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Mir Musavvir
Mir Musavvir ( fl. 1510–48, died 1555) was a Persian painter at the Safavid court at Tabriz and later the Mughal court at Kabul. During his time at the royal Safavid workshop, he contributed to the ''Shahnameh'' of Shah Tahmasp. He was the father of Mir Sayyid Ali, who adopted his occupation of painting. Mir Musavvir moved to Tabriz from Badakhshan. The regional source of his style is evident in his illustrations from the 1520s, for example the painting "Ardashir and the Slave Girl Gulnar" of 1527–8 that he produced for the ''Shahnameh'' of Shah Tahmasp; the compositions are carefully constructed, with much attention given to architectural elements and the accurate depiction of objects such as lamps, bowls and ewers. By the 1530s, however, as part of the synthesis of eastern and western Iranian styles of painting, Mir Musavvir’s illustrations became “more broadly conceived and dramatic” and ceased to contain an abundance of minute details. As well as manuscr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mir Seyid Ali Mussavir
''Mir'' (russian: Мир, ; ) was a space station that operated in low Earth orbit from 1986 to 2001, operated by the Soviet Union and later by Russia. ''Mir'' was the first modular space station and was assembled in orbit from 1986 to 1996. It had a greater mass than any previous spacecraft. At the time it was the largest artificial satellite in orbit, succeeded by the International Space Station (ISS) after ''Mir'''s orbital decay, orbit decayed. The station served as a microgravity research laboratory in which crews conducted experiments in biology, human biology, physics, astronomy, meteorology, and spacecraft systems with a goal of developing technologies required for permanent occupation of Outer space, space. ''Mir'' was the first continuously inhabited long-term research station in orbit and held the record for the longest continuous human presence in space at 3,644 days, until it was surpassed by the ISS on 23 October 2010. It holds the record for the longes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tahmasp I
Tahmasp I ( fa, طهماسب, translit=Ṭahmāsb or ; 22 February 1514 – 14 May 1576) was the second shah of Safavid Iran from 1524 to 1576. He was the eldest son of Ismail I and his principal consort, Tajlu Khanum. Ascending the throne after the death of his father on 23 May 1524, the first years of Tahmasp's reign were marked by civil wars between the Qizilbash leaders until 1532, when he asserted his authority and began an absolute monarchy. He soon faced a long-lasting war with the Ottoman Empire, which was divided into three phases. The Ottoman sultan, Suleiman the Magnificent, tried to install his own candidates on the Safavid throne. The war ended with the Peace of Amasya in 1555, with the Ottomans gaining sovereignty over Iraq, much of Kurdistan, and western Georgia. Tahmasp also had conflicts with the Uzbeks of Bukhara over Khorasan, with them repeatedly raiding Herat. In 1528, at the age of fourteen, he defeated the Uzbeks in the Battle of Jam by using artillery, unkno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1576 Deaths
Year 1576 ( MDLXXVI) was a leap year starting on Sunday (link will display the full calendar) of the Julian calendar. Events January–June * January 20 – Viceroy Martín Enríquez de Almanza founds the settlement of León, Guanajuato, in New Spain (modern-day Mexico). * January 25 – Portuguese explorer Paulo Dias de Novais founds the settlement of ''São Paulo da Assumpção de Loanda'' on the south western coast of Africa, which becomes Luanda. * 1st May – Hungarian Transylvanian Prince Stephen Báthory is crowned king of Poland. * May 5 – The Edict of Beaulieu or Peace of Monsieur (after "Monsieur", the Duke of Anjou, brother of the King, Henry III of France, who negotiated it) ends the Fifth War of Religion in France. Protestants are again granted freedom of worship. * June 18 – Battle of Haldighati: Mughal forces, led by Man Singh I of Amer, decisively defeat the Mewar Kingdom led by Maharana Pratap. July–December * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Miniature Painters
Persian may refer to: * People and things from Iran, historically called ''Persia'' in the English language ** Persians, the majority ethnic group in Iran, not to be conflated with the Iranic peoples ** Persian language, an Iranian language of the Indo-European family, native language of ethnic Persians *** Persian alphabet, a writing system based on the Perso-Arabic script * People and things from the historical Persian Empire Other uses * Persian (patience), a card game * Persian (roll), a pastry native to Thunder Bay, Ontario * Persian (wine) * Persian, Indonesia, on the island of Java * Persian cat, a long-haired breed of cat characterized by its round face and shortened muzzle * The Persian, a character from Gaston Leroux's ''The Phantom of the Opera'' * Persian, a generation I Pokémon species * Alpha Indi, star also known as "The Persian" See also * Persian Empire (other) * Persian expedition (other) or Persian campaign * Persian Gulf (other) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iwan
An iwan ( fa, ایوان , ar, إيوان , also spelled ivan) is a rectangular hall or space, usually vaulted, walled on three sides, with one end entirely open. The formal gateway to the iwan is called , a Persian term for a portal projecting from the facade of a building, usually decorated with calligraphy bands, glazed tilework, and geometric designs. Since the definition allows for some interpretation, the overall forms and characteristics can vary greatly in terms of scale, material, or decoration. Iwans are most commonly associated with Islamic architecture; however, the form is Iranian in origin and was invented much earlier and fully developed in Mesopotamia around the third century CE, during the Parthian period of Persia. Etymology ''Iwan'' is a Persian word which was subsequently borrowed into other languages such as Arabic and Turkish. Its etymology is unclear. A theory by scholars like Ernst Herzfeld and W. B. Henning proposed that the root of this term is Old ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khamsa Of Nizami
The ''Khamsa'' ( fa, خمسه, 'Quintet' or 'Quinary', from Arabic) or ''Panj Ganj'' ( fa, پنج گنج, 'Five Treasures') is the main and best known work of Nizami Ganjavi. Description The ''Khamsa'' is in five long narrative poems: * '' Makhzan-ol-Asrâr'' (, 'The Treasury or Storehouse of Mysteries'CHARLES-HENRI DE FOUCHÉCOUR, "IRAN:Classical Persian Literature" in ''Encyclopædia Iranica''), 1163 (some date it 1176) * ''Khosrow o Shirin'' (, 'Khosrow and Shirin'), 1177–1180 * ''Leyli o Majnun'' (, 'Layla and Majnun'), 1192 * ''Eskandar-Nâmeh'' (, 'The Book of Alexander'), 1194 or 1196–1202 * ''Haft Peykar'' (, 'The Seven Beauties'), 1197 The first of these poems, '' Makhzan-ol-Asrâr'', was influenced by Sanai's (d. 1131) monumental ''Garden of Truth''. The four other poems are medieval romances. Khosrow and Shirin, Bahram-e Gur, and Alexander the Great, who all have episodes devoted to them in Ferdowsi's ''Shahnameh'', appear again here at the center of three of fou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Mirza Safavi
Abolnasr Sam Mirza Safavi (16 October 1517 – 1566) was a Safavid prince, a son of king (''shah'') Ismail I (r. 1501–1514). He was an art lover and was the author of the book ''Tazkare ye Sami'' or ''Tohfe ye Sami'' about poetry and poets. Career Tahmasp I, Sam Mirza's elder brother, appointed him as a teenager, to be the governor of Herat in his third campaign to Khorasan and appointed Aghzivar Khan as Sam Mirza's custodian. Sam Mirza balked at his brother's action upon his retainers' instigation, but he regretted later and asked his brother for forgiveness. Tahmasp I forgave him and took him from Khorasan to Qazvin. In Qazvin, Sam Mirza was a companion of Tahmasp I. In 1549, Sam Mirza asked his brother to allow him to remain in a place for praying. Tahmasp I appointed him as custodian of the mausoleum of Safi-ad-din Ardabili and the governor of Ardabil. At the time he was a governor and custodian and his house was the meeting place of scientists, poets and artists. In 1561 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Safavid Dynasty
The Safavid dynasty (; fa, دودمان صفوی, Dudmâne Safavi, ) was one of Iran's most significant ruling dynasties reigning from 1501 to 1736. Their rule is often considered the beginning of modern Iranian history, as well as one of the gunpowder empires. The Safavid Shāh Ismā'īl I established the Twelver denomination of Shīʿa Islam as the official religion of the Persian Empire, marking one of the most important turning points in the history of Islam. The Safavid dynasty had its origin in the Safavid order of Sufism, which was established in the city of Ardabil in the Iranian Azerbaijan region. It was an Iranian dynasty of Kurdish origin, but during their rule they intermarried with Turkoman, Georgian, Circassian, and Pontic GreekAnthony Bryer. "Greeks and Türkmens: The Pontic Exception", ''Dumbarton Oaks Papers, Vol. 29'' (1975), Appendix II "Genealogy of the Muslim Marriages of the Princesses of Trebizond" dignitaries, nevertheless they were Turkish-spea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aqa Mirak
Aqa Mirak (floruit, fl. 1520 – Qazvin, 1576) was a Persia, Persian illustrator and Persian art, painter. Life Aqa Mirak was a painter, purveyor and companion to the Safavid dynasty, Safavid shah Tahmasp I and was well known in contemporary circles. Initially living in Tabriz, he traveled and lived in Mashhad between 1555 and 1565, and Qazvin from 1565 until his death. Works The contemporary chronicler Dust Muhammad mentioned that Aqa Mirak along with Mir Musavvir did wall paintings for Prince Sam Mirza's palace in Tabriz and illustrations for royal manuscripts including the Shahnameh of Shah Tahmasp, a superb copy of Ferdowsi's Shahnameh ('Book of kings') and Khamsa of Nizami (British Library, Or. 12208), Nizami's Khamsa ('Five poems'). Ahmad Monshi Ghomi, Qazi Ahmad wrote that Aqa Mirak "had no peer in artistic design and was an incomparable painter, very clever, enamoured of his art, a bon vivant, an intimate [of the Shah] and a sage". A manuscript of the Khamsa done between 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dust Muhammad
Dust Muhammad (or Doust Muhammad) was a Persian painter of miniatures, calligrapher, and art historian, active from about 1510 to 1564. Later in life he worked in India. Early career Dust Muhammad was born in Herat in the late 15th century, although the date is not known. He was a disciple of Kamāl ud-Dīn Behzād, working with teachers in Herat. Prince Bahram Mirza first spotted his talent and invited him to work in his studio. By early 1520 Muhammad moved with Behzad from Herat to Tabriz. After the death of Shah Ismail I, he remained in the service of Shah Tahmasp I, taking part in the illustration of the famous Shahnameh of Shah Tahmasp, however his contribution is much more modest than that of Sultan Mohammed or Mir Musavvir. After the death of Behzad, Muhammad left the Tahmasp court. According to some researchers, he was a nomad and he could no longer sit in the same spot. In the late 1530s he worked at the court of the ruler of Kabul, Kamran Mirza, brother of the Mughal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muraqqa
A Muraqqa ( tr, Murakka, ar, مورّقة, fa, مُرَقّع) is an album in book form containing Islamic miniature paintings and specimens of Islamic calligraphy, normally from several different sources, and perhaps other matter. The album was popular among collectors in the Islamic world, and by the later 16th century became the predominant format for miniature painting in the Persian Safavid, Mughal and Ottoman empires, greatly affecting the direction taken by the painting traditions of the Persian miniature, Ottoman miniature and Mughal miniature. The album largely replaced the full-scale illustrated manuscript of classics of Persian poetry, which had been the typical vehicle for the finest miniature painters up to that time. The great cost and delay of commissioning a top-quality example of such a work essentially restricted them to the ruler and a handful of other great figures, who usually had to maintain a whole workshop of calligraphers, artists and other craftsm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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