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Mortuary Temple Of Ramesses III
The Temple of Ramesses III at Medinet Habu was an important New Kingdom period temple structure in the West Bank of Luxor in Egypt. Aside from its size and architectural and artistic importance, the mortuary temple is probably best known as the source of inscribed reliefs depicting the advent and defeat of the Sea Peoples during the reign of Ramesses III. Modern identification and excavation The first European to describe the temple in modern literature was Vivant Denon, who visited it in 1799–1801. Jean-François Champollion described it in detail in 1829. Initial excavation of the temple took place sporadically between 1859 and 1899, under the auspices of the Department of Antiquities. During these decades the main temple was cleared, and a large number of the Greco-Roman period buildings, including a substantial Byzantine Church in the second court, were destroyed without notes or records being taken. The further excavation, recording and conservation of the temple h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medinet Habu
Medinet Habu ( ar, مدينة هابو; Egyptian: ''Tjamet'' or ''Djamet''; cop, ''Djeme'' or ''Djemi'') is an archaeological locality situated near the foot of the Theban Hills on the West Bank of the River Nile opposite the modern city of Luxor, Egypt. Although other structures are located within the area, the location is today associated almost exclusively (and indeed, most synonymously) with the Mortuary Temple of Ramesses III. Temple of Amun Just left of the entrance to the Mortuary Temple of Ramesses III is the Temple of Amun, ( Ancient Egyptian: ''Djeser Set'') dating to the 18th Dynasty, built by Hatshepsut and Thutmose III. It has undergone many alterations and modifications over the years, partially in the 20th, 25th, 26th, 29th and 30th Dynasties and the Greco-Roman period. Temple of Ramesses III The temple, some long, is of orthodox design, and closely resembles the Ramesseum. It is quite well preserved and surrounded by a massive mudbrick enclosure, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramesseum
The Ramesseum is the memorial temple (or mortuary temple) of Pharaoh Ramesses II ("Ramesses the Great", also spelled "Ramses" and "Rameses"). It is located in the Theban Necropolis in Upper Egypt, on the west of the River Nile, across from the modern city of Luxor. The name – or at least its French form Rhamesséion – was coined by Jean-François Champollion, who visited the ruins of the site in 1829 and first identified the hieroglyphs making up Ramesses's names and titles on the walls. It was originally called the ''House of millions of years of Usermaatra-setepenra that unites with Thebes-the-city in the domain of Amon.'' ''Usermaatra-setepenra'' was the prenomen of Ramesses II. History Ramesses II modified, usurped, or constructed many buildings from the ground up, and the most splendid of these, in accordance with New Kingdom royal burial practices, would have been his memorial temple: a place of worship dedicated to pharaoh, god on earth, where his memory would h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Holy Land, Syria, Idumea, Arabia, Egypt, And Nubia
''The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia'' is a travelogue of 19th-century Palestine and the magnum opus of Scottish painter David Roberts. It contains 250 lithographs by Louis Haghe of Roberts's watercolor sketches. It was first published by subscription between 1842 and 1849, in two separate publications: ''The Holy Land, Syria, Idumea and Arabia'' and ''Egypt and Nubia''. William Brockedon and George Croly wrote much of the text, Croly writing the historical, and Brockedon the descriptive portions. Described as "one of the art-publishing sensations of the mid-Victorian period", it exceeded all other earlier lithographic projects in scale, and was one of the most expensive publications of the nineteenth century. Haghe has been described by the Metropolitan Museum of Art as "the best and most prolific lithographer of the time"Met MuseumThe Holy Land, Syria, Idumea, Arabia, Egypt & Nubia/ref> According to Professor Annabel Wharton, it has "proved to be the mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Min (god)
Min (Egyptian mnw) is an ancient Egyptian god whose cult originated in the predynastic period (4th millennium BCE). He was represented in many different forms, but was most often represented in male human form, shown with an erect penis which he holds in his right hand and an upheld left arm holding a flail. Myths and function Min's cult began and was centered around Coptos (Koptos) and Akhmim (Panopolis) of upper Egypt, where in his honour great festivals were held celebrating his "coming forth" with a public procession and presentation of offerings. His other associations include the eastern desert and links to the god Horus. Flinders Petrie excavated two large statues of Min at Qift which are now in the Ashmolean Museum and it is thought by some that they are pre-dynastic. Although not mentioned by name, a reference to "he whose arm is raised in the East" in the Pyramid Texts is thought to refer to Min. His importance grew in the Middle Kingdom when he became even mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medinet Habu King List
The memorial temple of Ramesses III at Medinet Habu contains a minor list of pharaohs of the New Kingdom of Egypt. The inscriptions closely resemble the Ramesseum king list, which is a similar scene of Ramesses II, which was used as a template for the scenes here. The scene shows Ramesses III participating in the ceremonies of the Festival of Min where statues of ancestral kings are carried in an elaborate procession to make offerings to Min. It contains 16 cartouches with the names of nine pharaohs divided into two parts. The sparse outline of the scene was published by Vivant Denon in 1802, who was part of Napoleon's expedition to Egypt in 1798 to 1801, which published a slightly more detailed scene in 1809. Thirty years later, the complete scene including the cartouches of the kings was published by John Gardner Wilkinson in 1837, followed by Champollion and Lepsius. All the 19th-century editions contain omissions and errors, but in 1940 the Epigraphic Survey published the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Empire
The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinople. It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until the fall of Constantinople to the Ottoman Empire in 1453. During most of its existence, the empire remained the most powerful economic, cultural, and military force in Europe. The terms "Byzantine Empire" and "Eastern Roman Empire" were coined after the end of the realm; its citizens continued to refer to their empire as the Roman Empire, and to themselves as Romans—a term which Greeks continued to use for themselves into Ottoman times. Although the Roman state continued and its traditions were maintained, modern historians prefer to differentiate the Byzantine Empire from Ancient Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nubia
Nubia () (Nobiin: Nobīn, ) is a region along the Nile river encompassing the area between the first cataract of the Nile (just south of Aswan in southern Egypt) and the confluence of the Blue and White Niles (in Khartoum in central Sudan), or more strictly, Al Dabbah. It was the seat of one of the earliest civilizations of ancient Africa, the Kerma culture, which lasted from around 2500 BC until its conquest by the New Kingdom of Egypt under Pharaoh Thutmose I around 1500 BC, whose heirs ruled most of Nubia for the next 400 years. Nubia was home to several empires, most prominently the Kingdom of Kush, which conquered Egypt in the eighth century BC during the reign of Piye and ruled the country as its 25th Dynasty (to be replaced a century later by the native Egyptian 26th Dynasty). From the 3rd century BC to 3rd century AD, northern Nubia would be invaded and annexed to Egypt, ruled by the Greeks and Romans. This territory would be known in the Greco-Roman world as Dodekasc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syria
Syria ( ar, سُورِيَا or سُورِيَة, translit=Sūriyā), officially the Syrian Arab Republic ( ar, الجمهورية العربية السورية, al-Jumhūrīyah al-ʻArabīyah as-Sūrīyah), is a Western Asian country located in the Eastern Mediterranean and the Levant. It is a unitary republic that consists of 14 governorates (subdivisions), and is bordered by the Mediterranean Sea to the west, Turkey to the north, Iraq to the east and southeast, Jordan to the south, and Israel and Lebanon to the southwest. Cyprus lies to the west across the Mediterranean Sea. A country of fertile plains, high mountains, and deserts, Syria is home to diverse ethnic and religious groups, including the majority Syrian Arabs, Kurds, Turkmens, Assyrians, Armenians, Circassians, Albanians, and Greeks. Religious groups include Muslims, Christians, Alawites, Druze, and Yazidis. The capital and largest city of Syria is Damascus. Arabs are the largest ethnic group, and Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypostyle
In architecture, a hypostyle () hall has a roof which is supported by columns. Etymology The term ''hypostyle'' comes from the ancient Greek ὑπόστυλος ''hypóstȳlos'' meaning "under columns" (where ὑπό ''hypó'' means below or underneath and στῦλος ''stŷlos'' means column). Technical options The roof may be constructed with bridging lintels of stone, wood or other rigid material such as cast iron, steel or reinforced concrete. There may be a ceiling. The columns may be all the same height or, as in the case of the Great Hypostyle Hall at Karnak, the columns flanking the central space may be of greater height rather than those of the side aisles, allowing openings in the wall above the smaller columns, through which light is admitted over the aisle roof, through clerestory windows. Applications The architectural form has many applications, occurring in the ''cella'' of ancient Greek temples and in many Asian buildings, particularly of wood construction. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osiris
Osiris (, from Egyptian ''wsjr'', cop, ⲟⲩⲥⲓⲣⲉ , ; Phoenician: 𐤀𐤎𐤓, romanized: ʾsr) is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother, Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire. Osiris was at times considered the eldest son of the earth god Geb and the sky goddess Nut, as well as being brother and husband of Isis, and brother of Set, Nephthys, and Horus the Elder, with Horus the Younger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pylon (architecture)
A pylon is a monumental gate of an Egyptian temple (Egyptian: ''bxn.t'' in the Manuel de Codage transliterationErmann & Grapow, ''Wörterbuch der ägyptischen Sprache'', vol.1, 471.9–11). The word comes from the Greek language, Greek term 'gate'. It consists of two pyramidal towers, each tapered and surmounted by a cornice, joined by a less elevated section enclosing the entrance between them.Toby Wilkinson, ''The Thames and Hudson Dictionary of Ancient Egypt'', Thames & Hudson, 2005. p.195 The gate was generally about half the height of the towers. Contemporary paintings of pylons show them with long poles flying banners. Egyptian architecture In ancient Egyptian religion, the pylon mirrored the Egyptian hieroglyphs, hieroglyph akhet (hieroglyph and season), ''akhet'' 'horizon', which was a depiction of two hills "between which the sun rose and set". Consequently, it played a critical role in the symbolic architecture of a building associated with the place of re-creation an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divine Adoratrice Of Amun
The Divine Adoratrice of Amun (Egyptian: '' dwꜣt nṯr n jmn'') was a second title – after God's Wife of Amun – created for the chief priestess of the ancient Egyptian deity Amun. During the first millennium BCE, when the holder of this office exercised her largest measure of influence, her position was an important appointment facilitating the transfer of power from one pharaoh to the next, when his daughter was adopted to fill it by the incumbent office holder. The Divine Adoratrice ruled over the extensive temple duties and domains, controlling a significant part of the ancient Egyptian economy. History God's Wife of Amun, a title for a similar office of the high priestess, originated as a title held by a daughter of the High Priest of Amun during the reign of Hatshepsut and continued as an important office while the capital of Egypt remained in Thebes. Later, the added title Divine Adoratrice of Amun can be seen to accompany a resurgence of the title God's Wife of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
