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Watts Gallery
Watts Gallery – Artists' Village is an art gallery in the village of Compton, near Guildford in Surrey. It is dedicated to the work of the Victorian-era painter and sculptor George Frederic Watts. The gallery has been Grade II* listed on the National Heritage List for England since June 1975. History Watts moved to "Limnerslease" in Compton in 1891, and with his artist wife, Mary Fraser-Tytler, planned a museum devoted to his work, which opened in April 1904, just before his death. The architect of the Gallery was Christopher Hatton Turnor, an admirer of Edwin Lutyens and C.F.A. Voysey. Inspired by the Arts and Crafts movement, the building contains top-lit galleries that allow Watts's work to be displayed under natural light. It is one of only a few galleries in the UK devoted to a single artist, and is often hailed as a national gallery in the heart of a village. The present director is Alistair Burtenshaw and the curator is Dr Cicely Robinson. Former curators include ...
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Compton, Guildford
Compton is a village and civil parish in the Guildford district of Surrey, England. It is between Godalming and Guildford. It has a medieval church and a close connection to fine art and pottery, being the later life home of artist George Frederic Watts. The parish has considerable woodland and agricultural land, and the undeveloped portions are in the Metropolitan Green Belt. The village is traversed by the North Downs Way and has a large western conservation area. Central to the village are the Watts Gallery, the cemetery chapel commissioned by his wife for him, two inns and the parish church. Geography The village is just off the Compton junction of the A3 road and is crossed parallel to its linear street by the North Downs Way. Compton contains the Watts Mortuary Chapel, built to the memory of Symbolist painter George Frederic Watts, a resident of the village. Development can be classed as ribbon development around the through road. The 2001 census gives a population of ...
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Collection (museum)
A museum is distinguished by a collection of often unique objects that forms the core of its activities for exhibitions, education, research, etc. This differentiates it from an archive or library, where the contents may be more paper-based, replaceable and less exhibition oriented, or a private collection of art formed by an individual, family or institution that may grant no public access. A museum normally has a collecting policy for new acquisitions, so only objects in certain categories and of a certain quality are accepted into the collection. The process by which an object is formally included in the collection is called ''accessioning'' and each object is given a unique accession number. Museum collections, and archives in general, are normally catalogued in a collection catalogue, traditionally in a card index, but nowadays in a computerized database. Transferring collection catalogues onto computer-based media is a major undertaking for most museums. All new acquisiti ...
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Art Museums And Galleries In Surrey
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, ...
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Museums In Surrey
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 countries ...
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Grade II* Listed Buildings In Surrey
The county of Surrey is divided into 11 districts: Spelthorne, Runnymede, Surrey Heath, Woking, Elmbridge, Guildford, Waverley, Mole Valley, Epsom and Ewell, Reigate and Banstead, and Tandridge. As there are 358 Grade II* listed buildings in the county they have been split into separate lists for each district. Grade II* is the mid-rank. Grade II is the initial rank with many more such buildings and particularly other structures, and Grade I is reserved to a very low percentage of buildings nationwide. * Grade II* listed buildings in Spelthorne (12) * Grade II* listed buildings in Runnymede (district) (20) * Grade II* listed buildings in Surrey Heath (5) * Grade II* listed buildings in Woking (district) (19) * Grade II* listed buildings in Elmbridge (23) * Grade II* listed buildings in Guildford (borough) (42) * Grade II* listed buildings in Mole Valley (50) * Grade II* listed buildings in Waverley, Surrey (95) * Grade II* listed buildings in Epsom and Ewell ( ...
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List Of Single-artist Museums
This is a list of single-artist museums, which are museums displaying the work of, or bearing the name of, a single visual artist. * Basuki Abdullah – Basoeki Abdullah Museum, Jakarta, Indonesia * Affandi – Affandi Museum, Yogyakarta, Indonesia * Yaacov Agam – Yaacov Agam Museum of Art, Rishon LeZion, Israel * Ivan Aivazovsky - Aivazovsky National Art Gallery, Feodosia, Crimea * Josef and Anni Albers – Josef and Anni Albers Foundation, Bethany, Connecticut * Theodor Aman - Theodor Aman Museum, Bucharest, Romania * Walter Anderson – Walter Anderson Museum of Art, Ocean Springs, Mississippi * Edward Bailey – Bailey House Museum, Wailuku, Maui, Hawaii * Ernst Barlach - Ernst Barlach House, Hamburg, Germany * Frédéric Auguste Bartholdi – Musée Bartholdi, Colmar, France, and the Statue of Liberty Museum on Liberty Island, New York City * Benini - Museo Benini, Marble Falls, Texas * Rosa Bonheur - Musée de l'atelier Rosa Bonheur, Thomery, France * Fernando Boter ...
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Evelyn De Morgan
Evelyn De Morgan (30 August 1855 – 2 May 1919), née Pickering, was an English painter associated early in her career with the later phase of the Pre-Raphaelite Movement, and working in a range of styles including Aestheticism and Symbolism. Her paintings are figural, foregrounding the female body through the use of spiritual, mythological, and allegorical themes. They rely on a range of metaphors (such as light and darkness, transformation, and bondage) to express what several scholars have identified as spiritualist and feminist content. De Morgan boycotted the Royal Academy and signed the Declaration in Favour of Women's Suffrage in 1889. Her later works also deal with the themes of war from a pacifist perspective, engaging with conflicts like the Second Boer War and World War I. Early life She was born Mary Evelyn Pickering at 6 Grosvenor Street, to Percival Pickering QC, the Recorder of Pontefract, and Anna Maria Wilhelmina Spencer Stanhope, the sister of the art ...
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William De Morgan
William Frend De Morgan (16 November 1839 – 15 January 1917) was an English potter, tile designer and novelist. A lifelong friend of William Morris, he designed tiles, stained glass and furniture for Morris & Co. from 1863 to 1872. His tiles often recall medieval or Islamic design patterns. He applied innovative glazes and firing techniques. Galleons and fish were common motifs, as were "fantastical" birds and animals. Many of De Morgan's tiles were designed to create intricate patterns when several were laid together. Life and work Born in Gower Street, London, the son of the distinguished mathematician Augustus De Morgan and his highly educated wife Sophia Elizabeth Frend, De Morgan was supported in his desire to become an artist. At the age of twenty, he entered the Royal Academy schools, but he was swiftly disillusioned with the establishment. Then he met Morris and through him the Pre-Raphaelite circle. Soon De Morgan began experimenting with stained glass, ventured ...
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De Morgan Foundation
The De Morgan Foundation is a charity registered with The Charity Commission For England And Wales, Registered Charity No. 310004. The charitable objects of the Foundation are to safeguard, maintain and make available to the public the De Morgan Collection of paintings, ceramics, and other works of art made by Evelyn De Morgan and by William De Morgan and his associates, and other works of art in the collection, and to promote the appreciation of art and education in art and allied subjects. Governance The sole Trustee of the charity The De Morgan Foundation is The De Morgan Trustee Company Limited, Company Number: 06914254. The Foundation is managed by the Board of Directors of the Trustee Company. The De Morgan Collection is owned by the De Morgan Foundation which enables public access to the works through a programme of loans and exhibitions as well as providing an online catalogue of works. William and Evelyn De Morgan The collection comprises work by the late 19th cen ...
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De Morgan Centre
] The De Morgan Centre for the Study of 19th Century Art and Society was a gallery in the London Borough of Wandsworth, England, which was home for a few years to the De Morgan Collection. From 2002 the De Morgan Centre provided public access to the De Morgan Collection in a dedicated gallery named the De Morgan Centre, which was based in the former West Hill Reference Library in Wandsworth, South West London. The West Hill Library closed on 28 September 2007 and latterly, the De Morgan Foundation shared the building with Wandsworth Museum. Both the De Morgan Centre and Wandsworth Museum closed to the public on 28 June 2014 due to the discontinuation of their lease by the building's freeholder Wandsworth Council. Since the closure of the De Morgan Centre, thDe Morgan Foundationcontinues to display the collection to the public in its new museum at Cannon Hall, and has long-term exhibitions at Watts Gallery - Artists' Village, and Wightwick Manor The legacy of a family's pa ...
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Surrey County Council
Surrey County Council is the county council administering certain services in the non-metropolitan county of Surrey in England. The council is composed of 81 elected councillors, and in all but one election since 1965 the Conservative Party has held the majority. The leader of the council is Tim Oliver. History Formation Surrey County Council was created in 1889 by the Local Government Act 1888, which established the county council local government system in England and Wales. It replaced the Surrey Quarter Sessions for local government functions in the administrative county of Surrey. The council was originally headquartered in Newington where the quarter sessions court had been located. However it moved to County Hall, Kingston upon Thames in 1893 as Newington and the part of Surrey that had been in the Metropolitan Board of Works district had become part of the County of London in 1889. Kingston upon Thames became part of Greater London in 1965, but the headquarters remai ...
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Watts Mortuary Chapel
The Watts Cemetery Chapel or Watts Mortuary Chapel is a chapel in an Modern Style (British Art Nouveau style) version of Celtic Revival in the village cemetery of Compton in Surrey. While the overall architectural structure is loosely Romanesque Revival, in the absence of any appropriate Celtic models, the lavish decoration in terracotta relief carving and paintings is Celtic Revival, here seen on an unusually large scale. According to the local council, it is "a unique concoction of art nouveau, Celtic, Romanesque and Egyptian influence with Mary's own original style". Other responses have been less positive. Ian Nairn, in the 1971 ''Surrey'' volume of the ''Buildings of England'' series, described the interior as "one of the most soporific rooms in England" and regretted "the intolerable torpor and weariness of the motifs". It is a Grade I listed building. History When Compton Parish Council created a new cemetery, local resident artist Mary Fraser-Tytler, the wife of Vic ...
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