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Mark Milhofer
Mark Milhofer is an English operatic tenor, who has performed at major international opera houses, beginning his career in Italy. Besides the standard repertoire, the singer has appeared in historically informed performances such as Monterverdi's ''L'incoronazione di Poppea'', in 20th-century operas by Benjamin Britten and Gian Carlo Menotti, and in premieres of new operas. Career Born in England, Milhofer studied voice as a choral scholar at Magdalen College, Oxford. He studied further at the Guildhall School of Music in London. He appeared as Giannetto in Rossini's ''La gazza ladra'' with the British Youth Opera, and was then invited to study with Renata Scotto and Leyla Gencer in Italy. He made his international debut at the Teatro Regio in Parma in Rossini's ''La Cenerentola''. He appeared in ''Il matrimonio segreto'', Donizetti's ''Don Pasquale'', Rossini's '' La scala di seta'' and ''Il Turco in Italia'', Puccini's ''La Rondine''. He performed in 20th-century operas such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Scala Di Seta
''La scala di seta'' (''The Silken Ladder'' or ''Die seidene Leiter'') is an operatic '' farsa comica'' in one act by Gioachino Rossini to a libretto by Giuseppe Maria Foppa. It was first performed in Venice, Italy, at the Teatro San Moisè on 9 May 1812. The overture has been frequently recorded and continues to be featured in the modern concert repertoire. From 1810 to 1813, the young Rossini composed four Italian ''farse'', beginning with ''La cambiale di matrimonio'' (''The Bill of Marriage''), his first opera, and ending with ''Il Signor Bruschino''. These types of short pieces were popular in Venice at the end of the 18th century and the beginning of the 19th century. The pieces were intimate, with a cast of five to seven singers, always including a pair of lovers, at least two comic parts, and one or two other minor roles. The style called for much visual comedy improvised by the players. As compared to many genres of opera, acting and comedic talent is more important ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Strehler
Giorgio Strehler (; ; 14 August 1921 – 25 December 1997) was an actor, Italian opera and theatre director. Biography Strehler was born in Barcola, Trieste; His father, Bruno Strehler, was a native of Trieste with family roots in Vienna and died when Giorgio was only three. His maternal grandfather, Olimpio Lovrich, subsequently became his father figure. Olimpio was one of the finest horn players of his day and the impresario of the Teatro Comunale Giuseppe Verdi, Trieste's Opera House. When he was seven, his grandfather died and he moved to Milan with his mother and grandmother. As a child, Giorgio was not impressed by theater. He found it "false" and decided it did not have the power to stir one's emotions as film did. His opinions changed one hot summer night while on his way to the cinema. He noticed a sign advertising the air-conditioning posted by the Odeon Theater. He walked in for some relief from the weather to see a performance of Carlo Goldoni's ''Una delle ultime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graz Opera
The Graz Opera (German: Oper Graz) is an Austrian opera house and opera company based in Graz. The orchestra of the opera house also performs concerts as the Graz Philharmonic Orchestra (''Grazer Philharmonisches Orchester''). History Opera had been performed in Graz since the 17th century, originally in a converted coach house on the Habsburg royal estates. The National Theatre (Schauspielhaus Graz), constructed in 1776, saw many early performances of Mozart's operas, although today (after many reconstructions) it is devoted to the performances of plays. The city's first dedicated opera house and the immediate predecessor of the Graz Opera was the Thalia Theatre, adapted in 1864 from an old circus hall. Plans for a new theatre suitable to the growing size and importance of the city and intended to be a "new home for German art" were first proposed in 1887. Designed by Ferdinand Fellner and Herman Helmer in the neo-baroque style, the Graz Opera was inaugurated in 1899 with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Barbiere Di Siviglia
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rennes
Rennes (; br, Roazhon ; Gallo: ''Resnn''; ) is a city in the east of Brittany in northwestern France at the confluence of the Ille and the Vilaine. Rennes is the prefecture of the region of Brittany, as well as the Ille-et-Vilaine department. In 2017, the urban area had a population of 357,327 inhabitants, and the larger metropolitan area had 739,974 inhabitants.Comparateur de territoire Unité urbaine 2020 de Rennes (35701), Aire d'attraction des villes 2020 de Rennes (013) INSEE The inhabitants of Rennes are called Rennais/Rennaises in French. Rennes's history goes back more than 2,000 years, at a time when it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Solbiati
Alessandro Solbiati (born 9 September 1956) is an Italian composer of classical music, who composed instrumental music for chamber ensembles and orchestra, art songs and operas. He received international commissions and awards, and many of his works are recorded. He is also an academic, teaching in Italy and France. Career Born on 9 September 1956 in Busto Arsizio, Solbiati studied music at the Milan Conservatory, piano with Eli Perrota, and composition with Sandro Gorli. He finished both subjects with diplomas. He studied further, from 1977 to 1980, at the Accademia Chigiana di Siena with Franco Donatoni. He received commissions from La Scala, the RAI, Radio France, Mozarteum, Gulbenkian Foundation and Southbank Centre, among others. His music has been performed at notable festivals, in Australia, Austria, Croatia, France, Germany, Greece, Japan, Netherlands, Portugal, Russia, Spain, Sweden, Switzerland, the UK and the US, and other. His music has been broadcast in Europe and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Tutino
Marco Tutino (born May 30, 1954) is an Italian composer. His emergence during the late 1970s was as the spearhead of an Italian ''Neo-Romantico'' group, founded with two other composers, Lorenzo Ferrero and Carlo Galante. He graduated from the Milan Conservatory, where he had studied flute and composition (with Giacomo Manzoni), in 1982. He has composed operas, chamber music and symphonic works which have been performed by important Italian orchestras and concert societies. Some have been performed by music institutions in other countries, notably the BBC Philharmonic, The Berlin Radio Symphony Orchestra, Copenhagen Radio Symphony Orchestra, and The San Francisco Chamber Orchestra. Career During the first part of his career, he showed a fixation with themes involving children. His first opera, performed in 1985 at the Genoa Opera, was a morbid, melancholic version of ''Pinocchio''. In 1987, his second opera, ''Cyrano'', was composed for an Opera Workshop in Alessandria (Piedmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Consul
''The Consul'' is an opera in three acts with music and libretto by Gian Carlo Menotti, his first full-length opera. Performance history Its first performance was on March 1, 1950 at the Schubert Theatre in Philadelphia with Patricia Neway as the lead heroine Magda Sorel, Gloria Lane as the secretary of the consulate, Marie Powers as the mother, and Andrew McKinley as the magician Nika Magadoff. The opera opened two weeks later at the Ethel Barrymore Theatre in New York City where it enjoyed a run of nearly eight months. Neway (alternating with Yul Brynner's sister, Vera Brynner) also led the Broadway cast, this time with Rosemary Kuhlmann as the secretary of the consulate. Neway, Kuhlmann, and Powers also performed these roles in the UK at the Cambridge Theatre in February 1951, with Norman Kelley playing the role of the magician Nika. For the opera's La Scala debut in January 1951, Powers and McKinley reprised their roles, and Clara Petrella portrayed Magda. Zechariah Chafee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curlew River
''Curlew River – A Parable for Church Performance'' (Op. 71) is an English music drama, with music by Benjamin Britten to a libretto by William Plomer. The first of Britten's three 'Parables for Church Performance', the work is based on the Japanese ''noh'' play ''Sumidagawa'' (Sumida River) of Juro Motomasa] (1395–1431), which Britten saw during a visit to Japan and the Far East in early 1956. Beyond the ''noh'' source dramatic material, Britten incorporated elements of ''noh'' treatment of theatrical time into this composition. ''Curlew River'' marked a departure in style for the remainder of the composer's creative life, paving the way for such works as ''Owen Wingrave'', ''Death in Venice'' and the Third String Quartet. Plomer translated the setting of the original into a Christian parable, set in early medieval times near the fictional Curlew River, in the fenlands of East Anglia. Peter F. Alexander has investigated in detail the librettist's contribution to the work, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Turn Of The Screw (opera)
''The Turn of the Screw'' is a 20th-century English chamber opera composed by Benjamin Britten with a libretto by Myfanwy Piper, "wife of the artist John Piper, who had been a friend of the composer since 1935 and had provided designs for several of the operas". Kennedy, Michael, "Benjamin Britten", in The libretto is based on the 1898 novella ''The Turn of the Screw'' by Henry James. The opera was commissioned by the Venice Biennale and given its world premiere on 14 September 1954, at the Teatro La Fenice, Venice. The original recording was made during January of the next year, with the composer conducting. Described as one of the most dramatically appealing English operas, the opera in two acts has a prologue and sixteen scenes, each preceded by a variation on the twelve-note 'Screw' theme. Typically of Britten, the music mixes tonality and dissonance, with Britten's recurrent use of a twelve-tone figure being perhaps a nod to the approach of Arnold Schoenberg. Thematical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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