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Mary Fraser Tytler
Mary Seton Fraser Tytler (married name Mary Seton Watts) (1849–1938) was a symbolist craftswoman, designer and social reformer. Biography Watts, née Fraser-Tytler, was born on 25 November 1849, in India. She was the daughter of Charles Edward Fraser Tytler of Balnain and Aldourie, who worked for the East India Company. She spent much of her youth in Scotland, where she was raised by her grandparents, and settled in England in the 1860s. Early in 1870 she studied art in Dresden before enrolling at the South Kensington School of Art later the same year. During 1872 and 1873 Tytler studied sculpture at the Slade School of Art. She initially became known as a portrait painter, and was associated with Julia Margaret Cameron and the Freshwater community. There she met painter George Frederic Watts, and at the age of 36 (he was 69), became his second wife on 20 November 1886 in Epsom, Surrey. Watts was President of the Godalming and District National Union of Women's Suffrage Society ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compton, Guildford
Compton is a village and civil parish in the Guildford district of Surrey, England. It is between Godalming and Guildford. It has a medieval church and a close connection to fine art and pottery, being the later life home of artist George Frederic Watts. The parish has considerable woodland and agricultural land, and the undeveloped portions are in the Metropolitan Green Belt. The village is traversed by the North Downs Way and has a large western conservation area. Central to the village are the Watts Gallery, the cemetery chapel commissioned by his wife for him, two inns and the parish church. Geography The village is just off the Compton junction of the A3 road and is crossed parallel to its linear street by the North Downs Way. Compton contains the Watts Mortuary Chapel, built to the memory of Symbolist painter George Frederic Watts, a resident of the village. Development can be classed as ribbon development around the through road. The 2001 census gives a population of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Union Of Women's Suffrage Societies
The National Union of Women Suffrage Societies (NUWSS), also known as the ''suffragists'' (not to be confused with the suffragettes) was an organisation founded in 1897 of women's suffrage societies around the United Kingdom. In 1919 it was renamed the National Union of Societies for Equal Citizenship. Formation and campaigning The team was founded in 1897 by the merger of the National Central Society for Women's Suffrage and the Central Committee of the National Society for Women's Suffrage, the groups having originally split in 1888. The groups united under the leadership of Millicent Fawcett, who was the president of the society for more than twenty years. The organisation was democratic and non-militant, aiming to achieve women's suffrage through peaceful and legal means, in particular by introducing Parliamentary Bills and holding meetings to explain and promote their aims. In 1903 the Women's Social and Political Union (WSPU, the "suffragettes"), who wished to undertak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Home Arts And Industries Association
The Home Arts and Industries Association was part of the Arts and Crafts Movement in Britain. It was founded in 1884 by Eglantyne Louisa Jebb, mother of Save the Children founders, Dorothy and Eglantyne Jebb and Louisa Wilkins who helped start the Women's Land Army. The initial name, changed in 1885, was the "Cottage Arts Association". Jebb was inspired by an initiative of Charles Godfrey Leland in Philadelphia. Another leading member was the designer Mary Fraser Tytler. The organisation sought to revive traditional rural crafts which were threatened by the mechanisation of production and by increasing urbanization. In conformity with the thinking of John Ruskin John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and pol ... and with Arts and Crafts philosophy, supporters believed that flouri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World's Columbian Exposition
The World's Columbian Exposition (also known as the Chicago World's Fair) was a world's fair held in Chicago (''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name ... in 1893 to celebrate the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. The centerpiece of the Fair, held in Jackson Park (Chicago), Jackson Park, was a large water pool representing the voyage Columbus took to the New World. Chicago had won the right to host the fair over several other cities, including New York City, Washington, D.C., and St. Louis. The exposition was an influential social and cultural event and had a profound effect on American Architecture of the United States, architecture, the arts, American industrial optimism, and Chicago's image. The layout of the Chicago Columbian E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Woman's Building (Chicago)
The Woman's Building was designed and built for the World's Columbian Exposition held in Chicago in 1893 under the auspices of the Board of Lady Managers. Of the twelve main buildings for the Exhibition, on June 30, 1892 The Woman's Building was the first to be completed. It had exhibition space as well as an assembly room, a library, and a Hall of Honor. The ''History of the World's Fair'' states, "It will be a long time before such an aggregation of woman's work, as may now be seen in the Woman's Building, can be gathered from all parts of the world again." Building Fourteen women architects submitted designs for the Woman's Building. The Board of Architects selected Sophia Hayden's design. The design was for a three story building done in Italian Renaissance style with Corinthian columns. The Hall of Honor was in total 70 feet in height and didn't have any pillars or supports obstructing the space. Alice Rideout was chosen as the official sculptor for the Woman's Building. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Women Artists Exhibited At The 1893 World's Columbian Exposition
Women artists competing for awards at the 1893 World's Columbian Exposition submitted their work to juries at appropriate buildings. Women artists were represented in the Palace of Fine Arts, along with their fellow countrymen. Women exhibited painting and sculpture throughout the Fair. The Woman's Building did not have a juried exhibition, but lobbied to have artists of the day submit their work for the "Court of Honor". Women also contributed to the decoration and statuary throughout the Woman's Building. Women artists in the Palace of Fine Arts List of Women artist exhibiting at the Palace of Fine Arts, by country. Austria Belgium Canada Denmark France Germany Great Britain Holland Italy * Maria Martinetti – painting Norway Russia ;D * Maria Lvovna Dillon – sculpture ;K * Sophia Ivanovna Kramskaya – painting ;P * Helena Polienoff – painting ;W * Helena Wrangel (Elena Karlovna Vrangel) – painting Spain ;A * Julia Alca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Watts Gallery
Watts Gallery – Artists' Village is an art gallery in the village of Compton, near Guildford in Surrey. It is dedicated to the work of the Victorian-era painter and sculptor George Frederic Watts. The gallery has been Grade II* listed on the National Heritage List for England since June 1975. History Watts moved to "Limnerslease" in Compton in 1891, and with his artist wife, Mary Fraser-Tytler, planned a museum devoted to his work, which opened in April 1904, just before his death. The architect of the Gallery was Christopher Hatton Turnor, an admirer of Edwin Lutyens and C.F.A. Voysey. Inspired by the Arts and Crafts movement, the building contains top-lit galleries that allow Watts's work to be displayed under natural light. It is one of only a few galleries in the UK devoted to a single artist, and is often hailed as a national gallery in the heart of a village. The present director is Alistair Burtenshaw and the curator is Dr Cicely Robinson. Former curators include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Watts Mortuary Chapel
The Watts Cemetery Chapel or Watts Mortuary Chapel is a chapel in an Modern Style (British Art Nouveau style) version of Celtic Revival in the village cemetery of Compton in Surrey. While the overall architectural structure is loosely Romanesque Revival, in the absence of any appropriate Celtic models, the lavish decoration in terracotta relief carving and paintings is Celtic Revival, here seen on an unusually large scale. According to the local council, it is "a unique concoction of art nouveau, Celtic, Romanesque and Egyptian influence with Mary's own original style". Other responses have been less positive. Ian Nairn, in the 1971 ''Surrey'' volume of the ''Buildings of England'' series, described the interior as "one of the most soporific rooms in England" and regretted "the intolerable torpor and weariness of the motifs". It is a Grade I listed building. History When Compton Parish Council created a new cemetery, local resident artist Mary Fraser-Tytler, the wife of Vic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compton Potters' Arts Guild
The Compton Potters' Arts Guild was an art pottery, founded by and based at the Surrey home of Scottish artist, Mary Fraser Tytler. Background A follower of the Home Arts and Industries Association, set up by Earl Brownlow in 1885 to encourage handicrafts among the lower classes, Fraser-Tytler, the wife of Victorian era painter and sculptor George Frederic Watts, had offered to design and build a new mortuary chapel when the council in Compton, Surrey were developing a new cemetery. Setting up a local evening class, led by Louis Deuchars, Mary got them designing and modelling designs guided by her and influenced by friends and crafts people: Edward Burne-Jones, Walter Crane, Alexander Fisher, William De Morgan and Phoebe Traquair. The resultant Romanesque/Celtic revival exterior of the Watts Mortuary Chapel aroused such interest, that before work on the polychrome interior had started, Watts had set up permanent Arts and Crafts communities in both Compton and her home-tow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metalwork
Metalworking is the process of shaping and reshaping metals to create useful objects, parts, assemblies, and large scale structures. As a term it covers a wide and diverse range of processes, skills, and tools for producing objects on every scale: from huge ships, buildings, and bridges down to precise engine parts and delicate jewelry. The historical roots of metalworking predate recorded history; its use spans cultures, civilizations and millennia. It has evolved from shaping soft, native metals like gold with simple hand tools, through the smelting of ores and hot forging of harder metals like iron, up to highly technical modern processes such as machining and welding. It has been used as an industry, a driver of trade, individual hobbies, and in the creation of art; it can be regarded as both a science and a craft. Modern metalworking processes, though diverse and specialized, can be categorized into one of three broad areas known as forming, cutting, or joining processes. Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pottery
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a ''potter'' is also called a ''pottery'' (plural "potteries"). The definition of ''pottery'', used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products". In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted figurines of the same material are called "terracottas". Pottery is one of the oldest human inventions, originating before the Neolithic period, with ceramic objects like the Gravettian culture Venus of Dolní Věstonice figurine discovered in the Czech Republic dating back to 29,000–25,000 BC, and pottery vessels that were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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