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Missa Sanctae Caeciliae
''Missa Sanctae Caeciliae'' (Saint Cecilia Mass) in G major, ZWV 1, is a mass for voices and orchestra by Jan Dismas Zelenka. It was completed in 1711 as his first work for the Dresden court. Description ''Missa Sanctae Caeciliae'' was the first composition Jan Dismas Zelenka presented after he was employed as a musician at the court in Dresden in 1711. He arrived from Prague in 1710 to serve as a double bass player in the court orchestra, and turned to composing sacred music for the court which had converted to the Catholic Church. The mass, named after Saint Cecilia, the patron saint of music, was first performed at the Catholic Court Chapel on 22 November that year, and repeated there on 12 January 1712, this time in the presence of the Saxon Elector and Polish King, August II. Zelenka revised it several times, and used some parts for other purposes. The mass was first printed in 2014 by Edition Walhall, edited by Martin Kellhuber for the series of sacred music (''Reihe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crisis (magazine)
Sophia Institute Press is a non-profit publishing company based in Nashua, New Hampshire, United States. It publishes Catholic books, the online opinion journal ''Crisis Magazine'', the traditionalist Catholic website ''OnePeterFive'', the Tridentine Mass missalette ''Benedictus'', the website CatholicExchange.com, and catechetical materials for teachers. It also operates a music division, Sophia Music Group, via its 2021 acquisition of the De Montfort Music and AimHigher Recordings labels. Since 2012, the president of the organization has been Charlie McKinney. History Sophia Institute was founded in 1983 by John L. Barger, then a philosophy professor at Magdalen College in Bedford, New Hampshire, along with his student Paul DiIulio. Under Barger's direction, the press published over 200 titles and 2.5 million books. In 2011, while the press was the publishing division of Thomas More College of Liberal Arts and Holy Spirit College, Charlie McKinney was the publisher's chief o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Offertory
The offertory (from Medieval Latin ''offertorium'' and Late Latin ''offerre'') is the part of a Eucharistic service when the bread and wine for use in the service are ceremonially placed on the altar. A collection of alms (offerings) from the congregation, which may take place also at non-Eucharistic services, often coincides with this ceremony. The Eucharistic theology may vary among those Christian denominations that have a liturgical offertory. In the Roman Rite, the term "Preparation of the Gifts" is used in addition to the term "Offertory" (both capitalized) or, rather, the term "Preparation of the Gifts" is used for the action of the priest, while the term "Offertory" is used for the section of the Mass at which this action is performed in particular when speaking of the accompanying chant. In Baptist churches, the offertory refers to the part of the service of worship in which collection plates or baskets are distributed by ushers, with the tithes and offerings subse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vespers
Vespers is a service of evening prayer, one of the canonical hours in Eastern Orthodox, Oriental Orthodox, Catholic Church, Catholic (both Latin liturgical rites, Latin and Eastern Catholic Churches, Eastern), Lutheranism, Lutheran, and Anglican liturgies. The word for this fixed prayer times, fixed prayer time comes from the Latin , meaning "evening". Vespers typically follows a set order that focuses on the performance of psalms and other biblical canticles. Eastern Orthodox services advertised as 'vespers' often conclude with compline, especially the all-night vigil. Performing these services together without break was also a common practice in medieval Europe, especially secular churches and cathedrals. Old English speakers translated the Latin word as , which became evensong in modern English. The term is now usually applied to the Anglican variant of the service that combines vespers with compline, following the conception of early sixteenth-century worshippers that conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalms
The Book of Psalms ( or ; he, תְּהִלִּים, , lit. "praises"), also known as the Psalms, or the Psalter, is the first book of the ("Writings"), the third section of the Tanakh, and a book of the Old Testament. The title is derived from the Greek translation, (), meaning "instrumental music" and, by extension, "the words accompanying the music". The book is an anthology of individual Hebrew religious hymns, with 150 in the Jewish and Western Christian tradition and more in the Eastern Christian churches. Many are linked to the name of David, but modern mainstream scholarship rejects his authorship, instead attributing the composition of the psalms to various authors writing between the 9th and 5th centuries BC. In the Quran, the Arabic word ‘Zabur’ is used for the Psalms of David in the Hebrew Bible. Structure Benedictions The Book of Psalms is divided into five sections, each closing with a doxology (i.e., a benediction). These divisions were probably intro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kai Wessel (countertenor)
Kai Wessel (born 1964 in Hamburg) is a German countertenor and teacher at the Hochschule für Musik Köln. Professional career Kai Wessel started singing in school choirs and as a boy soprano at the Christus-Kirche of Hamburg-Wandsbek and received lessons on piano, organ and oboe. He studied to become a composer at the Lübeck Academy of Music but then concentrated on training his countertenor voice with Ute von Garczynski. He studied baroque performance practice at the Schola Cantorum Basiliensis with René Jacobs. His first concert was in Flensburg in 1984, his first opera appearance 1988 in the theatre of Freiburg im Breisgau. From 1994 to 2004, he was engaged at the theatre of Basel where he sang in productions of Herbert Wernicke in Handel's Theodora, Giulio Cesare and Israel in Egypt, among others. He took part in the project of Ton Koopman to record the complete vocal works of Johann Sebastian Bach with the Amsterdam Baroque Orchestra & Choir. Composers such as Mauri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriela Eibenová
Gabriela Eibenová (born 1972) is a Czech soprano in opera and concert, specialising in music of the Baroque and classical period in historically informed performance. Born in Prague, she studied there at the Prague Conservatory and then on a scholarship at a summer academy of the Wellington College, and with Julie Kennard at the Royal Academy of Music. In 1995, she sang the part of the sorceress in Purcell's ''Dido and Aeneas'' at the Purcell Festival in Cologne. She recorded in 1998 Jakub Jan Ryba's ''Česká mše vánoční'' (Czech Christmas Mass) with Magdalena Kožená, Jaroslav Březina and Michael Pospíšil, the Calmus Ensemble and the Capella Regia Musicalis. In 1999, she sang in Rossini's ''Petite messe solennelle'' with the Cologne-based Collegium Cantorum Köln, recorded live. In 2013, she flew in from Prague to fill in for a local soprano who had to cancel for health reasons. She sang the soprano part of Bach's Mass in B minor in St. Martin, Idstein on 29 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Matouš
A studio is an artist or worker's workroom. This can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. The term is also used for the workroom of dancers, often specified to dance studio. The word ''studio'' is derived from the , from , from ''studere'', meaning to study or zeal. The French term for studio, ''atelier'', in addition to designating an artist's studio is used to characterize the studio of a fashion designer. ''Studio'' is also a metonym for the group of people who work within a particular studio. :uz:Studiya Art studio The studio of any artist, especially from the 15th to the 19th centuries, characterized all the assistants, thus the designation of paintings as "from the workshop of..." or "studio of..." An art studio is sometimes called an at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musica Florea
Musica Florea is a Czech Baroque music ensemble in Prague, founded in 1992 by conductor and cellist Marek Štryncl. Profile The group of young professionals with a common interest in the study and authentic performance of Baroque music engaged primarily in performances and recordings of Baroque era music, but its repertoire extends from the early Baroque through masterpieces from that era's culminating decades to music in the Classical style. It includes instrumental chamber music, vocal-instrumental works both sacred and secular, orchestral concertos, and monumental works in the genres of opera and oratorio. Playing on original instruments, supported by study of period sources and aesthetics, has become indispensable and at the same time a characteristic trait of the ensemble. Musica Florea enjoyed soon its first notable success, including a performance and recording of Jan Dismas Zelenka's ''Missa Sanctissimae Trinitatis'', which received an award from the music magazine '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
