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Scopas
Scopas ( grc-gre, Σκόπας; born in Paros, fl. 4th century BCE) was an ancient Greek sculptor and architect, most famous for his statue of Meleager, the copper statue of Aphrodite, and the head of goddess Hygieia, daughter of Asclepius. Early life and family Scopas was born on the island of Paros. His father was the sculptor Aristander of Paros. Skopas left Paros at an early age and travelled throughout the Hellenic world. Career as sculptor and architect Scopas worked with Praxiteles, and he sculpted parts of the Mausoleum of Halicarnassus, especially the reliefs. He led the building of the new temple of Athena Alea at Tegea. Similar to Lysippus, Scopas is artistically a successor of the Classical Greek sculptor Polykleitos. The faces of the heads are almost in quadrat. The deeply sunken eyes and a slightly opened mouth are recognizable characteristics in the figures of Scopas. Works by Scopas are preserved in the British Museum (reliefs) in London; fragments from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mausoleum Of Halicarnassus
The Mausoleum at Halicarnassus or Tomb of Mausolus ( grc, Μαυσωλεῖον τῆς Ἁλικαρνασσοῦ; tr, Halikarnas Mozolesi) was a tomb built between 353 and 350 BC in Halicarnassus (present Bodrum, Turkey) for Mausolus, an Anatolian from Caria and a satrap in the Achaemenid Empire, and his sister-wife Artemisia II of Caria. The structure was designed by the Greek architects Satyros and Pythius of Priene. Its elevated tomb structure is derived from the tombs of neighbouring Lycia, a territory Mausolus had invaded and annexed c. 360 BC, such as the Nereid Monument. The Mausoleum was approximately in height, and the four sides were adorned with sculptural reliefs, each created by one of four Greek sculptors: Leochares, Bryaxis, Scopas of Paros, and Timotheus. The mausoleum was considered to be such an aesthetic triumph that Antipater of Sidon identified it as one of his Seven Wonders of the Ancient World. It was destroyed by successive earthquakes from the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scopas (crater)
Scopas is a crater on Mercury, near the south pole. Its name was adopted by the International Astronomical Union in 1976, after the ancient Greek sculptor and architect Scopas Scopas ( grc-gre, Σκόπας; born in Paros, fl. 4th century BCE) was an ancient Greek sculptor and architect, most famous for his statue of Meleager, the copper statue of Aphrodite, and the head of goddess Hygieia, daughter of Asclepius. Ear ..., following the official convention of naming craters on Mercury after historically significant artists, musicians, painters, and authors. References Impact craters on Mercury {{Mercury-planet-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meleager Of Skopas
The ''Meleager'' of Skopas is a lost bronze sculpture of the Greek hero Meleager – host of the Calydonian boar hunt – that is associated in modern times with the fourth century BC architect and sculptor Skopas of Paros. History In myth, the hunt of the Calydonian boar was supposed to be an initiatory event for Meleager, though it ends in his death, as well as his uncles' deaths. The sculpture escaped mention in any classical writer. It is judged to have been a late work in the sculptor's career, but it is known only through a number of copies that vary in quality and in fidelity to the original, which show it to have been one of the famous sculptures of antiquity: "the popularity of the Meleager during Roman times was certainly great," notes Brunilde Sismondo Ridgway, who reports Andrew F. Stewart's count of 13 statues, 4 torsos, 19 heads (which are similar enough to the Ludovisi Ares to raise confusions) busts and herms, a variant with changed stance and attributes, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paros
Paros (; el, Πάρος; Venetian: ''Paro'') is a Greek island in the central Aegean Sea. One of the Cyclades island group, it lies to the west of Naxos, from which it is separated by a channel about wide. It lies approximately south-east of Piraeus. The Municipality of Paros includes numerous uninhabited offshore islets totaling of land. Its nearest neighbor is the municipality of Antiparos, which lies to its southwest. In ancient Greece, the city-state of Paros was located on the island. Historically, Paros was known for its fine white marble, which gave rise to the term "Parian" to describe marble or china of similar qualities. Today, abandoned marble quarries and mines can be found on the island, but Paros is primarily known as a popular tourist spot. Geography Paros' geographic co-ordinates are 37° N. latitude, and 25° 10' E. longitude. The area is . Its greatest length from N.E. to S.W. is , and its greatest breadth . The island is of a round, plump-pear shape, form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tegea
Tegea (; el, Τεγέα) was a settlement in ancient Arcadia, and it is also a former municipality in Arcadia, Peloponnese, Greece. Since the 2011 local government reform it is part of the Tripoli municipality, of which it is a municipal unit with an area of 118.350 km2. It is near the modern villages of Alea and Episkopi. The legendary founder of Tegea was Tegeates, a son of Lycaon. History Tegea ( grc, Τεγέα; grc-x-ionic, Τεγέη) was one of the most ancient and powerful towns of ancient Arcadia, situated in the southeast of the country. Its territory, called Tegeatis (Τεγεᾶτις), was bounded by Cynuria and Argolis on the east, from which it was separated by Mount Parthenium, by Laconia on the south, by the Arcadian district of Maenalia on the west, and by the territory of Mantineia on the north. The Tegeatae are said to have derived their name from Tegeates, a son of Lycaon, and to have dwelt originally in eight, afterwards nine, demoi or townships ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pothos (mythology)
In Ancient Greek religion and mythology, the Erotes () are a collective of winged gods associated with love and sexual intercourse. They are part of Aphrodite's retinue. ''Erotes'' (Greek ) is the plural of ''Eros'' ("Love, Desire"), who as a singular deity has a more complex mythology. Other named Erotes are Anteros ("Love Returned"), Hedylogos ("Sweet-talk"), Hermaphroditus ("Hermaphrodite" or "Effeminate"), Himeros ("Impetuous Love" or "Pressing Desire"), Hymenaios ("Bridal-Hymn"), and Pothos ("Desire, Longing," especially for one who is absent). The Erotes became a motif of Hellenistic art, and may appear in Roman art in the alternate form of multiple Cupids or Cupids and Psyches. In the later tradition of Western art, Erotes become indistinguishable from figures also known as Cupids, amorini, or amoretti. General role and attributes The Erotes are a group of winged gods in Classical mythology. They are associated with love and sexual desire, and form part of Aphrodite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Archaeological Museum, Athens
The National Archaeological Museum ( el, Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world and contains the richest collection of Greek Antiquity artifacts worldwide. It is situated in the Exarcheia area in central Athens between Epirus Street, Bouboulinas Street and Tositsas Street while its entrance is on the Patission Street adjacent to the historical building of the Athens Polytechnic university. History The first national archaeological museum in Greece was established by the governor of Greece Ioannis Kapodistrias in Aigina in 1829. Subsequently, the archaeological collection was relocated to a number of exhibition places until 1858, when an international architectural competition was announced for the location and the architectural design of the new museum.The Nation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovisi Ares
The Ludovisi Ares is an Antonine Roman marble sculpture of Mars, a fine 2nd-century copy of a late 4th-century BCE Greek original, associated with Scopas or Lysippus: thus the Roman god of war receives his Greek name, Ares. Ares/Mars is portrayed as young and beardless and seated on a trophy of arms, while an Eros plays about his feet, drawing attention to the fact that the god of war, in a moment of repose, is presented as a love object. The 18th-century connoisseur Johann Joachim Winckelmann, a man with a practiced eye for male beauty, found the Ludovisi Ares the most beautiful Mars that had been preserved from Antiquity, when he wrote the catalogue of the Ludovisi collection. Rediscovered in 1622, the sculpture was apparently originally part of the temple of Mars (founded in 132 BCE in the southern part of the Campus Martius), of which few traces remain, for it was recovered near the site of the church of San Salvatore in Campo. Pietro Santi Bartoli recorded in his notes th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lysippus
Lysippos (; grc-gre, Λύσιππος) was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic period. Problems confront the study of Lysippos because of the difficulty of identifying his style among the copies which survive. Not only did he have a large workshop and many disciples in his immediate circle, but there is understood to have been a market for replicas of his work, supplied from outside his circle, both in his lifetime and later in the Hellenistic and Roman periods. The ''Victorious Youth'' or Getty bronze, which resurfaced around 1972, has been associated with him. Biography Born at Sicyon around 390 BC, Lysippos was a worker in bronze in his youth. He taught himself the art of sculpture, later becoming head of the school of Argos and Sicyon. According to Pliny, he produced more than 1,500 works, all of them in bronze. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Archaeological Museum Of Athens
The National Archaeological Museum ( el, Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world and contains the richest collection of Greek Antiquity artifacts worldwide. It is situated in the Exarcheia area in central Athens between Epirus Street, Bouboulinas Street and Tositsas Street while its entrance is on the Patission Street adjacent to the historical building of the Athens Polytechnic university. History The first national archaeological museum in Greece was established by the governor of Greece Ioannis Kapodistrias in Aigina in 1829. Subsequently, the archaeological collection was relocated to a number of exhibition places until 1858, when an international architectural competition was announced for the location and the architectural design of the new museum.The Nation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hygieia
Hygieia is a goddess from Greek, as well as Roman, mythology (also referred to as: Hygiea or Hygeia; ; grc, Ὑγιεία or , la, Hygēa or ). Hygieia is a goddess of health ( el, ὑγίεια – ''hugieia''), cleanliness and hygiene. Her name is the source for the word "hygiene". Hygieia is related to the Greek god of medicine, Asclepius, who is the son of the Olympian god Apollo. Hygieia is most commonly referred to as a daughter of Asclepius and his wife Epione. Hygieia and her four sisters each performed a facet of Apollo's art: Hygieia (health, cleanliness, and sanitation); Panacea (universal remedy); Iaso (recuperation from illness); Aceso (the healing process); and Aglaïa (beauty, splendor, glory, magnificence, and adornment). The role of Hygieia in antiquity One notable reference regarding Hygieia's role as a goddess of health can be found within the Hippocratic oath. This oath is used by physicians in order to swear before various healing gods, one of which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristander Of Paros
Aristander ( grc, Αρίστανδρος) of Paros was an ancient Greek sculptor. This artist was responsible for one of the sacrificial tripods which the Lacedaemonians made out of the spoils of the Battle of Aegospotami (405 BCE), and dedicated at Amyclae. The two tripods had statues beneath them, between the feet: that of Aristander had Sparta holding a lyre; that of Polykleitos had a figure of Aphrodite. His son was the celebrated sculptor Scopas Scopas ( grc-gre, Σκόπας; born in Paros, fl. 4th century BCE) was an ancient Greek sculptor and architect, most famous for his statue of Meleager, the copper statue of Aphrodite, and the head of goddess Hygieia, daughter of Asclepius. Ea .... References {{DGRBM, author=PS, title=Aristander, volume=1, page=290, url=http://quod.lib.umich.edu/m/moa/acl3129.0001.001/305 Ancient Greek sculptors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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