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Manalikkara
Geography Manalikkara (മണലിക്കര) is a small village located in the southern part of ancient travancore state, presently under Kanyakumari district of Tamil Nadu in Kalkulam Taluk. The area comes under Padmanabhapuram division in Kalkulam Taluk in Kothanallur Panchayat. Presently this place is known as Vazhikkalampadu under revenue department. The Malayalam name Manalikkara was very popular during the Travancore state rule and after the reformation of Indian states in 1956, this place is more known as Vazhikkalampadu and it became the part of Kanyakumari district of Tamil Nadu. This area is mostly covered with Malayalam speaking families. The core places in Manalikkara are Azhuvar Sree Krishna Swamy Temple and Ancient Manalikkara Madom. Sree Kailasam temple, Muttakadu and 6th Sivalaya temple Pannipaham temple are a kilometer away from this place. The world heritage centre and the first capital city of travancore, Padmanabhapuram and the Padmanabhapuram palace is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
States And Territories Of India
India is a federal union comprising 28 states and 8 union territories, with a total of 36 entities. The states and union territories are further subdivided into districts and smaller administrative divisions. History Pre-independence The Indian subcontinent has been ruled by many different ethnic groups throughout its history, each instituting their own policies of administrative division in the region. The British Raj mostly retained the administrative structure of the preceding Mughal Empire. India was divided into provinces (also called Presidencies), directly governed by the British, and princely states, which were nominally controlled by a local prince or raja loyal to the British Empire, which held ''de facto'' sovereignty ( suzerainty) over the princely states. 1947–1950 Between 1947 and 1950 the territories of the princely states were politically integrated into the Indian union. Most were merged into existing provinces; others were organised into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adikesava Perumal Temple, Kanyakumari
The Adikesava Perumal Temple is a Hindu temple located in Thiruvattar, Kanyakumari district, Tamil Nadu, India and is one of the 108 Divya desams, the holy sites of Hindu Vaishnavism according to existing Tamil hymns from the seventh and eighth centuries C.E. The temple is one of the historic thirteen Divya Deshams of Malai Nadu. The temple is a picturesque setting surrounded on three sides by rivers namely, (River Kothai, River Pahrali and River Thamirabarani) It was the Rajya Temple and Bharadevatha shrine of Erstwhile Travancore. After state reorganisation, the temple handed over to Tamilnadu H&RCE Dept. The presiding Vishnu in the form of Ananthapadmabhan/Adikeshavaperumal is believed to be older than Padmanabhaswamy Temple in Thiruvananthapuram. Since Vishnu resides here in a reclining position, and is surrounded by rivers, the temple is called as "The Srirangam of Chera Kingdom". The temple was consecrated by Parasurama and is admired by Veda vyasa in the sections which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South Ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the '' Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the '' Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kollavarsham
The Malayalam Calendar is a sidereal solar calendar used in Kerala. The origin of the calendar has been dated to 825 CE, the beginning of the Kollam Era. There are many theories regarding the origin of the era, but according to recent scholarship, it commemorated the foundation of Kollam after the liberation of the southern Chera kingdom (known as Venadu) from the Chola dynasty's rule by or with the assistance of the Chera emperor at Kodungallur. The origin of the Kollam Era has been dated to 825 CE, at the end of the three year-long great convention in Kollam held at the behest of the Venadu King Kulasekharan. Scholars from west and east were present in the convention, and the Thamizh Kanakku (Calendar) was adopted. Kollam was the capital of Venadu and an important port town of the Chera Kingdom in that period. Kollam Aandu was adapted in the entire Chera Kingdom (the current day states of Tamil Nadu, Karnataka and Kerala), the majority of which is now in Kerala. In Malay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unnuneeli Sandesam
''Uli Sandam'' is among the oldest works in Malayalam language. It is a '' sandesa kavyam'' (message poem), a message written in poetry, on the lines of the famous ''Meghadūta'' of Kalidasa. In the case of this work, it is a message written by a lover to his lady-love staying at a far-off place. The message is therefore written as if it is sent through a messenger. The work was written in the 14th century AD, when transport and communications were very limited in Kerala. The messenger in the poem is, therefore, a carrier pigeon. Apart from the message proper, the poem gives detailed instructions to the messenger pigeon, including the route to be taken and the landmarks in route. Besides the literary value of the work, it throws light on the geography of Kerala of that period. It, therefore, reads in part like a travelogue too. The journey starts in Thiruvananthapuram, the capital of the Venad (Travancore) Kingdom of that day, and ends at Kaduthuruthy, a pod bodies mentioned in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devanagari
Devanagari ( ; , , Sanskrit pronunciation: ), also called Nagari (),Kathleen Kuiper (2010), The Culture of India, New York: The Rosen Publishing Group, , page 83 is a left-to-right abugida (a type of segmental Writing systems#Segmental systems: alphabets, writing system), based on the ancient Brahmi script, ''Brāhmī'' script, used in the northern Indian subcontinent. It was developed and in regular use by the 7th century CE. The Devanagari script, composed of 47 primary characters, including 14 vowels and 33 consonants, is the fourth most widely List of writing systems by adoption, adopted writing system in the world, being used for over 120 languages.Devanagari (Nagari) , Script Features and Description, SIL International (2013), United States The orthography of this script reflects the pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mañjuśrī-mūla-kalpa
The ''AryaMañjuśrīmūlakalpa'' or ''Arya-Mañjuśrī-mūla-kalpa'' is a text of the Kriyā-tantra class. It is affiliated with the bodhisattva Mañjuśrī.Keown, Damien (editor) with Hodge, Stephen; Jones, Charles; Tinti, Paola (2003). ''A Dictionary of Buddhism.'' Oxford, UK: Oxford University Press. p.172. It contains violent, sensual and sexual tantric rituals. The ''Mañjuśrīmūlakalpa'' is often cited as the earliest example of an extant Indian Buddhist Tantra. Some scholars identify it as a compilation of a core dated circa 6th century with accretions and additions. The Sanskrit version, significantly longer than its corresponding Chinese and Tibetan renderings, is still extant. The ''Mañjuśrīmūlakalpa'', which later was classified under Kriyatantra, states that mantras taught in the Shaiva, Garuda and Vaishnava tantras will be effective if applied by Buddhists since they were all taught originally by Manjushri. The attribution to Mañjuśrī is an attempt by its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devi Mahatmya
The ''Devi Mahatmya'' or ''Devi Mahatmyam'' ( sa, देवीमाहात्म्यम्, devīmāhātmyam, Glory of the Goddess) is a Hindu philosophical text describing the Goddess as the supreme power and creator of the universe. It is part of the Markandeya Purana. ''Devi Mahatmyam'' is also known as the ''Durgā Saptashatī'' () or Śata Chandī (शत् चण्डी). The text contains 700 verses arranged into 13 chapters. Along with ''Devi-Bhagavata Purana'' and Shakta Upanishads such as the Devi Upanishad, it is one of the most important texts of Shaktism (goddess) tradition within Hinduism. The ''Devi Mahatmyam'' describes a storied battle between good and evil, where the Devi manifesting as goddess Durga leads the forces of good against the demon Mahishasura—the goddess is very angry and ruthless, and the forces of good win. In peaceful prosperous times, states the text, the Devi manifests as Lakshmi, empowering creation and happiness. The verses of this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhāsa
Bhāsa is one of the earliest and most celebrated Indian playwrights in Sanskrit, predating Kalidasa. His name was already well-known by the 1st century BCE and he belongs to the late-Mauryan (322-184 BCE) period at the earliest, but the thirteen plays attached to his name are commonly dated closer to the first or second century CE. His plays had been lost for centuries until the manuscripts were rediscovered in 1913 by the Indian scholar Ganapati Shastri. Bhāsa had previously only been known from mentions in other works, like the '' Kavyamimamsa'' on poetics from 880–920 AD. In the Kavyamimamsa, Rajashekhara attributes the play ''Swapnavasavadattam'' to Bhāsa. In the introduction to his first play ''Malavikagnimitram'', Kālidāsa wrote: "Shall we neglect the works of such illustrious authors as Bhāsa, Saumilla, and Kaviputra? Can the audience feel any respect for the work of a modern poet, a Kālidāsa?" Date Bhāsa's date of birth is uncertain, but his name was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Svapnavasavadattam
''Svapnavasavadattam'' ( sa, स्वप्नवासवदत्तम्, ) (English: ''The dream of Vasavadatta'') is a Sanskrit play in six acts written by the ancient Indian poet Bhāsa. The plot of the drama is drawn from the romantic narratives about the kaushambi king Udayana and Vasavadatta, the daughter of Pradyota, the ruler of Avanti, which were current in the poet's time and which seem to have captivated popular imagination. The main theme of the drama is the sorrow of Udayana for his queen Vasavadatta, believed by him to have perished in a fire, which was actually a rumour spread by Yaugandharayana, a minister of Udayana to compel his king to marry Padmavati, the daughter of the king of Magadha. It forms, in context, a continuation of his another drama, ''Pratijnayaugandharayana''. Background The complete text of the ''Svapnavasavadattam'' was long lost until it was discovered by Indian scholar T. Ganapati Sastri in Kerala in 1912. Characters The main charac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oriental Research Institute & Manuscripts Library
The Oriental Research Institute & Manuscripts Library, University of Kerala, is one of the leading centres of Indology in India. It is located at Kariavattom, Thiruvananthapuram, Kerala. The institute carry out researches on Indian language manuscripts, about 80% of which are in Sanskrit. The department is microfilming the manuscripts of certain technical subjects. History The genesis of this library is to be traced to the orders of Ayilyam Thirunal, Maharaja of Travancore to collect all manuscripts in the state so as to be kept in the safe custody of the Palace Library. Considering the overwhelming enthusiasm from the Orientalists all over the world, during early nineteen hundred Swathi Thirunal Maharaja (the then King of Travancore) published many of the manuscripts in the Palace Library and the manuscripts collection of ancient families. The Oriental Research Institute & Manuscripts Library has over 70,000 works in 30,000 copies mainly of palm leaf manuscripts. In addition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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