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Maître Péronilla
''Maître Péronilla'' is an opéra bouffe in three acts of 1878 with music by Jacques Offenbach. The French libretto was by the composer with Charles-Louis-Étienne Nuitter and Paul Ferrier. The sub-title was ''La femme à deux maris'';Noel E and Stoullig E. ''Les Annales du Théâtre et de la Musique, 4eme édition, 1878.'' G Charpentier et Cie, Paris, 1879. the working title during the preparation of the libretto and composition had been ''Frimouskino'', which Offenbach had drafted in the late 1860s.Yon, Jean-Claude. ''Jacques Offenbach.'' Éditions Gallimard, Paris, 2000. Composed in Nice, Offenbach asked Nuitter and Ferrier to help him with the song lyrics as his regular collaborators, Henri Meilhac and Ludovic Halévy had distanced themselves in order to concentrate on other projects, including work with Charles Lecocq. Premiered at the Théâtre des Bouffes Parisiens, the piece was taken off after less than two months, and ''Le timbale d’argent'' returned to the Bouff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach By Nadar
Ancient and noble French family names, Jacques, Jacq, or James are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname ultimately originates from the Latin, Jacobus which belongs to an unknown progenitor. Jacobus comes from the Hebrew name, Yaakov, which translates as "one who follows" or "to follow after". Ancient history A French knight returning from the Crusades in the Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusades. Indeed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Markus Poschner
Markus Poschner (born 1971, Munich) is a German conductor and pianist. Biography Poschner studied at the University of Music and Performing Arts Munich with Hermann Michael. His mentors and supporters included Sir Roger Norrington, Sir Colin Davis and Jorma Panula. From 2000 to 2006, Poschner was chief conductor of the ''Georgisches Kammerorchester Ingolstadt''. He has also been first ''Kapellmeister'' of the Komische Oper Berlin. From 2007 to 2017, Poschner was ''Generalmusikdirektor'' (GMD) of the city of Bremen, which encompassed chief conductorships of the Bremer Philharmoniker and of the Theater Bremen. Poschner became chief conductor of the Orchestra della Svizzera Italiana as of the 2015-2016 season. In February 2015, the Bruckner Orchestra Linz announced the appointment of Poschner as its next chief conductor, effective with the 2017-2018 season. Outside of Europe, Poschner has served as principal guest conductor of the ''Orquesta Sinfonica de Chile''. Poschner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre National De France
The Orchestre national de France (ONF; literal translation, ''National Orchestra of France'') is a French symphony orchestra based in Paris, founded in 1934. Placed under the administration of the French national radio (named Radio France since 1975), the ONF performs mainly in the Théâtre des Champs-Élysées from where all its concerts are broadcast. Some concerts are also held in the ''Salle Olivier Messiaen'' in the Maison de Radio France (formerly known as Maison de la Radio). History The orchestra has had several names over its history: * 1934–1945: ''Orchestre national'' (National Orchestra) * 1945–1949: ''Orchestre national de la Radiodiffusion française'' (French Radio National Orchestra) * 1949–1964: ''Orchestre national de la Radio-télévision française'' or ''Orchestre national de la RTF'' (French Radio and Television National Orchestra) * 1964–1974: ''Orchestre national de l'Office de radiodiffusion-télévision française'' or ''Orchestre national ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio France
Radio France is the French national public radio broadcaster. Stations Radio France offers seven national networks: *France Inter — Radio France's "generalist" station, featuring entertaining and informative talk mixed with a wide variety of music, plus hourly news bulletins with extended news coverage in the morning, midday, and early-evening peaks *France Info — 24-hour news *France Culture — cultural programming covering the arts, history, science, philosophy, etc. together with in-depth news coverage at peak times *France Musique — classical music and jazz *France Bleu — a network of 44 regional stations, mixing popular music with locally based talk and information, including: ** France Bleu 107.1 — for the Paris-Île-de-France region **France Bleu Béarn — Pyrénées-Atlantiques **France Bleu Nord — Nord and Pas de Calais * FIP — specialising in a wide range of music – classical, hip hop, jazz, chanson, rock, blues, world music – and minimal speech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éric Huchet
Éric Huchet (born 1 December 1962 in Saint-Germain-en-Laye) is a French contemporary lyric tenor. Musical studies * First prize of the in 1992. * University of Music and Performing Arts Vienna in Walter Berry's class Roles * Achille, Menelas in Offenbach's ''La Belle Hélène'', Théâtre du Châtelet, 2000, Marseille. * Le Prince Paul in Offenbach's ''La Grande-Duchesse de Gérolstein'', Théâtre du Châtelet, 2004. * Cochenille in Offenbach's ''The Tales of Hoffmann'', Grand Théâtre de Genève, 2008. * Falsacappa in Offenbach's ''Les Brigands'', Opéra-Comique of Paris, 2011. * Graf Elemer in Strauss's ''Arabella'', Paris Opera, July 2012. * Trufaldino in Sergei Prokofiev's ''The Love for Three Oranges'', Paris Opera 2012 * Franz in Offenbach's ''The Tales of Hoffmann'', Paris Opera, September 2012. * Monostatos in Mozart's ''The Magic Flute'', Angers-Nantes Opéra, May 2014. * Spoletta in Puccini ''Tosca''. Paris Opera, November 2014 * Cantarelli in Hérold's ''Le p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Véronique Gens
Véronique Gens (born 19 April 1966) is a French operatic soprano. She has spent much of her career recording and performing Baroque music, Baroque music. Gens was born in Orléans, France, and studied at the Conservatoire de Paris, winning first prize at the school. Her debut in 1986 was with William Christie (musician), William Christie and his Les Arts Florissants (ensemble), Les Arts Florissants. She has since worked with Marc Minkowski, René Jacobs, Christophe Rousset, Philippe Herreweghe, Martin Gester, and Jean-Claude Malgoire. While she started out as a Baroque specialist, Gens has also come into demand for roles in Mozart operas, and as an interpreter of songs by Hector Berlioz, Berlioz, Claude Debussy, Debussy (see also Beau Soir), Gabriel Fauré, Fauré and others. Her numerous recordings include many works by Mozart and Henry Purcell, Purcell, as well as Joseph Canteloube, Joseph Canteloube's ''Chants d'Auvergne'' and Berlioz's ''Les nuits d'été, Nuits d'été''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne Troy
Étienne Troy, (21 July 1844, Toulouse - 3 June 1909, Paris) was a French baritone opera singer who took numerous small roles in Paris for over 40 years and was later a stage manager at the Opéra-Comique.Etienne accessed 3 January 2020. Life and career The son of a hatter, Troy studied singing at the where in 1864 he won the first prize in the opéra-comique competition. In 1865 he joined the Théâtre-Lyrique in Paris, where he sang in the premieres of '' Roméo ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Jolly
Alfred-Jules Jolly (20 April 1839 – 8 May 1891) was a French singer and actor. In the first part of his career he featured in operettas in Brussels and later in Paris, creating roles in works by Charles Lecocq, Lecocq, Hervé (composer), Hervé and Jacques Offenbach, Offenbach, among others. From 1884 he switched to the non-musical theatre, based at the Théâtre du Vaudeville, starring in comedies and farces. Life and career Jolly was born in Paris on 20 April 1839. He dabbled in several professions before entering the theatre."Courrier des Théatres" ''Le Figaro'', 9 May 1891, p. 4 He made his debut in Belgium and then moved to Paris in 1866, returning to Brussels during the Franco-Prussian War of 1870–71. In Brussels he was in three world premieres of operettas by Charles Lecocq: as Sir Jonathan Plupersonn in ''Les c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daubray (actor)
Michel René Thibaut, known by his stage-name Daubray, born Nantes 7 May 1837, died Paris 10 September 1892 was a leading French actor and singer in operetta, active mainly in Paris but who also appeared around Europe. Life and career Moving to Paris when he was 14, Daubray undertook classes in speech production. When he was 19 he applied to the Paris Conservatoire but failed to gain a place. He then started a stage career as juvenile lead in smaller theatres. However, his healthy appetite soon changed his appearance to that of a small, plump comic which set the style for his career.Du Temps des cerises aux Feuilles mortes French chanson from the end of the 2nd Empire to the 1950s website. Accessed 13 February 2011. In 1862 he became a member of the company of the Théâtre des Champs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
