|
Mahieu De Gant
Mahieu de Gant ('' fl.'' mid–late 13th century) was a Flemish trouvère (poet- composer) from Ghent associated with the so-called "school of Arras". He has been conflated with Mahieu le Juif, but the same manuscript containing both their works clearly distinguishes them. His career can only be dated because of those with whom he composed '' jeux partis'', which includes Robert de la Piere, who died in 1258. All of Mahieu's melodies are in bar form Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the .... List of songs ;Chansons *''Con plus ain et mains ai joie'' (RS 1723) in trouvère MSS a, fol.66. *''De faire chançon envoisie'' (RS 1144) in trouvère MSS M and T. *''Je serf Amours a mon pooir'' (RS 1810) in trouvère MSS M and T. *''Onques de chant en ma vie'' (RS 1228) in trouv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
County Of Flanders
The County of Flanders was a historic territory in the Low Countries. From 862 onwards, the counts of Flanders were among the original twelve peers of the Kingdom of France. For centuries, their estates around the cities of Ghent, Bruges and Ypres formed one of the most affluent regions in Europe. Up to 1477, the area under French suzerainty was west of the Scheldt and was called "Royal Flanders" (Dutch: ''Kroon-Vlaanderen'', French: ''Flandre royale''). Aside from this, the counts, from the 11th century onward, held land east of the river as a fief of the Holy Roman Empire: "Imperial Flanders" (''Rijks-Vlaanderen'' or ''Flandre impériale''). Part of the Burgundian Netherlands from 1384, which had a complex relation with France, the whole county fell to the Empire after the Peace of Madrid in 1526 and the Peace of the Ladies in 1529. Having already regained much, by 1795, the rest – within the Austrian Netherlands – was acquired likewise by France under the Frenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouvère
''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French (''langue d'oïl'') form of the ''langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word ''troubadour''. ''Trouvère'' refers to poet-composers who were roughly contemporary with and influenced by the ''trobadors'', both composing and performing lyric poetry during the High Middle Ages, but while the ''trobadors'' composed and performed in Old Occitan, the ''trouvères'' used the northern dialects of France. One of the first known ''trouvère'' was Chrétien de Troyes ( 1160s–1180s) and the ''trouvères'' continued to flourish until about 1300. Some 2130 ''trouvère'' poems have survived; of these, at least two-thirds have melodies. Etymology The etymology of the word ''troubadour'' and its cognates in other languages is disputed, but may be related to ''trobar'', "to compose, to discuss, to invent", cognative with Old French ''trover'', "to compose something in ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghent
Ghent ( nl, Gent ; french: Gand ; traditional English: Gaunt) is a city and a municipality in the Flemish Region of Belgium. It is the capital and largest city of the East Flanders province, and the third largest in the country, exceeded in size only by Brussels and Antwerp. It is a port and university city. The city originally started as a settlement at the confluence of the Rivers Scheldt and Leie and in the Late Middle Ages became one of the largest and richest cities of northern Europe, with some 50,000 people in 1300. The municipality comprises the city of Ghent proper and the surrounding suburbs of Afsnee, Desteldonk, Drongen, Gentbrugge, Ledeberg, Mariakerke, Mendonk, Oostakker, Sint-Amandsberg, Sint-Denijs-Westrem, Sint-Kruis-Winkel, Wondelgem and Zwijnaarde. With 262,219 inhabitants at the beginning of 2019, Ghent is Belgium's second largest municipality by number of inhabitants. The metropolitan area, including the outer commuter zone, covers an area of and had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arras
Arras ( , ; pcd, Aro; historical nl, Atrecht ) is the prefecture of the Pas-de-Calais Departments of France, department, which forms part of the regions of France, region of Hauts-de-France; before the regions of France#Reform and mergers of regions, reorganization of 2014 it was in Nord-Pas-de-Calais. The historic centre of the Artois region, with a Baroque town square, Arras is in Northern France at the confluence of the rivers Scarpe (river), Scarpe and Crinchon. The Arras plain is on a large chalk plateau bordered on the north by the Marqueffles fault, on the southwest by the Artois and Ternois hills, and on the south by the slopes of Beaufort-Blavincourt. On the east it is connected to the Scarpe valley. Established during the Iron Age by the Gauls, the town of Arras was first known as ''Nemetocenna'', which is believed to have originated from the Celtic word ''nemeton'', meaning 'sacred space.' Saint Vedast (or St. Vaast) was the first Catholic bishop in the year 499 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahieu Le Juif
Mahieu le Juif was an Old French trouvère. His name means "Matthew the Jew" and, if his own songs are to be believed, he was a convert from Judaism to Christianity. Only two of his songs survive, one with a melody. He has been conflated with Mahieu de Gant, but the same manuscript that contains both their works clearly distinguishes them. Mahieu's song, ''Par grant franchise'' (RS 782), was very widely copied and today exists in twelve chansonniers, including one in Occitan. It recounts how the ''je'' (the first-person persona, perhaps to be equated with Mahieu himself) converted from Judaism to Christianity for the sake of his lady. Instead of love, however, he is ridiculed by her. The melody shows some variation between sources and there is intertextual similarity between a piece of the troubadour Albertet de Sestaro and ''Par grant'', but the direction of any influence of the one on the other cannot be ascertained: though Jeanroy assumed that the trouvère was influenced by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeux Partis
The ''jeu-parti'' (plural ''jeux-partis'', also known as ''parture'') is a genre of French lyric poetry composed between two ''trouvères''. It is a cognate of the Occitan partimen (also known as ''partia'' or ''joc partit''). In the classic type, one poet poses a dilemma question in the opening stanza, his or her partner picks a side (the 'part') in the second stanza, which replicates the versification of the first and is sung to the same melody. Typically, the jeu-parti has six stanzas, with the two interlocutors alternating stanza by stanza. Many jeux-partis also have final partial stanzas in which one or both of the interlocutors appoint judges and call for judgement. The outcome, however, is virtually never given within the jeu-parti itself and would have been the subject of audience discussion after the jeu-parti's performance. The form was particularly associated with the Puy d'Arras. Over 200 examples survive, of which around 180 are in the classic form. Chief exponents ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert De La Piere
Robert de la Piere (died 1258) was a trouvère of the so-called "school" of Arras. In his time Robert's bourgeois family was prominent in Arras, though the earliest known member is only recorded in 1212. Robert served as a magistrate in 1255, as attested by one surviving document in the municipal archives. There is also a surviving notice of his death in the spring of 1258, at Arras. His nine ''chansons'' and five '' jeux partis'' survive only in north French sources, and were probably not widely copied or performed. The only possible exception to this is ''Hé, Amours, je fui nouris'', which is widely preserved, but at the same time has conflicting attribution: it is more commonly assigned to Gillebert de Berneville in the manuscripts. The song ''Joliement doi chanter'' ascribed to Robert is also more often found ascribed to Gillebert. ''Hé, Amours'' was the basis for two contrafacta: ''Aucun gent m'out blasmé'' and ''Mout sera cil bien mouris'', in praise of Mary. All the other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar Form
Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the songs of the predecessors, the minnesingers of the 12th to 14th century. In their work, a ''Bar'' is not a single stanza (which they called a ''Liet'' or ''Gesätz''); rather, it is the whole song. The word ''Bar'' is most likely a shortening of ''Barat'', denoting a skillful thrust in fencing. The term was used to refer to a particularly artful song – the type one composes in songwriters' guilds. The AAB pattern does, however, describe each stanza in a Meistersinger's ''Bar'', which is divided into two ''Stollen'' (A), which are collectively termed the ''Aufgesang'', followed by an ''Abgesang''. The musical form thus contains two repetitions of one melody (''Stollen'' – 'stanzas') followed by a different melody (''Abgesang'' – 'aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansonnier Du Roi
The ''Manuscrit du Roi'' or ''Chansonnier du Roi'' ("King's Manuscript" or "King's Songbook" in English) is a prominent songbook compiled towards the middle of the thirteenth century, probably between 1255 and 1260 and a major testimony of European medieval music. It is currently French manuscript no.844 of the Bibliothèque nationale de France. It is known by various sigla, depending on which of its contents are the focus of study: it is troubadour manuscript ''W'', trouvère manuscript ''M'', and motet manuscript ''R''. It was first published by French musicologist Pierre Aubry in 1907 ("Les plus anciens textes de musique instrumentale au Moyen Age"). __NOTOC__ Background The manuscript contains more than 600 songs composed for the most part between the late twelfth and early thirteenth century. Some were written by famous trouvères, such as Theobald I of Navarre, Gace Brulé, Guiot de Dijon or Richard de Fournival, but others are anonymous. It contains as an addendum a booklet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colart Le Changeur
Colart, or the Colart Group, is a large international supplier of art materials, with subsidiaries and brands such as Winsor & Newton, Liquitex and Lefranc & Bourgeois.ColArt Warehouse Management System Central Systems & Automation Ltd. Retrieved 3 November 2016.The brands ColArt. Retrieved 3 November 2016. The group's head office is situated in . Colart was established in 1992 as a wholly-owned subsidiary for the art materials segment of AB Wilh. Becker. As such it is also a wholly-owned second-tier subsidiary of [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> County Of Flanders")
