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Dust Muhammad (or Doust Muhammad) was a Persian painter of miniatures, calligrapher, and art historian, active from about 1510 to 1564. Later in life he worked in India.


Early career

Dust Muhammad was born in
Herat Herāt (; Persian: ) is an oasis city and the third-largest city of Afghanistan. In 2020, it had an estimated population of 574,276, and serves as the capital of Herat Province, situated south of the Paropamisus Mountains (''Selseleh-ye Safēd ...
in the late 15th century, although the date is not known. He was a disciple of
Kamāl ud-Dīn Behzād Kamāl ud-Dīn Behzād (c. 1455/60 – 1535), also known as Kamal al-din Bihzad or Kamaleddin Behzād ( fa, کمال‌الدین بهزاد), was a Persian painter and head of the Persian miniature#Artists and technique, royal ateliers in Herat ...
, working with teachers in Herat. Prince Bahram Mirza first spotted his talent and invited him to work in his studio. By early 1520 Muhammad moved with Behzad from Herat to
Tabriz Tabriz ( fa, تبریز ; ) is a city in northwestern Iran, serving as the capital of East Azerbaijan Province. It is the List of largest cities of Iran, sixth-most-populous city in Iran. In the Quri Chay, Quru River valley in Iran's historic Aze ...
. After the death of Shah
Ismail I Ismail I ( fa, اسماعیل, Esmāʿīl, ; July 17, 1487 – May 23, 1524), also known as Shah Ismail (), was the founder of the Safavid dynasty of Safavid Iran, Iran, ruling as its King of Kings (''Shahanshah'') from 1501 to 1524. His re ...
, he remained in the service of Shah
Tahmasp I Tahmasp I ( fa, طهماسب, translit=Ṭahmāsb or ; 22 February 1514 – 14 May 1576) was the second shah of Safavid Iran from 1524 to 1576. He was the eldest son of Ismail I and his principal consort, Tajlu Khanum. Ascending the throne after t ...
, taking part in the illustration of the famous
Shahnameh of Shah Tahmasp The ''Shahnameh'' of Shah Tahmasp ( fa, شاهنامه شاه‌طهماسب) or Houghton ''Shahnameh'' is one of the most famous illustrated manuscripts of the ''Shahnameh'', the national epic of Greater Iran, and a high point in the art of t ...
, however his contribution is much more modest than that of
Sultan Mohammed Sultan Muhammad was a Persian painter at the Safavid Iran, Safavid court at Tabriz under Shah Ismail I () and Shah Tahmasp I (). He served as the director of Shah Ismail I, Ismail's artists’ workshop and as the first project director of the ...
or
Mir Musavvir Mir Musavvir (fl. 1510–48, died 1555) was a Persian painter at the Safavid court at Tabriz and later the Mughal court at Kabul. During his time at the royal Safavid workshop, he contributed to the ''Shahnameh'' of Shah Tahmasp. He was t ...
. After the death of Behzad, Muhammad left the Tahmasp court. According to some researchers, he was a nomad and he could no longer sit in the same spot. In the late 1530s he worked at the court of the ruler of
Kabul Kabul (; ps, , ; , ) is the capital and largest city of Afghanistan. Located in the eastern half of the country, it is also a municipality, forming part of the Kabul Province; it is administratively divided into 22 municipal districts. Acco ...
,
Kamran Mirza Kamran Mirza ( fa, ) (1512 – 5 October 1557) was the second son of Babur, the founder of the Mughal Empire and the first Mughal Emperor. Kamran Mirza was born in Kabul to Babur's wife Gulrukh Begum. He was half-brother to Babur's eldest s ...
, brother of the Mughal emperor
Humayun Nasir-ud-Din Muhammad ( fa, ) (; 6 March 1508 – 27 January 1556), better known by his regnal name, Humāyūn; (), was the second emperor of the Mughal Empire, who ruled over territory in what is now Eastern Afghanistan, Pakistan, Northern ...
.


India

In 1555, and at the invitation of the Emperor, he traveled to India. By about 1550 he had created a miniature on a separate sheet, created by order of the Mughal emperor - "The Emperor Humayun and his brothers in a landscape". The interior of this piece is styled Turkmen Sultan Muhammad. Much of it takes the form of grotesque mountain elephants and other animals (especially loved by Shah Tahmasp). The emperor Humayun sits on a stone throne, and in the distance under the trees play three boys, one of whom is the future Emperor Akbar I. In the early 1560s, the court of the Mughal emperors was already under Emperor Akbar I, and Dust Muhammad left India and returned to Iran. He lived out the last days in
Qazvin Qazvin (; fa, قزوین, , also Romanized as ''Qazvīn'', ''Qazwin'', ''Kazvin'', ''Kasvin'', ''Caspin'', ''Casbin'', ''Casbeen'', or ''Ghazvin'') is the largest city and capital of the Province of Qazvin in Iran. Qazvin was a capital of the ...
. The exact date of his death is unknown.


Calligraphy

Dust Muhammad learned the art of calligraphy from a master Shadishaha Qasim, a student of the famous calligrapher of Herat
Sultan Ali Mashhadi Sultan ‛Ali Mashhadi, fa, سلطان‌علی مشهدی (full name: Sultan Ali-i Muhammad-i Mashhadi) ( fl 1453–1519, d. 1520) was a Persian calligrapher and master of nastaliq script. Born in Mashhad, Sultan ‛Ali lost his father when he ...
. From the pen of Muhammad came out excellent artistic calligraphic manuscripts and samples. Some of them are presented in the Russian National Library in St. Petersburg. For a long time Muhammad was the head of the
Safavid Safavid Iran or Safavid Persia (), also referred to as the Safavid Empire, '. was one of the greatest Iranian empires after the 7th-century Muslim conquest of Persia, which was ruled from 1501 to 1736 by the Safavid dynasty. It is often conside ...
royal court of Prince Bahram Mirza, a famous patron of the arts, but also the master of calligraphy, artist, musician and poet. Muhammad also worked for his brother Bahram Mirza - Shah Tahmasp I, and enjoyed the title of "Royal calligrapher". Dust Muhammad in the first chapter is known as the author of an essay on Persian painting. In the years 1544–45. He wrote a treatise on calligraphers and artists. This work is extant in the
muraqqa A Muraqqa ( tr, Murakka, ar, مورّقة, fa, مُرَقّع) is an album in book form containing Islamic miniature paintings and specimens of Islamic calligraphy, normally from several different sources, and perhaps other matter. The album ...
of calligraphic designs and miniatures, known as the "Album of Bahram Mirza", which is stored in the library of the
Topkapı Palace Museum Topkapı ("cannonball gate"), sometimes spelled Topkapi outside of Turkey, is a Turkish word that may refer to: * Topkapı Palace, a museum in Istanbul, Turkey * Topkapı Scroll, a Timurid dynasty pattern scroll in the museum's collection * Topka ...
in
Istanbul Istanbul ( , ; tr, İstanbul ), formerly known as Constantinople ( grc-gre, Κωνσταντινούπολις; la, Constantinopolis), is the List of largest cities and towns in Turkey, largest city in Turkey, serving as the country's economic, ...
. The first nineteen sheets album as a preface is a treatise Dust Muhammad, written by beautiful handwriting, probably belonging to the author. In addition to the Treaty on the album are three more works Dust Muhammad - two miniatures with the caption "Master Dust" and calligraphic passage, signed "Douste-Muhammad Musavvir" (the artist). Treatise written in the Persian language, includes an introduction to the origin of the letter, the head of the masters of handwriting "taʿliq" and "
nastaʿlīq ''Nastaliq'' (; fa, , ), also romanized as ''Nastaʿlīq'', is one of the main calligraphic hands used to write the Perso-Arabic script in the Persian and Urdu languages, often used also for Ottoman Turkish poetry, rarely for Arabic. ''Nasta ...
", a section on the history of art and its masters, and especially - the information about the court artists and calligraphers of Bahram Mirza. Despite the confusion of mythical and historical names, the history of painting the picture painted by Dust Muhammad is of considerable interest. His writing provides a clear allusion to the existence of a religious ban images of living beings, and at the same time on the relativity of this prohibition. In his treatise Muhammad does not touch any problems the art of painting, nor any of its equipment. The value of this work lies in the extensive knowledge of the life and work of Persian artists of the 14th to 16th centuries.


References

* Master the art of art. - M., 1965. - T. 1. * Welch, Stuart Cary. Persian Painting Five Royal Manuscripts of the Sixteenth Century. - New York. 1976. * Welch, Stuart Cary. Wonders of the Age. - Cambridge: Fogg Art Museum, Harvard University. 1979. * Dickson M. B. / Welch S. C. The Houghton Shahnameh. - Cambridge, Mass. 1981. - Vol. 1.


Further reading

* {{DEFAULTSORT:Muhammad, Dust Persian miniature painters People from Herat 16th-century Iranian painters