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Cinémathèque Française
The Cinémathèque Française (), founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris's 12th arrondissement, the archive offers daily screenings of worldwide films. History The collection emerged from the efforts of Henri Langlois and Lotte H. Eisner in the mid 1930s to collect and screen films. Langlois had acquired one of the largest collections in the world by the beginning of World War II, only to have it nearly wiped out by the German authorities in occupied France, who ordered the destruction of all films made prior to 1937. He and his friends smuggled huge numbers of documents and films out of occupied France to protect them until the end of the war. After the war, the French government provided a small screening room, staff and subsidy for the collection, which was relocated to the Avenue de Messine. Significant French filmmakers of the 1940s and 1950s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Archive
An archive is an accumulation of historical records or materials – in any medium – or the physical facility in which they are located. Archives contain primary source documents that have accumulated over the course of an individual or organization's lifetime, and are kept to show the function of that person or organization. Professional archivists and historians generally understand archives to be records that have been naturally and necessarily generated as a product of regular legal, commercial, administrative, or social activities. They have been metaphorically defined as "the secretions of an organism", and are distinguished from documents that have been consciously written or created to communicate a particular message to posterity. In general, archives consist of records that have been selected for permanent or long-term preservation on grounds of their enduring cultural, historical, or evidentiary value. Archival records are normally unpublished and almost alway ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Chabrol
Claude Henri Jean Chabrol (; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave (''nouvelle vague'') group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine ''Cahiers du cinéma'' before beginning his career as a film maker. Chabrol's career began with ''Le Beau Serge'' (1958), inspired by Hitchcock's ''Shadow of a Doubt'' (1943). Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. This is especially apparent in ''Les Biches'' (1968), '' La Femme infidèle'' (1969), and '' Le Boucher'' (1970) – all featuring Stéphane Audran, who was his wife at the time. Sometimes characterized as a "mainstream" New Wave director, Chabrol remained prolific and popular throughout his half-century career.< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joris Ivens
Georg Henri Anton "Joris" Ivens (18 November 1898 – 28 June 1989) was a Dutch documentary filmmaker. Among the notable films he directed or co-directed are '' A Tale of the Wind'', '' The Spanish Earth'', ''Rain'', ''...A Valparaiso'', ''Misère au Borinage'' (''Borinage''), '' 17th Parallel: Vietnam in War'', ''The Seine Meets Paris'', '' Far from Vietnam'', ''Pour le Mistral'' and ''How Yukong Moved the Mountains''. Early life and career Born Georg Henri Anton Ivens into a wealthy family, Ivens went to work in one of his father's photo supply shops and from there developed an interest in film. Under the direction of his father, he completed his first film at 13; in college he studied economics with the goal of continuing his father's business, but an interest in class issues distracted him from that path. He met photographer Germaine Krull in Berlin in 1923, and entered into a marriage of convenience with her between 1927 and 1943 so that Krull could hold a Dutch passport ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abel Gance
Abel Gance (; born Abel Eugène Alexandre Péréthon; 25 October 188910 November 1981) was a French film director and producer, writer and actor. A pioneer in the theory and practice of montage, he is best known for three major silent films: ''J'accuse'' (1919), ''La Roue'' (1923), and ''Napoléon'' (1927). Early life Born in Paris in 1889, Abel Gance was the illegitimate son of a prosperous doctor, Abel Flamant, and a working-class mother, Françoise Péréthon (or Perthon). Initially taking his mother's name, he was brought up until the age of eight by his maternal grandparents in the coal-mining town of Commentry in central France. He then returned to Paris to rejoin his mother, who had by then married Adolphe Gance, a chauffeur and mechanic, whose name Abel then adopted. Although he later fabricated the history of a brilliant school career and middle-class background, Gance left school at the age of 14, and the love of literature and art which sustained him throughout his l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Eustache
Jean Eustache (; 30 November 1938 – 5 November 1981) was a French filmmaker. During his short career, he completed numerous short films, in addition to a pair of highly regarded features, of which the first, ''The Mother and the Whore'', is considered a key work of post-Nouvelle Vague French cinema. In his obituary for Eustache, the critic Serge Daney wrote:In the thread of the desolate 70s, his films succeeded one another, always unforeseen, without a system, without a gap: film-rivers, short films, TV programs, hyperreal fiction. Each film went to the end of its material, from real to fictional sorrow. It was impossible for him to go against it, to calculate, to take cultural success into account, impossible for this theoretician of seduction to seduce an audience. Jim Jarmusch dedicated his 2005 film ''Broken Flowers'' to Eustache. Biography Eustache was born in Pessac, Gironde, France into a working class family. Relatively little information exists about Eustache's life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Berri
Claude Berri (; 1 July 1934 – 12 January 2009) was a French film director, writer, producer, actor and distributor. Early life Born Claude Beri Langmann in Paris, Berri was the son of Jewish immigrant parents. His mother, Beila (née Bercu), was from Romania, and his father, Hirsch Langmann, was a furrier from Poland. His sister was the screenwriter and editor Arlette Langmann. Career Berri won the "Best Film" BAFTA for '' Jean de Florette'', and was also nominated for twelve César Awards, though he never won. Berri also won the Oscar for Best Short Film for '' Le Poulet'' at the 38th Academy Awards in 1966, and produced Roman Polanski's ''Tess'' which was nominated for Best Picture in 1981. Internationally, however, two films in 1986 overshadow all his other achievements. '' Jean de Florette'' and its sequel '' Manon des Sources'' were huge hits. In 1991, his film ''Uranus'' was entered into the 41st Berlin International Film Festival. Six years later, his film ''Lucie Aub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Astruc
Alexandre Astruc (; 13 July 1923 – 19 May 2016) was a French film critic and film director. Biography Before becoming a film director he was a journalist, novelist and film critic. His contribution to the auteur theory centers on his notion of the ''caméra-stylo'' or "camera-pen" and the idea that directors should wield their cameras like writers use their pens.Alexandre Astruc, "The Birth of a New Avant-Garde: La Caméra-Stylo," in ''The New Wave'', ed. Peter Graham, pp. 17-23. Trans. from "Naissance d'une nouvelle avant-garde: la caméra-stylo," ''L'Écran Français'' 144, 30 March 1948. In 1994 he was awarded the René Clair Award for his whole body of film work. Selected filmography ''(s) indicates films also co-scripted by Astruc'' *1949: ''Ulysse ou Les mauvaises rencontres'' also known as ''Aller et retour'', a short film; Astruc also wrote the scenario *1952: '' The Crimson Curtain'' (s) (Le rideau cramoisi) *1952: ''La Putain respectueuse'' *1955: '' Les Mauvaises ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Malraux
Georges André Malraux ( , ; 3 November 1901 – 23 November 1976) was a French novelist, art theorist, and minister of cultural affairs. Malraux's novel ''La Condition Humaine'' (Man's Fate) (1933) won the Prix Goncourt. He was appointed by President Charles de Gaulle as information minister (1945–46) and subsequently as France's first cultural affairs minister during de Gaulle's presidency (1959–1969). Early years Malraux was born in Paris in 1901, the son of Fernand-Georges Malraux (1875–1930) and Berthe Félicie Lamy (1877–1932). His parents separated in 1905 and eventually divorced. There are suggestions that Malraux's paternal grandfather committed suicide in 1909."Biographie détaillée" , André Malraux Website, accessed 3 September 2010 Malraux was raised by his mother, maternal aun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais De Chaillot
The Palais de Chaillot () is a building at the top of the in the Trocadéro area in the 16th arrondissement of Paris, 16th ''arrondissement'' of Paris, France. For the Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937), Exposition Internationale of 1937, the old 1878 Palais du Trocadéro was partly demolished and partly rebuilt to create the Palais de Chaillot. It was designed in classicising "Streamline Moderne, moderne" style by architects Louis-Hippolyte Boileau, Jacques Carlu and Léon Azéma. The Palais consists of two separate wings shaped to form a wide arc, which are those of the former building with new taller portions built in front. The pair of larger central pavilions are also those of the former palais, encapsulated in new construction. The large central hall and towers of the old palais were demolished, leaving only the basement, with a wide esplanade created on top, establishing an open view from the place du Trocadéro to the Eiffel Tower ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swiss Film Archive
The Swiss Film Archive (French: ''Cinémathèque suisse'', German: ''Schweizer Filmarchiv'') is a Swiss state-approved noncommercial foundation based in Lausanne. Its aims are to collect, protect, study and present film archives. www.cinematheque.ch (page visited on 20 April 2013). Notes and references See also * * * |
Freddy Buache
Freddy Buache (29 December 1924 – 28 May 2019) was a Swiss journalist, cinema critic and film historian. He was the director of the Swiss Film Archive (a foundation for the conservation and study of films and cinematography) from 1951 to 1996. He was a privatdozent at the University of Lausanne. Biography He was born in Lausanne, Switzerland, spending his early childhood in Villars-Mendraz, Vaud, where his parents ran the Café de la Poste. The family moved to Lausanne in 1933, where Buache later attended the Collège Scientifique. A meeting with Henri Langlois in 1945 at an international cinema conference in Basle led to the start-up with other film enthusiasts of Lausanne's first film club in 1946. In 1948 Buache and Charles Apothéloz made a stage adaptation of a film script by Jean-Paul Sartre entitled ''Les Faux Nez'' (The False Noses) for the Société de Belles-Lettres. It was performed by Apothéloz' amateur theatre company at the Théatre de l'Atelier, Lausanne, on 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basle
, french: link=no, Bâlois(e), it, Basilese , neighboring_municipalities= Allschwil (BL), Hégenheim (FR-68), Binningen (BL), Birsfelden (BL), Bottmingen (BL), Huningue (FR-68), Münchenstein (BL), Muttenz (BL), Reinach (BL), Riehen (BS), Saint-Louis (FR-68), Weil am Rhein (DE-BW) , twintowns = Shanghai, Miami Beach , website = www.bs.ch Basel ( , ), also known as Basle ( ),french: Bâle ; it, Basilea ; rm, label= Sutsilvan, Basileia; other rm, Basilea . is a city in northwestern Switzerland on the river Rhine. Basel is Switzerland's third-most-populous city (after Zürich and Geneva) with about 175,000 inhabitants. The official language of Basel is (the Swiss variety of Standard) German, but the main spoken language is the local Basel German dialect. Basel is commonly considered to be the cultural capital of Switzerland and the city is famous for its many museums, including the Kunstmuseum, which is the first collection of art accessible to the pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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