequently with Juliette Binoche and Kristen Stewart. The son of filmmaker Jacques Rémy, Assayas began his career as a critic for influential magazine ''Cahiers du Cinéma''. Here he wrote about the World Cinema and its film auteurs who would later influence his own works. Assayas made several shorts, and then made the leap from writer to screenwriter. He made his directorial film debut with ''Disorder'' in 1986. He continued directing films, with '' Cold Water'' (1994) becoming a breakthrough film in his career. It would be his first film to be screened at the Cannes Film Festival in the Un Certain Regard section. His follow up film ''Irma Vep'' (1996) also screened a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alain Resnais
Alain Resnais (; 3 June 19221 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included ''Night and Fog'' (1956), an influential documentary about the Nazi concentration camps.Ephraim Katz, ''The International Film Encyclopedia''. (London: Macmillan, 1980.) p. 966–967. Resnais began making feature films in the late 1950s and consolidated his early reputation with ''Hiroshima mon amour'' (1959), ''Last Year at Marienbad'' (1961), and '' Muriel'' (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the French New Wave (''la nouvelle vague''), though Resnais did not regard himself as being fully part of that movement. He had closer links to the "Left Bank" group of authors and filmmakers wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Franju
Georges Franju (; 12 April 1912 – 5 November 1987) was a French filmmaker. He was born in Fougères, Ille-et-Vilaine. Biography Early life Before working in French cinema, Franju held several different jobs. These included working for an insurance company and a noodle factory. He served briefly in the military in Algeria and was discharged in 1932. Upon his return, he studied to become a set designer and later created backdrops for music halls including Casino de Paris and the Folies Bergère. In the mid-thirties, Franju and Henri Langlois met through Franju's twin brother Jacques Franju.Ince, 2005. p.2 As well as creating the 16 mm short film ''Le Métro'', Langlois and Franju also started a short-lived film magazine and created a film club called ''Le Cercle du Cinema'' with 500 francs he borrowed from Langlois' parents. The club showed silent films from their own collections followed by an informal debate about them amongst members. From ''Le Cercle du Cinema'', Franju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Buñuel
Luis Buñuel Portolés (; 22 February 1900 – 29 July 1983) was a Spanish-Mexican filmmaker who worked in France, Mexico, and Spain. He has been widely considered by many film critics, historians, and directors to be one of the greatest and most influential filmmakers of all time. When Buñuel died at age 83, his obituary in ''The New York Times'' called him "an iconoclast, moralist, and revolutionary who was a leader of avant-garde surrealism in his youth and a dominant international movie director half a century later". His first picture, ''Un Chien Andalou''—made in the silent era—is still viewed regularly throughout the world and retains its power to shock the viewer, and his last film, ''That Obscure Object of Desire''—made 48 years later—won him Best Director awards from the National Board of Review and the National Society of Film Critics. Writer Octavio Paz called Buñuel's work "the marriage of the film image to the poetic image, creating a new reality...scan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Lang
Friedrich Christian Anton Lang (; December 5, 1890 – August 2, 1976), known as Fritz Lang, was an Austrian film director, screenwriter, and producer who worked in Germany and later the United States.Obituary ''Variety'', August 4, 1976, p. 63. One of the best-known ''émigrés'' from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. He has been cited as one of the most influential filmmakers of all time. Lang's most celebrated films include the groundbreaking futuristic ''Metropolis'' (1927) and the influential '' M'' (1931), a film noir precursor. His 1929 film ''Woman in the Moon'' showcased the use of a multi-stage rocket, and also pioneered the concept of a rocket launch pad (a rocket standing upright against a tall building before launch having been slowly rolled into place) and the rocket-launch countdown clock. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
