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Éric Huchet
Éric Huchet (born 1 December 1962 in Saint-Germain-en-Laye) is a French contemporary lyric tenor. Musical studies * First prize of the in 1992. * University of Music and Performing Arts Vienna in Walter Berry's class Roles * Achille, Menelas in Offenbach's ''La Belle Hélène'', Théâtre du Châtelet, 2000, Marseille. * Le Prince Paul in Offenbach's ''La Grande-Duchesse de Gérolstein'', Théâtre du Châtelet, 2004. * Cochenille in Offenbach's ''The Tales of Hoffmann'', Grand Théâtre de Genève, 2008. * Falsacappa in Offenbach's ''Les Brigands'', Opéra-Comique of Paris, 2011. * Graf Elemer in Strauss's ''Arabella'', Paris Opera, July 2012. * Trufaldino in Sergei Prokofiev's ''The Love for Three Oranges'', Paris Opera 2012 * Franz in Offenbach's ''The Tales of Hoffmann'', Paris Opera, September 2012. * Monostatos in Mozart's ''The Magic Flute'', Angers-Nantes Opéra, May 2014. * Spoletta in Puccini ''Tosca''. Paris Opera, November 2014 * Cantarelli in Hérold's ''Le p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Germain-en-Laye
Saint-Germain-en-Laye () is a commune in the Yvelines department in the Île-de-France in north-central France. It is located in the western suburbs of Paris, from the centre of Paris. Inhabitants are called ''Saint-Germanois'' or ''Saint-Germinois''. With its elegant tree-lined streets it is one of the more affluent suburbs of Paris, combining both high-end leisure spots and exclusive residential neighborhoods (see the Golden Triangle of the Yvelines). Saint-Germain-en-Laye is a sub-prefecture of the department. Because it includes the National Forest of Saint-Germain-en-Laye, it covers approximately , making it the largest commune in the Yvelines. It occupies a large loop of the Seine. Saint-Germain-en-Laye lies at one of the western termini of Line A of the RER. History Saint-Germain-en-Laye was founded in 1020 when King Robert the Pious (ruled 996–1031) founded a convent on the site of the present Church of Saint-Germain. In 1688, James II of England exiled hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Living People
Related categories * :Year of birth missing (living people) / :Year of birth unknown * :Date of birth missing (living people) / :Date of birth unknown * :Place of birth missing (living people) / :Place of birth unknown * :Year of death missing / :Year of death unknown * :Date of death missing / :Date of death unknown * :Place of death missing / :Place of death unknown * :Missing middle or first names See also * :Dead people * :Template:L, which generates this category or death years, and birth year and sort keys. : {{DEFAULTSORT:Living people 21st-century people People by status ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1962 Births
Year 196 ( CXCVI) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Dexter and Messalla (or, less frequently, year 949 '' Ab urbe condita''). The denomination 196 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus attempts to assassinate Clodius Albinus but fails, causing Albinus to retaliate militarily. * Emperor Septimius Severus captures and sacks Byzantium; the city is rebuilt and regains its previous prosperity. * In order to assure the support of the Roman legion in Germany on his march to Rome, Clodius Albinus is declared Augustus by his army while crossing Gaul. * Hadrian's wall in Britain is partially destroyed. China * First year of the '' Jian'an era of the Chinese Han Dynasty. * Emperor Xian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Pré Aux Clercs
''Le pré aux clercs'' (''The Clerks' Meadow'') is an opéra comique in three acts by Ferdinand Hérold with a libretto by François-Antoine-Eugène de Planard based on Prosper Mérimée's ''Chronique du temps de Charles IX'' of 1829.Pougin A. Hérold, biographie critique illustrée', Henri Laurens, Paris, 1906, p. 122 Performance history ''Le pré aux clercs'' was premiered in Paris by the Opéra-Comique company at the Salle de la Bourse on 15 December 1832. After the first performance the leading lady, Madame Casimir, refused – after unsuccessfully demanding more money – to sing in the subsequent performances, and Mlle Dorus of the Opéra was coached by Hérold over five days to take over the role of Isabelle. According to Hérold's biographer Arthur Pougin, this incident exacerbated the composer's ill-health, leading to his death five weeks after the premiere. The opera, Hérold's last completed one, was very successful, inaugurating the new Salle Favart in 1840, and enj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Love For Three Oranges
''The Love for Three Oranges'', Op. 33, also known by its French language title ' (russian: Любовь к трём апельсинам, links=no, ''Lyubov' k tryom apel'sinam''), is a satirical opera by Sergei Prokofiev. Its French libretto was based on the Italian play '' L'amore delle tre melarance'' by Carlo Gozzi. The opera premiered at the Auditorium Theatre in Chicago, Illinois, on 30 December 1921. Composition history The opera was the result of a commission during Prokofiev's successful first visit to the United States in 1918. After well-received concerts of his works in Chicago (including his First Symphony), Prokofiev was approached by the director of the Chicago Opera Association, Cleofonte Campanini, to write an opera. Conveniently, Prokofiev had drafted a libretto during his trip to the US; he had based it on Carlo Gozzi's play in the '' Commedia dell'arte'' tradition, (which was itself based on Giambattista Basile's fairy tale "The Love for Three Oranges"). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabella
''Arabella'', Op. 79, is a lyric comedy, or opera, in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration. Performance history It was first performed on 1 July 1933 at the Dresden Sächsisches Staatstheater. The opera received its premiere in the UK on 17 May 1934 at London's Royal Opera House. Two decades later, on 10 February 1955, it was performed at the Metropolitan Opera in New York with Eleanor Steber in the title role. The Met has given numerous performances of the work since that date. At the 2008 Helpmann Awards, the production by Opera Australia won the Award for Best Opera. < ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Brigands
''Les brigands'' (''The Bandits'') is an opéra bouffe, or operetta, by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic Halévy. Meilhac and Halévy's libretto lampoons both serious drama (Schiller's play ''The Robbers'') and opéra comique (''Fra Diavolo'' and ''Les diamants de la couronne'' by Auber). The plot is cheerfully amoral in its presentation of theft as a basic principle of society rather than as an aberration. As Falsacappa, the brigand chieftain, notes: "Everybody steals according to their position in society." The piece premiered in Paris in 1869 and has received periodic revivals in France and elsewhere, both in French and in translation. ''Les brigands'' has a more substantial plot than many Offenbach operettas and integrates the songs more completely into the story. The forces of law and order are represented by the bumbling carabinieri, whose exaggerated attire delighted the Parisian audience during the premiere. In addition to policemen, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Théâtre De Genève
Grand Théâtre de Genève is an opera house in Geneva, Switzerland. As with many other opera houses, the Grand Théâtre de Genève is both a venue and an institution. The venue is a majestic building, towering over Place Neuve, officially opened in 1876, partly destroyed by fire in 1951 and reopened in 1962, after extensive refurbishments, which houses the largest stage in Switzerland. As an institution, it is the largest production and host theatre in French-speaking Switzerland, featuring opera and dance performances, recitals, concerts and, occasionally, theatre.Grand Théâtre de Genève During the 17th and early 18th centuries, Geneva was heavily influenced by |
