Jean Eustache

Jean Eustache (; 30 November 1938 – 5 November 1981) was a French filmmaker. During his short career, he completed numerous short films, in addition to a pair of highly regarded features, of which the first, ''The Mother and the Whore'', is considered a key work of post-Nouvelle Vague French cinema.

In his obituary for Eustache, the critic Serge Daney wrote:

In the thread of the desolate 70s, his films succeeded one another, always unforeseen, without a system, without a gap: film-rivers, short films, TV programs, hyperreal fiction. Each film went to the end of its material, from real to fictional sorrow. It was impossible for him to go against it, to calculate, to take cultural success into account, impossible for this theoretician of seduction to seduce an audience.

Jim Jarmusch dedicated his 2005 film ''Broken Flowers'' to Eustache.

Biography

Eustache was born in Pessac, Gironde, France into a working class family. Relatively little information exists about Eustache's life prior to the time he became a member of the ''Cahiers du cinéma'' coterie in the late 1950s, though it is known that he was largely self-educated and worked in the railroad service prior to becoming a filmmaker. Information suggests that the mystery surrounding his youth was intentional, with sources stating that "during his lifetime Eustache published little information about his early years, indicating that he felt no nostalgia for an unhappy childhood."

Though not a member of the Nouvelle vague, Eustache maintained ties to it, appearing as an actor in Jean-Luc Godard's '' Week End''IMDB Jean Eustache
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After becoming a filmmaker, Eustache maintained close ties to his friends and relatives in Pessac. In 1981, he was partially immobilized in an auto accident. He killed himself by gunshot in his Paris apartment, a few weeks before his 43rd birthday.

Eustache had a son, Boris Eustache (b. 1960), who worked on his father's second feature and appears as an actor in Eustache's short film '' Les Photos d'Alix''.

Work

Eustache was quoted as saying, "The films I made are as autobiographical as fiction can be". Because of his reluctance to discuss his personal life, it is assumed that his body of work was largely autobiographical. Besides his fictional shorts and features, Eustache made numerous documentaries, many of them very personal, including several shot in his hometown of Pessac and a feature-length interview with his grandmother.

Eustache directed two narrative features. ''The Mother and the Whore'' (''La maman et la putain''), the first, is a 217-minute rumination on love, relationships, men and women. The film's central three-way romance plot focuses on Alexandre (Jean-Pierre Léaud), his girlfriend Marie (Bernadette Lafont) and the nurse he meets and falls in love with, Veronika (Françoise Lebrun).

Writing in ''Time Out New York'', Andrew Johnston described his experience in viewing the film in 1999:

Eustache's second feature, ''My Little Loves'' (''Mes petites amoureuses'', 1974), was intentionally different from his debut. Shot in color by cinematographer Nestor Almendros (as opposed to ''The Mother and the Whores grainy black-and-white), the film also features significantly less dialogue and focuses on teenage characters in a rural setting. The film was entered into the 9th Moscow International Film Festival.

Eustache appeared as an actor in ''The American Friend'' (1977).

Remakes and serial works

Eustache admired the documentary qualities of early actuality films, and frequently cited the Lumiere Brothers as influences. He made two films about a religious parade in Pessac, both titled '' La Rosière de Pessac'', in 1968 and 1979, and remade his short '' Une sale histoire'' twice. Regarding the tendency to re-examine in Eustache's work, the American film critic Jonathan Rosenbaum wrote: "An obsessive-compulsive filmmaker and clearly a tormented one who wound up dying by his own hand, Eustache was clearly experimenting with his variations as well as goading viewers into examining their own reactions to them".Notes on JonathanRosenbaum.net: Notes on Reading, Watching, Looking, and Listening
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Filmography

Features

*1966 '' Le Père Noël a les yeux bleus'' (47 minutes)
*1968 '' La Rosière de Pessac'' (65 minutes)
*1970 ''Le Cochon'' (65 minutes), directed with Jean-Michel Barjol
*1971 '' Numéro zéro'' (110 minutes)
*1973 '' La Maman et la putain'' (220 minutes)
*1974 '' Mes petites amoureuses'' (120 minutes)
*1977 '' Une sale histoire'' (50 minutes)
*1979 '' La Rosière de Pessac'' (67 minutes)

Shorts and other work

*1961 ''La soirée'' (unfinished)
*1963 '' Les Mauvaises Fréquentations'' (42 minutes), aka ''Du côté de Robinson'' & ''Bad Company''
*1969 ''Sur Le dernier des hommes de Murnau'' (26 minutes) (TV movie)
*1969 '' A propos de La petite marchande d'allumettes de Jean Renoir'' (26 minutes) (TV movie)
*1980 '' Les Photos d'Alix'' (18 minutes)
*1980 '' Le Jardin des délices de Jérôme Bosch'' (34 minutes)
*1980 '' Offre d'emploi'' (18 minutes)

References

External links

*

Biography on newwavefilm.com

Desire & Despair: The Cinema of Jean Eustache by Jared Rapfogel

He stands alone
Sight & Sound online feature on Eustache's career

{{DEFAULTSORT:Eustache, Jean
1938 births
1981 suicides
French film directors
Suicides by firearm in France
1981 deaths