Metz Cathedral
Metz Cathedral, otherwise the Cathedral of Saint Stephen, Metz (french: Cathédrale Saint Étienne de Metz), is a Roman Catholic cathedral in Metz, capital of Lorraine, France. It is dedicated to Saint Stephen. First begun in the early 14th century, it was joined with the collegiate church of Notre-Dame in the mid-14th century, and given a new transept and late Gothic chevet, finished between 1486 and 1520. It is the cathedral of the Roman Catholic Diocese of Metz as the seat of the bishops of Metz. The cathedral treasury displays the collection, assembled over 1,000 years, of the bishopric of Metz, including paraments and items used for the Eucharist. Metz Cathedral has the third-highest nave of cathedrals in France (41.41 meters (135.9 ft)), behind Amiens Cathedral and Beauvais Cathedral. It is nicknamed ("the Good Lord's lantern"), displaying the largest expanse of stained glass in the world with .Jolin J.L. (2001) La lanterne du Bon Dieu. Eds. Serpnoise. . The stained ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Metz
Metz ( , , lat, Divodurum Mediomatricorum, then ) is a city in northeast France located at the confluence of the Moselle and the Seille rivers. Metz is the prefecture of the Moselle department and the seat of the parliament of the Grand Est region. Located near the tripoint along the junction of France, Germany and Luxembourg,Says J.M. (2010) La Moselle, une rivière européenne. Eds. Serpenoise. the city forms a central place of the European Greater Region and the SaarLorLux euroregion. Metz has a rich 3,000-year history,Bour R. (2007) Histoire de Metz, nouvelle édition. Eds. Serpenoise. having variously been a Celtic ''oppidum'', an important Gallo-Roman city,Vigneron B. (1986) Metz antique: Divodurum Mediomatricorum. Eds. Maisonneuve. the Merovingian capital of Austrasia,Huguenin A. (2011) Histoire du royaume mérovingien d'Austrasie. Eds. des Paraiges. pp. 134,275 the birthplace of the Carolingian dynasty,Settipani C. (1989) Les ancêtres de Charlemagne. Ed. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Parament
Paraments or parements (from Late Latin ''paramentum'', adornment, ''parare'', to prepare, equip) are both the hangings or ornaments of a room of state, and the ecclesiastical vestments. Paraments include the liturgical hangings on and around the altar, such as altar cloths, as well as the cloths hanging from the pulpit and lectern, and in the ecclesiastical vestments category they include humeral veils and mitres. In most Christian churches using paraments (including Roman Catholic and a wide variety of Protestant denominations), the liturgical paraments change in color depending on the season of the church year. *Advent - purple (or in some traditions, blue) *Christmas - white *Lent - purple *Easter - white *Pentecost, Good Friday and the feasts of martyrs - red *Ordinary time - green *All Souls' Day, Requiem Masses - black (optionally purple) See also *Antependium *Antimension *Altar candle Altar candles are candles set on or near altars for religious ceremonies. Vario ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tachisme
__NOTOC__ Tachisme (alternative spelling: Tachism, derived from the French word ''tache'', stain) is a French style of abstract painting popular in the 1940s and 1950s. The term is said to have been first used with regards to the movement in 1951.Ian Chilvers (2004''The Oxford Dictionary of Art'' Oxford University Press It is often considered to be the European response and equivalent to abstract expressionism, although there are stylistic differences (American abstract expressionism tended to be more "aggressively raw" than tachisme). It was part of a larger postwar movement known as Art Informel (or ''Informel''), which abandoned geometric abstraction in favour of a more intuitive form of expression, similar to action painting. Another name for Tachism is Abstraction lyrique (related to American Lyrical Abstraction). COBRA is also related to Tachisme, as is Japan's Gutai group. After World War II the term School of Paris often referred to Tachisme, the European equivalent of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roger Bissière
Roger Bissière (22 September 1886 – 2 December 1964) was a French artist. He designed stained glass windows for Metz cathedral and several other churches. Biography Roger Bissière was born 22 September 1886 in Villeréal, Lot-et-Garonne. In 1901 the family moved to Bordeaux. His mother, Elisabeth Chastaignol, died 25 April 1902. In 1904 his father, Fernand Bissière, did not allow him to enter art school. Roger then travelled to Algeria. When he returned in 1905, he enrolled at the ''école des Beaux- Arts de Bordeaux'' where he studied with Paul François Quinsac until 1909. From September 1910 he studied with Gabriel Ferrier at the École des Beaux-Arts in Paris. He married Catherine Lucie Lotte (nicknamed ''Mousse''), 23 January 1919. Their son Marc-Antoine was born 15 July 1925. Bissière published articles in the magazine L'Esprit Nouveau about Seurat (No. 1, 1920), Ingres (No. 4, 1921) and Corot (No. 9, 1921). In 1936, Bissière was one of the artists who ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charles-Laurent Maréchal
Self-portrait on glass Window Charles-Laurent Maréchal (27 January 1801 – 17 January 1887) was a French painter. Biography Maréchal was born of poor parents at Metz in 1801.Maréchal ogeneanet.org/ref> He was brought up as a saddler, but his bent for art took him early to Paris, where during several years he was a pupil of Jean-Baptiste Regnault. In 1825, he returned to Metz, and in the following year exhibited at the Exposition of the Department of the Moselle, a picture of 'Job,' which procured him the first-class silver medal. In 1831, on the visit of King Louis Philippe I to Metz, he presented to that sovereign a picture of his painting entitled 'Prayer', which obtained honourable mention at the salon of the current year. Amongst his remaining paintings in oil are 'Masaccio as a boy,' 'The Harvest,' and the ' Apotheosis of St. Catherine' painted in 1842 for the Metz Cathedral. He, however, eventually abandoned oil, as a vehicle, in favour of pastel, as being better adap ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Valentin Bousch
Valentin Bousch (circa 1490 – August 1541) was a Renaissance stained glass glazier and painter from Strasbourg, active in the Duchy of Lorraine and the Republic of Metz. A rarity among stained glass artists, Bousch is seen as one who actively sought to express new ideas in his art, often before they were widely used in the area, revising his method even from one window to the next, to create striking Renaissance effects and a personal style. Life Bousch was born in Strasbourg. The earliest mention of his work is at Saint-Nicolas-de-Port, near Nancy in 1514.Isler-de Jongh, 1998 (p. 1) Bousch was active there from 1514 to 1520, developed a large glass studio and made many windows for the Saint Nicolas basilica. In 1518 he also made windows for the priory church of Varangéville on a command of the Bishop of Metz, John IV of Lorraine. On 25 September 1518, Valentin Bousch became the master glazier of the cathedral of Metz, where most work was done in the years 1520-1528, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hermann Von Münster
Hermann von Münster (c. 1330 – March 1392) was a German master glassmaker, native of Münster, in Westphalia, and active in Lorraine. Biography Hermman von Münster is actually the first stained glass artist to be mentioned by the archives of the Cathedral chapter of Saint-Etienne of Metz. On August 29, 1381, master Hermann received an annuity of 22 pounds, to pay for its work on the western large window of the cathedral of Metz. His work was supported by Cardinal William Aigrefeuille, legate of the antipope Clement VII, who then reorganized the Chapter of Metz. Three years later, on 2 May 1384, the Cathedral chapter negotiated the price of the "GRANT OZ", the western Rose window with Hermann von Munster. Hermann was still working on the windows of the western facade in December 1384. In August 1385, the Cathedral Chapter borrowed 420 pounds to set the work completed. In 1388, Hermann bought a home in Metz, beside the cathedral, where he died in March 1392. Thanks to his ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Renaissance Art
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gothic Art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace. The earliest Gothic art was monumental ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stained Glass
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and ''objets d'art'' created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into ''stained glass windows'' in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Beauvais Cathedral
The Cathedral of Saint Peter of Beauvais (french: Cathédrale Saint-Pierre de Beauvais) is a Roman Catholic church in the northern town of Beauvais, Oise, France. It is the seat of the Bishop of Beauvais, Noyon and Senlis. The cathedral is in the Gothic style, and consists of a 13th-century choir, with an apse and seven polygonal apsidal chapels reached by an ambulatory, joined to a 16th-century transept. It has the highest Gothic choir in the world: (48.50 m) under vault. From 1569 to 1573 the cathedral of Beauvais was, with its tower of 153 meters, the highest human construction of the world. Its designers had the ambition to make it the largest gothic cathedral in France ahead of Amiens. Victim of two collapses, one in the 13th century, the other in the 16th century, it remains unfinished today; only the choir and the transept have been built. The planned nave of the cathedral was never constructed. The remnant of the previous 10th-century Romanesque cathedral, known as t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |