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Love In A Village
''Love in a Village'' is a ballad opera in three acts that was composed and arranged by Thomas Arne. A pastiche, the work contains 42 musical numbers of which only five were newly composed works by Arne. The other music is made up of 13 pieces borrowed from Arne's earlier stage works, a new overture was by C. F. Abel, and 23 songs by other composers, including Bishop, Boyce, Geminiani, Giordani, and Galuppi, albeit with new texts. The English libretto, by Isaac Bickerstaffe, is based on Charles Johnson’s 1729 play '' The Village Opera''. The opera premiered at the Royal Opera, Covent Garden in London on 8 December 1762.John A. Parkinson: "Love in a Village", ''Grove Music Online'' ed. L. Macy (Accessed February 16, 2009)(subscription access)/ref> One of its best known songs is the '' Miller of Dee''. History ''Love in a Village'' was received enthusiastically at its premiere and became one of Arne's more popular operas, enjoying 40 performances in its first season alone. Th ...
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Ballad Opera
The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later ''Singspiel'', its distinguishing characteristic is the use of tunes in a popular style (either pre-existing or newly composed) with spoken dialogue. These English plays were 'operas' mainly insofar as they satirized the conventions of the imported ''opera seria''. Music critic Peter Gammond describes the ballad opera as "an important step in the emancipation of both the musical stage and the popular song." Earliest ballad operas Ballad opera has been called an "eighteenth-century protest against the Italian conquest of the London operatic scene."M. Lubbock, ''The Complete Book of Light Opera'' (New York: Appleton-Century-Crofts, 1962), pp. 467–68 It consists of racy and often satirical spoken (English) dialogue, interspersed with songs that are deliberately ...
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Covent Garden
Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane. The area was fields until briefly settled in the 7th century when it became the heart of the Anglo-Saxon trading town of Lundenwic, then abandoned at the end of the 9th century after which it returned to fields. By 1200 part of it had been walled off by the Abbot of Westminster Abbey for use as arable l ...
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Cecilia Davies
Cecilia Davies (c. 1756 – 3 July 1836) was an English classical soprano who had an active international career in concerts and operas during the second half of the 18th century. In Italy she was known as "l'Inglesina". She was the sister of Marianne Davies who was the first professional glass harmonica musician. She sang in several world premieres during her career, including Thomas Arne's '' Love in a Village'' (1762, Margery) and Josef Mysliveček Josef Mysliveček (9 March 1737 – 4 February 1781) was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant com ...'s '' La Circe'' (1779, title role). References * 1750s births 1836 deaths English operatic sopranos 18th-century British women opera singers {{UK-opera-singer-stub ...
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Michael Dyer
Michael Dyer (born October 13, 1990) is an American football running back. He played college football at Auburn and Louisville. College career Auburn As a true freshman in 2010, Dyer rushed for 1,093 yards on 182 carries and five touchdowns, breaking the Auburn record for most rushing yards by a freshman, previously held by Bo Jackson. During the 2011 BCS National Championship Game against the Oregon Ducks he rushed for 143 yards on 22 carries and was named the Offensive Player of the Game. Dyer finished the 2011 regular season, his sophomore year, with 1,242 yards rushing on 242 attempts, an average of 5.1 yards-per-carry. He rushed for 10 touchdowns and averaged 103.5 yards-per-game. He was named to the Associated Press' All-SEC first-team and the Coaches' All-SEC first-team. Prior to Auburn's appearance in the 2011 Chick-fil-A Bowl, Dyer was suspended indefinitely for testing positive for synthetic marijuana and possession of a weapon, which was later used in an armed rob ...
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Isabella Mattocks
Isabella Mattocks (1746 – June 25, 1826) was a British actress and singer. Early life Hallam (later Mattocks) was baptised in Whitechapel in 1746 by Lewis and Sarah Hallam Douglass. Her father and her uncle William were also actors.Jared Brown, ‘Hallam, Lewis (1714?–1756?)’, Oxford Dictionary of National Biography, Oxford University Press, 200accessed 7 Feb 2015/ref> Her grandfather Thomas Hallam had been part of the Drury Lane company when he was killed in a dispute with fellow actor Charles Macklin during a performance. When her father and William decided to try acting in America they took three of Isabella's siblings, but she was left in the care of her aunt, Ann, and her husband John Barrington in England. In 1762 she made her debut in the adult role of Juliet. For most of her childhood except for a few years at school she played small parts in the productions of the Covent Garden company of actors. When she was sixteen she joined the company and in 1765 she marrie ...
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George Mattocks
George Mattocks (1735–1804) was a British stage actor and singer. He appeared at Southwark Fair in 1747 as a child performer and the following year appeared at Bartholomew Fair. Originally billed as George Maddox when he started at Drury Lane he soon altered the spelling of his name and was a regular member of the company from 1749 to 1752, also appearing at Richmond Theatre. He was absent from the London stage for several years, appearing at Bristol's Jacobs Well Theatre before returning to join the Covent Garden company in 1757. He remained at the theatre for the next twenty five years, particularly appearing in ballad operas and other musical events, some straight comedy but almost never tragedies. In 1762 he was featured in Thomas Arne's opera '' Artaxerxes''. By 1760, he also became the lieutenant of Madame Capte Deville, the manager of Plymouth's summer company. A year later, he bought half of Plymouth's Franfkford Gate Theatre and managed it until 1763. This was where he ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Coloratura Soprano
A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills. The term '' coloratura'' refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice. Within the coloratura category, there are roles written specifically for lighter voices known as lyric coloraturas and others for larger voices known as dramatic coloraturas. Categories within a certain vocal range are determined by the size, weight and color of the voice. Coloratura is particularly found in vocal music and especially in operatic singing of the 18th and 19th centuries. The word ''coloratura'' ( , , ) means "coloring" in Italian, and derives from the Latin word ''colorare'' ("to color").''Oxford American Dictionaries''. Lyric coloratura soprano A very agile light voice with a high upper extension, capable of fast vocal coloratura. Lyric coloraturas have a range of approximately middle C ...
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Charlotte Brent
Charlotte Brent (17 December 1734 – 10 April 1802) was a child prodigy and celebrated soprano singer of the 18th century. Life She was the daughter of Catherine and Charles Brent (1693–1770). He was a Handelian counter-tenor, and fencing-master. She was a pupil and mistress of Thomas Arne (the composer of Rule, Britannia!) and later the wife of the violinist Thomas Pinto (whom she married in 1766). She was an active performer in London from 1758-1769, and in 1759 she appeared to great success in The Beggar's Opera at Vauxhall Gardens Vauxhall Gardens is a public park in Kennington in the London Borough of Lambeth, England, on the south bank of the River Thames. Originally known as New Spring Gardens, it is believed to have opened before the Restoration of 1660, being .... The following year she appeared again at Vauxhall alongside Isabella Vincent which invited comparison in the press. Brent was noted at the time for her bravura singing and her neat, distinct, a ...
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Royal College Of Music
The Royal College of Music is a music school, conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the Undergraduate education, undergraduate to the Doctorate, doctoral level in all aspects of Western Music including performance, composition, conducting, music theory and history. The RCM also undertakes research, with particular strengths in performance practice and performance science. The college is one of the four conservatories of the ABRSM, Associated Board of the Royal Schools of Music and a member of Conservatoires UK. Its buildings are directly opposite the Royal Albert Hall on Prince Consort Road, next to Imperial College and among the museums and cultural centres of Albertopolis. History Background The college was founded in 1883 to replace the short-lived and unsuccessful National Training School for Music (NTSM). The school was the result of an earlier proposal by the Albert, Prince Consort, Prince Con ...
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Alfred Reynolds (composer)
Alfred Reynolds (1884–1969) was a composer of light music for the theatre. He was born in Liverpool and educated at Merchant Taylors' School and later in France. He studied with Engelbert Humperdinck in Berlin. In 1910, he conducted Oscar Straus's ''The Chocolate Soldier'', which he toured in England. He was said to be the youngest operatic conductor in England. He composed for and participated in wartime charity concerts. In 1920-21, Reynolds toured the Far East with the Royal Opera. On his return, he wrote the music for Baroness Orczy's play, ''Leatherface''. Reynolds worked on the revival of 18th century ballad operas. In 1923 he became Musical Director of the Lyric Theatre, Hammersmith, where he performed revivals of Sheridan's ''The Duenna'' (1924), '' Lionel And Clarissa'' (1925), with music mainly by Charles Dibdin, and '' Love in a Village'' (1928), with music by Thomas Arne. He wrote incidental music for several plays, including those by Molière, Farquh ...
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