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Maxime Collignon
Léon-Maxime Collignon (8 November 1849 in Verdun – 15 October 1917 in Paris) was a French archaeologist who specialized in ancient Greek art and architecture. Biography From 1868 he studied at the École normale supérieure in Paris as a student of archaeologist Georges Perrot. In 1873 he became a member of the French School at Athens. In 1876, with Louis Duchesne, he conducted archaeological research in Asia Minor, about which, he published "''Rapport sur un voyage archéologique en Asie Mineure''". In 1879 he was named professor of Greek antiquities at the University of Bordeaux. In 1883 he returned to Paris as a deputy to Georges Perrot at the Faculty of Arts, where in 1900 he became a full professor of archaeology.Collignon, Léon-Maxime Dictionary of Art Historians In 1893 he became a member of the '' |
La Sorbonne
The University of Paris (french: link=no, Université de Paris), Metonymy, metonymically known as the Sorbonne (), was the leading university in Paris, France, active from 1150 to 1970, with the exception between 1793 and 1806 under the French Revolution. Emerging around 1150 as a corporation associated with the cathedral school of Notre Dame de Paris, it was considered the List of medieval universities, second-oldest university in Europe.Charles Homer Haskins, Haskins, C. H.: ''The Rise of Universities'', Henry Holt and Company, 1923, p. 292. Officially chartered in 1200 by King Philip II of France and recognised in 1215 by Pope Innocent III, it was later often nicknamed after its theological College of Sorbonne, in turn founded by Robert de Sorbon and chartered by List of French monarchs, French King Louis IX, Saint Louis around 1257. Internationally highly reputed for its academic performance in the humanities ever since the Middle Ages – notably in theology and philosophy – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Henry Wright
John Henry Wright (February 4, 1852 – November 25, 1908) was an American classical scholar born at Urumiah (Rezaieh), Persia. He earned his Bachelors (1873) and Masters (1876) at Dartmouth College, New Hampshire. After junior appointments (first in Ohio and then at Dartmouth) in 1886 he joined Johns Hopkins as a professor of classical philology. In 1887, he became a professor of Greek at Harvard, where, from 1895 to 1908, he was also Dean of the Graduate School of Arts and Sciences. Some of Wright's most notable works are ''A History of All Nations from the Earliest Times'' (1905), a 24–volume history of the world; the translations ''Masterpieces of Greek literature'' (1902); and ''The Origin of Plato's Cave'' (1906). He was active in the American Academy of Arts and Sciences, the American Philological Association, and similar organizations. From 1889 to 1906 he co-edited the ''Classical Review'' (later ''Classical Quarterly'') and from 1897 to 1906 he was chief ed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funerary Sculpture
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living. The deposit of objects with an appare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parthenon
The Parthenon (; grc, Παρθενών, , ; ell, Παρθενώνας, , ) is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena during the fifth century BC. Its decorative sculptures are considered some of the high points of Greek art, an enduring symbol of Ancient Greece, democracy and Western civilization. The Parthenon was built in thanksgiving for the Hellenic victory over Persian invaders during the Greco-Persian Wars. Like most Greek temples, the Parthenon also served as the city treasury. Construction started in 447 BC when the Delian League was at the peak of its power. It was completed in 438; work on the decoration continued until 432. For a time, it served as the treasury of the Delian League, which later became the Athenian Empire. In the final decade of the 6th century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary. After the Ottoman conquest in the mid-fifteenth century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander The Great
Alexander III of Macedon ( grc, wikt:Ἀλέξανδρος, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the Ancient Greece, ancient Greek kingdom of Macedonia (ancient kingdom), Macedon. He succeeded his father Philip II of Macedon, Philip II to the throne in 336 BC at the age of 20, and spent most of his ruling years conducting a lengthy military campaign throughout Western Asia and ancient Egypt, Egypt. By the age of thirty, he had created one of the List of largest empires, largest empires in history, stretching from Greece to northwestern Historical India, India. He was undefeated in battle and is widely considered to be one of history's greatest and most successful military commanders. Until the age of 16, Alexander was tutored by Aristotle. In 335 BC, shortly after his assumption of kingship over Macedon, he Alexander's Balkan campaign, campaigned in the Balkans and reasserted control ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Praxiteles
Praxiteles (; el, Πραξιτέλης) of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attica sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubitably attributable sculpture by Praxiteles is extant, numerous copies of his works have survived; several authors, including Pliny the Elder, wrote of his works; and coins engraved with silhouettes of his various famous statuary types from the period still exist. A supposed relationship between Praxiteles and his beautiful model, the Thespian courtesan Phryne, has inspired speculation and interpretation in works of art ranging from painting ( Gérôme) to comic opera ( Saint-Saëns) to shadow play ( Donnay). Some writers have maintained that there were two sculptors of the name Praxiteles. One was a contemporary of Pheidias, and the other his more celebrated grandson. Though the repetition of the same name in every other generation is commo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scopas
Scopas ( grc-gre, Σκόπας; born in Paros, fl. 4th century BCE) was an ancient Greek sculptor and architect, most famous for his statue of Meleager, the copper statue of Aphrodite, and the head of goddess Hygieia, daughter of Asclepius. Early life and family Scopas was born on the island of Paros. His father was the sculptor Aristander of Paros. Skopas left Paros at an early age and travelled throughout the Hellenic world. Career as sculptor and architect Scopas worked with Praxiteles, and he sculpted parts of the Mausoleum of Halicarnassus, especially the reliefs. He led the building of the new temple of Athena Alea at Tegea. Similar to Lysippus, Scopas is artistically a successor of the Classical Greek sculptor Polykleitos. The faces of the heads are almost in quadrat. The deeply sunken eyes and a slightly opened mouth are recognizable characteristics in the figures of Scopas. Works by Scopas are preserved in the British Museum (reliefs) in London; fragments from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the Hellenistic period often in groups was the dominant form, though reliefs, often so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Ceramics
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivier Rayet
Olivier Rayet (23 September 1847, Le Cairou – 19 February 1887, Paris) was a French archaeologist. From 1866 he studied geography and ancient history at the École normale supérieure in Paris, where he was a pupil of Ernest Desjardins, his future father-in-law. In 1869 he obtained his agrégation in history and became a member of the French School at Athens. From 1876 he taught classes in epigraphy and Greek archaeology at the École pratique des hautes études, and three years later, began teaching courses in ancient art at the Collège de France, succeeding Paul Foucart, a professor of epigraphy, who had recently been named director of the French School at Athens. In 1884 he succeeded François Lenormant as chair of archaeology at the Bibliothèque nationale in Paris. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phidias
Phidias or Pheidias (; grc, Φειδίας, ''Pheidias''; 480 – 430 BC) was a Greek sculptor, painter, and architect. His Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World. Phidias also designed the statues of the goddess Athena on the Athenian Acropolis, namely the ''Athena Parthenos'' inside the Parthenon, and the '' Athena Promachos'', a colossal bronze which stood between it and the Propylaea, a monumental gateway that served as the entrance to the Acropolis in Athens. Phidias was the son of Charmides of Athens. The ancients believed that his masters were Hegias and Ageladas. Plutarch discusses Phidias' friendship with the Greek statesman Pericles, recording that enemies of Pericles tried to attack him through Phidias – who was accused of stealing gold intended for the Parthenon's statue of Athena, and of impiously portraying himself and Pericles on the shield of the statue. The historical value of this account, as well as the leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid And Psyche
Cupid and Psyche is a story originally from ''Metamorphoses'' (also called ''The Golden Ass''), written in the 2nd century AD by Lucius Apuleius Madaurensis (or Platonicus). The tale concerns the overcoming of obstacles to the love between Psyche (; , , "Soul" or "Breath of Life") and Cupid (Latin ''Cupido'', "Desire") or Amor ("Love", Greek Eros, Ἔρως), and their ultimate union in a sacred marriage. Although the only extended narrative from antiquity is that of Apuleius from 2nd century AD, Eros and Psyche appear in Greek art as early as the 4th century BC. The story's Neoplatonic elements and allusions to mystery religions accommodate multiple interpretations, and it has been analyzed as an allegory and in light of folktale, '' Märchen'' or fairy tale, and myth. The story of Cupid and Psyche was known to Boccaccio in c. 1370, but the '' editio princeps'' dates to 1469. Ever since, the reception of ''Cupid and Psyche'' in the classical tradition has been extensive. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
