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Mein Ganzes Herz Erhebet Dich
"Mein ganzes Herz erhebet dich" (My whole heart magnifies You) is the beginning of German hymns to a melody from the 16th century, which paraphrase Psalm 138. They are part of Protestant and Catholic hymnals. History A rhymed version in French of Psalm 138 appeared in the Genevan Psalter. This psalter was used by the Huguenots, who were persecuted in France for more than two centuries but nonetheless sang psalms and derived strength from doing so. The melody appeared first in Paris in 1530. Like other melodies of the Psalter, it was simple, spanning only an octave, and in easy rhythm of notes in only two values. The Reformed pastor wrote new texts in German to the Genevan melodies, published first as ''Neue Bereimung der Psalmen'' in 1798, paying closer attention to the biblical originals than the Genevan Psalter, expanded in 1806 to ''Die Psalmen Davids neu übersetzt und in Reime gebracht''. He wrote Psalm 138 in four stanzas, which became part of the Protestant hymnal ''Evan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 138
Psalm 138 is the 138th psalm of the Book of Psalms, beginning in English in the King James Version: "I will praise thee with my whole heart". In Latin, it is known as "Confitebor tibi Domine in toto corde meo". The psalm is a hymn psalm. In the slightly different numbering system used in the Greek Septuagint version of the Bible and in the Latin Vulgate, this psalm is Psalm 137. The psalm forms a regular part of Jewish, Catholic, Orthodox, and Protestant liturgies. It has often been set to music, by composers including Claudio Monteverdi, Heinrich Schütz, Marc-Antoine Charpentier, Michel Richard Delalande, Jan Dismas Zelenka, Josef Rheinberger and Stefans Grové. History and content Psalm 138 is the 138th psalm from the Book of Psalms, which is the first book of the ''Ketuvim'' ("Writings") in the Hebrew Bible, and is also a book of the Christian Old Testament. It is part of the final Davidic collection of psalms, comprising Psalms 138 through 145, which are specificall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genevan Psalter
The ''Genevan Psalter'', also known as the ''Huguenot Psalter'', is a metrical psalter in French created under the supervision of John Calvin for liturgical use by the Reformed churches of the city of Geneva in the sixteenth century. Background Before the Protestant Reformation a select group of performers generally sang the psalms during church services, not the entire congregation. John Calvin believed that the entire congregation should participate in praising God in the worship service and already in his famous work Institutes of the Christian Religion of 1536 he speaks of the importance of singing psalms. In the articles for the organization of the church and its worship in Geneva, dated January 16, 1537, Calvin writes: "it is a thing most expedient for the edification of the church to sing some psalms in the form of public prayers by which one prays to God or sings His praises so that the hearts of all may be roused and stimulated to make similar prayers and to render simila ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huguenots
The Huguenots ( , also , ) were a Religious denomination, religious group of French people, French Protestants who held to the Reformed, or Calvinist, tradition of Protestantism. The term, which may be derived from the name of a Swiss political leader, the Genevan burgomaster Bezanson Hugues (1491–1532?), was in common use by the mid-16th century. ''Huguenot'' was frequently used in reference to those of the Reformed Church of France from the time of the Protestant Reformation. By contrast, the Protestant populations of eastern France, in Alsace, Moselle (department), Moselle, and Montbéliard, were mainly Lutheranism, Lutherans. In his ''Encyclopedia of Protestantism'', Hans Hillerbrand wrote that on the eve of the St. Bartholomew's Day massacre in 1572, the Huguenot community made up as much as 10% of the French population. By 1600, it had declined to 7–8%, and was reduced further late in the century after the return of persecution under Louis XIV, who instituted the ''dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Note Value
In music notation, a note value indicates the relative duration of a note, using the texture or shape of the ''notehead'', the presence or absence of a ''stem'', and the presence or absence of ''flags/ beams/hooks/tails''. Unmodified note values are fractional powers of two, for example one, one-half, one fourth, etc. A rest indicates a silence of an equivalent duration. List Shorter notes can be created theoretically ''ad infinitum'' by adding further flags, but are very rare. Variations The breve appears in several different versions, as shown at right. The first two are commonly used; the third is a stylistic alternative. Sometimes the longa or breve is used to indicate a very long note of indefinite duration, as at the end of a piece (e.g. at the end of Mozart's Mass KV 192). A single eighth note, or any faster note, is always stemmed with flags, while two or more are usually beamed in groups.Gerou, Tom (1996). ''Essential Dictionary of Music Notation'', p.211. Alfred. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evangelisches Kirchengesangbuch
The Evangelisches Kirchengesangbuch (EKG, literally: Protestant church songbook) was the first common hymnal of German-speaking churches in the Protestant state churches (''Landeskirchen'') in Germany and the Protestant churches in Austria. It was introduced between 1950 and 1969. The EKG was replaced by the current '' Evangelisches Gesangbuch'' (EG) between 1993 and 1996. History The intention to have a common German Protestant hymnal date back to the mid of the 19th century. A meeting of representatives of German state churches in Eisenach Eisenach () is a town in Thuringia, Germany with 42,000 inhabitants, located west of Erfurt, southeast of Kassel and northeast of Frankfurt. It is the main urban centre of western Thuringia and bordering northeastern Hessian regions, situat ... in 1853 resulted in a collection of songs that were widely known and preferred, ''Deutsches Evangelisches Kirchen-Gesangbuch in 150 Kernliedern'', also known as ''Eisenacher Büchlein''. The E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incipit
The incipit () of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of notes, having the same purpose. The word ''incipit'' comes from Latin and means "it begins". Its counterpart taken from the ending of the text is the explicit. Before the development of titles, texts were often referred to by their incipits, as with for example ''Agnus Dei''. During the medieval period in Europe, incipits were often written in a different script or colour from the rest of the work of which they were a part, and "incipit pages" might be heavily decorated with illumination. Though the word ''incipit'' is Latin, the practice of the incipit predates classical antiquity by several millennia and can be found in various parts of the world. Although not always called by the name of ''incipit'' today, the practice of referring to texts by their initial words remains commonplace. Historical examples Sumerian In th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zürich
Zürich () is the list of cities in Switzerland, largest city in Switzerland and the capital of the canton of Zürich. It is located in north-central Switzerland, at the northwestern tip of Lake Zürich. As of January 2020, the municipality has 434,335 inhabitants, the Urban agglomeration, urban area 1.315 million (2009), and the Zürich metropolitan area 1.83 million (2011). Zürich is a hub for railways, roads, and air traffic. Both Zurich Airport and Zürich Hauptbahnhof, Zürich's main railway station are the largest and busiest in the country. Permanently settled for over 2,000 years, Zürich was founded by the Roman Empire, Romans, who called it '. However, early settlements have been found dating back more than 6,400 years (although this only indicates human presence in the area and not the presence of a town that early). During the Middle Ages, Zürich gained the independent and privileged status of imperial immediacy and, in 1519, became a primary centre of the Protestant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotteslob (1975)
The 1975 edition of ''Gotteslob'' (''God's Praise'') was the first combined prayerbook and hymnbook authorised by the bishops of all German-speaking Roman Catholics in Germany and Austria. It contains texts and songs for liturgy, communal prayer and private prayer, divided into a section which is common for all, and an appendix for the local songs in a diocese. Forerunners for a common hymnal were the hymnal '' Cantate!'', published by Heinrich Bone in 1847 and used by multiple diocese of German-speaking countries, and '' Kirchenlied'', a 1938 hymnal that included songs by Protestant hymnwriters. Maria Luise Thurmair was a member of the commission preparing the edition, and also contributed several songs to the book. Her "Den Herren will ich loben", based on the Magnificat and many other liturgical hymns appeared there first. Friedrich Dörr was a member of the commission who contributed mostly his translations of Latin hymns, such as "Komm, Heilger Geist, der Leben schafft", f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotteslob
''Gotteslob'' ("Praise of God") is the title of the hymnbook authorized by the Catholic dioceses in Germany, Austria, South Tyrol, Luxembourg and Liège, Belgium. First published in Advent 2013, it is the current official hymnal for German-speaking Catholics, succeeding the first common German hymnal, the 1975 edition of the same name. Each diocese published a book containing a common section and a regional section. The first editions amounted to around 4 million copies. History ''Gotteslob'' was developed as a sequel of the first common German hymnal, ''Gotteslob'' of 1975. It was developed over a period of 10 years by around 100 experts, who studied the use of hymns, conducting surveys and running tests in selected congregations. ''Gotteslob'' was published by Catholic dioceses in Germany, Austria, South Tyrol, and is also used by German-speaking parishes in Luxembourg and the Diocese of Liège, Belgium. It was introduced from Advent 2013, beginning on 1 December. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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