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Mrs Howard Paul
Isabella Hill (1 April 1833 – 6 June 1879), better known as Mrs Howard Paul, was an English actress, operatic singer and Actor-manager, actress-manager of the Victorian era, best remembered for creating the role of Lady Sangazure in the Gilbert and Sullivan comic opera ''The Sorcerer'' (1877). Her stage career began in 1853 in London in ballad operas, such as ''The Beggar's Opera''. In 1854 she married the American writer Henry Howard Paul, in whose comic entertainments the two performed for much of the next two decades, often on tour, both in Britain and America. She was popular for her musical impersonations of singers of the day. She also played in Victorian burlesque and other theatrical roles, among the best known of which was her Lady Macbeth at the Theatre Royal, Drury Lane in 1869. Various composers wrote songs for her to premiere. After ''The Sorcerer'', Gilbert and Sullivan cast Mrs Paul in their next opera, ''H.M.S. Pinafore'', but her vocal abilities had declined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mrs Howard Paul 1870s
Mrs. (American English) or Mrs (British English; standard English pronunciation: ) is a commonly used English honorific for Woman, women, usually for those who are married and who do not instead use another title (or rank), such as ''Doctor (title), Doctor'', ''Professor'', ''President (government title), President'', ''Dame (title), Dame'', etc. In most Commonwealth of Nations, Commonwealth countries, a full stop (period) is usually not used with the title. In the United States and Canada a period (full stop) is usually used (see Abbreviation#History, Abbreviation). ''Mrs'' originated as a contraction (grammar), contraction of the honorific ''Mistress (form of address), Mistress'' (the feminine of ''Mister (Mr), Mister'' or ''Master (form of address), Master'') which was originally applied to both married and unmarried women. The split into ''Mrs'' for married women and ''Miss'' for unmarried began during the 17th century; the 17th century also saw the coinage of a new unmarke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Era (newspaper)
''The Era'' was a British weekly paper, published from 1838 to 1939. Originally a general newspaper, it became noted for its sports coverage, and later for its theatrical content. History ''The Era'' was established in 1838 by a body of shareholders consisting of licensed victuallers and other people connected with their trade. The journal was intended to be a weekly organ of the public-house interest, just as the ''Morning Advertiser'' was then its daily organ. In the first two or three years of its existence, its political stance was broadly Liberal. Its first editor, Leitch Ritchie, proved too liberal for his board of directors, and in addition to editorial clashes, the paper was a commercial failure. Ritchie was succeeded by Frederick Ledger, who became sole proprietor as well as editor. He edited the paper for more than thirty years, gradually changing its politics from Liberalism to moderate Conservatism. Politics, however, ceased to be a major concern of ''The Era''. Its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Des Débats
The ''Journal des débats'' ( French for: Journal of Debates) was a French newspaper, published between 1789 and 1944 that changed title several times. Created shortly after the first meeting of the Estates-General of 1789, it was, after the outbreak of the French Revolution, the exact record of the debates of the National Assembly, under the title ''Journal des Débats et des Décrets'' ("Journal of Debates and Decrees"). Published weekly rather than daily, it was headed for nearly forty years by Bertin l'Aîné and was owned for a long time by the Bertin family. During the First Empire it was opposed to Napoleon and had a new title imposed on it, the ''Journal de l'Empire''. During the first Bourbon Restoration (1813–1814), the ''Journal'' took the title ''Journal des Débats Politiques et Littéraires'', and, under the second Restoration, it took a conservative rather than reactionary position. Under Charles X and his entourage, the ''Journal'' changed to a position sup ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Janin
Jules Gabriel Janin (16 February 1804 – 19 June 1874) was a French writer and critic. Life and career Born in Saint-Étienne (Loire), Janin's father was a lawyer, and he was educated first at St. Étienne, and then at the lycée Louis-le-Grand in Paris. He involved himself in journalism from an early date, and worked on the '' Figaro'' and the '' Quotidienne'', among others, until in 1830 he became dramatic critic of the ''Journal des Débats''. Long before, however, he had made a literary reputation for himself, publishing novels such as '' L'Âne mort et la Femme guillotinée'' ("The Dead Donkey and the Guillotined Woman") (1829). ''La Confession'' (1830) followed, and then in '' Barnave'' (1831), he attacked the Orléans family. From the day when Janin became the theatrical critic of the ''Débats'', though he continued to write books, he was most notable in France as a dramatic critic. Janin authored the text for the song '' Le Chant des chemins de fer'' by Hector Berli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Paul's, Covent Garden
St Paul's Church is a Church of England parish church located in Bedford Street, Covent Garden, central London. It was designed by Inigo Jones as part of a commission for the 4th Earl of Bedford in 1631 to create "houses and buildings fit for the habitations of Gentlemen and men of ability". As well as being the parish church of Covent Garden, the church has gained the nickname of "the actors' church" by a long association with the theatre community. Completed in 1633, St Paul's was the first entirely new church to be built in London since the Reformation. Its design and the layout of the square have been attributed to Inigo Jones since the 17th century, although firm documentary evidence is lacking. According to an often repeated story, recorded by Horace Walpole, Lord Bedford asked Jones to design a simple church "not much better than a barn", to which the architect replied "Then you shall have the handsomest barn in England". The building is described by Sir John Summ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Lemon
Mark Lemon (30 November 1809, in London – 23 May 1870, in Crawley) was the founding editor of both ''Punch'' and '' The Field''. He was also a writer of plays and verses. Biography Lemon was born in Marylebone, Westminster, Middlesex, on 30 November 1809. He was the son of Martin Lemon, a hop merchant, and Alice Collis. His parents married on 26 December 1808 at St Mary, Marylebone, Westminster. His father died in Hendon in 1818, and between 1817 and 1823 Lemon lived at Church Farmhouse, where a blue plaque commemorates him. Lemon was educated at Cheam School, then in Surrey. This was then strictly for the sons of gentlemen only, and a boy had to leave when his father was found to be a tradesman, with a shop in London selling cutlery. It seems that the family background of young Lemon was not discovered.Arthur A. Adrian, ''Mark Lemon: First Editor of 'Punch' '' (1966), p. 8 At the age of 15, Lemon was sent to live in Boston, Lincolnshire, with his mother's brother ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haymarket Theatre
The Theatre Royal Haymarket (also known as Haymarket Theatre or the Little Theatre) is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama (meaning spoken drama, as opposed to opera, concerts or plays with music) in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate. The Haymarket has been the site of a significant innovation in theatre. In 1873, it was the venue for the first scheduled matinée performance, establishing a custom soon followed in theatres everywhere. Its managers have included Benjamin Nottingham Webster, John Baldwin Buckstone, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love In A Village
''Love in a Village'' is a ballad opera in three acts that was composed and arranged by Thomas Arne. A pastiche, the work contains 42 musical numbers of which only five were newly composed works by Arne. The other music is made up of 13 pieces borrowed from Arne's earlier stage works, a new overture was by C. F. Abel, and 23 songs by other composers, including Bishop, Boyce, Geminiani, Giordani, and Galuppi, albeit with new texts. The English libretto, by Isaac Bickerstaffe, is based on Charles Johnson’s 1729 play '' The Village Opera''. The opera premiered at the Royal Opera, Covent Garden in London on 8 December 1762.John A. Parkinson: "Love in a Village", ''Grove Music Online'' ed. L. Macy (Accessed February 16, 2009)(subscription access)/ref> One of its best known songs is the '' Miller of Dee''. History ''Love in a Village'' was received enthusiastically at its premiere and became one of Arne's more popular operas, enjoying 40 performances in its first season alone. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Arne
Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of ''The Beggar's Opera'', which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas. Early life Arne was born on March 12th, 1710 in Covent Garden and baptised at St Paul's, Covent Garden. Arne's father and grandfather were both upholsterers and both held office in the Worshipful Company of Upholders of the City of London. His grandfather fell on hard times and died in the debtors' prison of Marshalsea. His father earned enough money not only to rent 31 King Street, a large house in Covent Garden, but also t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dictionary Of National Biography
The ''Dictionary of National Biography'' (''DNB'') is a standard work of reference on notable figures from British history, published since 1885. The updated ''Oxford Dictionary of National Biography'' (''ODNB'') was published on 23 September 2004 in 60 volumes and online, with 50,113 biographical articles covering 54,922 lives. First series Hoping to emulate national biographical collections published elsewhere in Europe, such as the ''Allgemeine Deutsche Biographie'' (1875), in 1882 the publisher George Smith (1824–1901), of Smith, Elder & Co., planned a universal dictionary that would include biographical entries on individuals from world history. He approached Leslie Stephen, then editor of the ''Cornhill Magazine'', owned by Smith, to become the editor. Stephen persuaded Smith that the work should focus only on subjects from the United Kingdom and its present and former colonies. An early working title was the ''Biographia Britannica'', the name of an earlier eighteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_and_Lady_Sangazure_(Mrs._Howard_Paul)_in_The_Sorceror%2C_1877.jpg "Click for more on -> Mrs Howard Paul")
