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Museo Del Novecento
The Museo del Novecento ("museum of the twentieth century") is a museum of twentieth-century art in Milan, in Lombardy in northern Italy. It is housed in the Palazzo dell'Arengario, near Piazza del Duomo in the centre of the city. The museum opened in December 2010. It displays about 400 works, most of them Italian, from the twentieth century. Collection Apart from a single room housing works by foreign artists including Braque, Kandinsky, Klee, Léger, Matisse, Mondrian and Picasso, the majority of the works exhibited in the museum are by Italian artists. A major section is devoted to the Italian Futurists, with works by Giacomo Balla, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Luigi Russolo, Gino Severini, Mario Sironi and Ardengo Soffici. Giuseppe Pellizza da Volpedo's large canvas '' Il Quarto Stato'' (1902) is also exhibited in a room on its own. Other sections of the museum are dedicated to individual artists such as Giorgio de Chirico, Lucio Fontana a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twentieth-century Art
Twentieth-century art—and what it became as modern art—began with modernism in the late nineteenth century. Overview Nineteenth-century movements of Post-Impressionism ( Les Nabis), Art Nouveau and Symbolism led to the first twentieth-century art movements of Fauvism in France and Die Brücke ("The Bridge") in Germany. Fauvism in Paris introduced heightened non-representational colour into figurative painting. Die Brücke strove for emotional Expressionism. Another German group was Der Blaue Reiter ("The Blue Rider"), led by Kandinsky in Munich, who associated the ''blue rider'' image with a spiritual non-figurative mystical art of the future. Kandinsky, Kupka, R. Delaunay and Picabia were pioneers of abstract (or non-representational) art. Cubism, generated by Picasso, Braque, Metzinger, Gleizes and others rejected the plastic norms of the Renaissance by introducing multiple perspectives into a two-dimensional image. Futurism incorporated the depiction of movement and ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Carrà
Carlo Carrà (; February 11, 1881 – April 13, 1966) was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art. He taught for many years in the city of Milan. Biography Carrà was born in Quargnento, near Alessandria (Piedmont). At the age of 12 he left home in order to work as a mural decorator. In 1899–1900, Carrà was in Paris decorating pavilions at the Exposition Universelle, where he became acquainted with contemporary French art. He then spent a few months in London in contact with exiled Italian anarchists, and returned to Milan in 1901. In 1906, he enrolled at Brera Academy (''Accademia di Brera'') in the city, and studied under Cesare Tallone. In 1910 he signed, along with Umberto Boccioni, Luigi Russolo and Giacomo Balla the ''Manifesto of Futurist Painters'', and began a phase of painting that became his mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstractionism
Abstractionism is the theory that the mind obtains some or all of its concepts by abstracting them from concepts it already has, or from experience.Geach, Peter (1957) Mental Acts - Their Contents and Their Objects. Routledge Kegan Paul. One may, for example, abstract 'green' from a set of experiences which involve green along with other properties. Also, for example, one may abstract a generic concept like 'vegetable' from the already possessed concepts of its instances (carrot, broccoli, onion, etc.) This view was criticized by George Berkeley and Peter Geach. Development Abstractionism has its roots in Aristotle's writings, particularly those rejecting the Platonic theory of Forms. They were adopted and developed further by the Scholastics so that the doctrine became entrenched in the seventeenth century. John Locke also developed his own theory of abstract ideas although it was against the Scholastic theory of essences. For him, ideas originate through the senses and the mat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Movement
An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered as a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality ( figurative art). By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in technology, science and philosophy ( abstract art). Concept According to theories associated with modernism and the concept of postmodernism, ''art movements'' are especially important during the period of time corresponding to modern art. The per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Morandi
Giorgio Morandi (July 20, 1890 – June 18, 1964) was an Italian painter and printmaker who specialized in still life. His paintings are noted for their tonal subtlety in depicting simple subjects, which were limited mainly to vases, bottles, bowls, flowers and landscapes. Biography Giorgio Morandi was born in Bologna to Andrea Morandi and Maria Maccaferri. He lived first on Via Lame where his brother Giuseppe and his sister Anna were born. The family then moved to Via Avesella where two other sisters were born, Dina in 1900 and Maria Teresa in 1906. After the death of his father in 1909, the family moved to Via Fondazza and Morandi became the head of the family. From 1907 to 1913 he studied at the Accademia di Belle Arti di Bologna cademy of Fine Arts of Bologna At the Accademia, which based its traditions on 14th-century painting, Morandi taught himself to etch by studying books on Rembrandt. He was excellent at his studies, although his professors disapproved of the ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucio Fontana
Lucio Fontana (; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. He is mostly known as the founder of Spatialism. Early life Born in Rosario, to Italian immigrant parents, he was the son of the sculptor Luigi Fontana (1865—1946). Fontana spent the first years of his life in Argentina and then was sent to Italy in 1905, where he stayed until 1922, working as a sculptor with his father, and then on his own. Already in 1926, he participated in the first exhibition of Nexus, a group of young Argentine artists working in Rosario de Santa Fé."Press Release: Lucio Fontana: Venice/New York opens at Guggenheim Museum" Guggenheim Museum, New York. Work In 1927 Fontana returned to Italy and studied alongside Fausto Melotti under the sculptor Adolfo Wildt, at Accademia di Brera from 1928 to 1930. It was there he presented his first exhibition in 1930, organized by the Milan art gallery ''Il Milione''. During the following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio De Chirico
Giuseppe Maria Alberto Giorgio de Chirico ( , ; 10 July 1888 – 20 November 1978) was an Italian artist and writer born in Greece. In the years before World War I, he founded the '' scuola metafisica'' art movement, which profoundly influenced the surrealists. His most well-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace. After 1919, he became a critic of modern art, studied traditional painting techniques, and worked in a neoclassical or neo-Baroque style, while frequently revisiting the metaphysical themes of his earlier work. Life and works Giuseppe Maria Alberto Giorgio de Chirico was born in Volos, Greece, as the eldest son of Gemma Cervetto and Evaristo de Chirico. His mother was a baroness of Genoese originsNikolaos Velissiotis"The Origins of Adelaide Mabili and Her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fourth Estate (painting)
''The Fourth Estate'' ( it, Il quarto stato) is an oil painting by Giuseppe Pellizza da Volpedo, originally titled ''The Path of Workers'' and made between 1898 and 1901. It depicts a moment during a labor strike when workers' representatives calmly and confidently stride out of a crowd to negotiate for the workers' rights. Its name refers to the working class as standing alongside the three traditional estates that divided power between the nobility, clergy, and commoners. Pellizza made three separate large-scale preliminary versions of the work to experiment with his divisionist representations of color. After his death, ''The Fourth Estate'' became a popular Italian socialist image and was reproduced extensively despite its initial shunning by formal art circles. Over time, its acclaim grew until it became recognized as one of the most important Italian paintings of the turn of the 20th century. The painting is now at the Galleria d'Arte Moderna in Milan. History 1891–1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Pellizza Da Volpedo
Giuseppe Pellizza da Volpedo (28 July 1868 – 14 June 1907) was an Italian divisionist painter. He was born and died in Volpedo, in the Piedmont region of northern Italy. Pellizza was a pupil of Pio Sanquirico. He used a divisionist technique in which a painting is created by juxtaposing small dots of paint according to specific color theory. Although he exhibited often, his work achieved popularity in death through their reproduction in socialist magazines and the acclaim they received from 20th century art critics. Biography Giuseppe Pellizza was born in Volpedo, of the Province of Alessandria on July 28, 1868, to Pietro and Maddalena Cantù and into a wealthy peasant family. He attended the technical school of Castelnuovo Scrivia, where he learned the first elements of drawing. Thanks to the knowledge gained with the commercialization of their products, the Pellizzas contacted the brothers Grubicy, who promoted the enrollment of Giuseppe in the Brera Academy. There, Pelliz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ardengo Soffici
Ardengo Soffici (7 April 1879 – 19 August 1964) was an Italian writer, painter, poet, sculptor and intellectual. Early life Soffici was born in Rignano sull'Arno, near Florence. In 1893 his family moved to the latter city, where he studied at the Accademia from 1897 and later at the Scuola Libera del Nudo of the academy. Career In 1900 he moved from Florence to Paris, where he lived for seven years and worked for Symbolist journals. While in Paris, during his time at the Bateau-Lavoir, he became acquainted with Braque, Derain, Picasso, Juan Gris and Apollinaire. On returning to Italy in 1907, Soffici settled in Poggio a Caiano in the countryside near Florence (where he lived for the rest of his life) and wrote articles on modern artists for the first issue of the political and cultural magazine '' La Voce''. In 1910 he organised an exhibition of Impressionist painting in Florence in association with ''La Voce'', devoting an entire room to the sculptor Medardo Rosso. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Sironi
Mario Sironi (May 12, 1885 – August 13, 1961) was an Italian modernist artist who was active as a painter, sculptor, illustrator, and designer. His typically somber paintings are characterized by massive, immobile forms. Biography He was born in Sassari on the island of Sardinia. His father was an engineer; his maternal grandfather was the architect and sculptor Ignazio Villa.Sironi and Ferrari 2002, p. 159 Sironi spent his childhood in Rome. He embarked on the study of engineering at the University of Rome but quit after a nervous breakdown in 1903, one of many severe depressions that would recur throughout his life. Thereafter he decided to study painting, and began attending the Scuola Libera del Nudo of the Accademia di Belle Arti di Roma. There he met Giacomo Balla, who became "his first real teacher". Sironi returned to Milan in 1905 before traveling to Paris in 1906.Braun Like his friends Gino Severini and Umberto Boccioni, he began painting in a Divisionist style unde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
