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Little Petra
Little Petra ( ar, البتراء الصغيرة, ''al-batrā aṣ-ṣaġïra''), also known as Siq al-Barid ( ar, سيق البريد, literally "the cold canyon") is an archaeological site located north of Petra and the town of Wadi Musa in the Ma'an Governorate of Jordan. Like Petra, it is a Nabataean site, with buildings carved into the walls of the sandstone canyons. As its name suggests, it is much smaller, consisting of three wider open areas connected by a canyon. It is part of the Petra Archeological Park, though accessed separately, and included in Petra's inscription as a UNESCO World Heritage Site. It is often visited by tourists in conjunction with Petra itself, since it is free and usually less crowded. Like Petra, it was probably built during the height of Nabataean influence during the 1st century C.E. While the purpose of some of the buildings is not clear, archaeologists believe that the whole complex was a suburb of Petra, the Nabatean capital, meant to house ...
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Triclinium
A ''triclinium'' (plural: ''triclinia'') is a formal dining room in a Roman building. The word is adopted from the Greek ()—from (), "three", and (), a sort of couch or rather chaise longue. Each couch was sized to accommodate a diner who reclined on their left side on cushions while some household slaves served multiple courses brought from the ''culina'', or kitchen, and others entertained guests with music, song, or dance. The ''triclinium'' was characterized by three '' lecti'' (singular ''lectus'': bed or couch), called ''triclinares'' ("of the ''triclinium''"), on three sides of a low square table, whose surfaces sloped away from the table at about 10 degrees. Diners would recline on these surfaces in a semi-recumbent position. The fourth side of the table was left free, presumably to allow service to the table. Usually the open side faced the entrance of the room. In Roman-era dwellings, particularly wealthy ones, ''triclinia'' were common and the hosts and guest ...
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Archaeology
Archaeology or archeology is the scientific study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, sites, and cultural landscapes. Archaeology can be considered both a social science and a branch of the humanities. It is usually considered an independent academic discipline, but may also be classified as part of anthropology (in North America – the four-field approach), history or geography. Archaeologists study human prehistory and history, from the development of the first stone tools at Lomekwi in East Africa 3.3 million years ago up until recent decades. Archaeology is distinct from palaeontology, which is the study of fossil remains. Archaeology is particularly important for learning about prehistoric societies, for which, by definition, there are no written records. Prehistory includes over 99% of the human past, from the Paleolithic until th ...
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In Situ
''In situ'' (; often not italicized in English) is a Latin phrase that translates literally to "on site" or "in position." It can mean "locally", "on site", "on the premises", or "in place" to describe where an event takes place and is used in many different contexts. For example, in fields such as physics, geology, chemistry, or biology, ''in situ'' may describe the way a measurement is taken, that is, in the same place the phenomenon is occurring without isolating it from other systems or altering the original conditions of the test. The opposite of ''in situ'' is ''ex situ''. Aerospace In the aerospace industry, equipment on-board aircraft must be tested ''in situ'', or in place, to confirm everything functions properly as a system. Individually, each piece may work but interference from nearby equipment may create unanticipated problems. Special test equipment is available for this ''in situ'' testing. It can also refer to repairs made to the aircraft structure or flight con ...
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Figurative Art
Figurative art, sometimes written as figurativism, describes artwork (particularly paintings and sculptures) that is clearly derived from real object sources and so is, by definition, representational. The term is often in contrast to abstract art: Since the arrival of abstract art the term figurative has been used to refer to any form of modern art that retains strong references to the real world. Painting and sculpture can therefore be divided into the categories of figurative, representational and abstract, although, strictly speaking, abstract art is derived (or abstracted) from a figurative or other natural source. However, "abstract" is sometimes used as a synonym for non-representational art and non-objective art, i.e. art which has no derivation from figures or objects. Figurative art is not synonymous with figure painting (art that represents the human figure), although human and animal figures are frequent subjects. Formal elements The formal elements, those aesthe ...
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Nabataean Art
Nabataean art is the art of the Nabataeans of North Arabia. They are known for finely-potted painted ceramics, which became dispersed among Greco-Roman world, as well as contributions to sculpture and Nabataean architecture. Nabataean art is most well known for the archaeological sites in Petra, specifically monuments such as Al Khazneh and Ad Deir. Ceramics Nabataean pottery is characterised by its thin walls and floral motifs. The exclusive use of floral patterns links back to Nabataean aniconism in their religious practices. The designs on the wares are generally painted on or pressed into the surface with stamps and rouletting wheels. To put a finish on the pieces, the makers burnished them or used a sintering process. Most of the wares are pinkish in color, much like the cliffs surrounding the city. This is because Nabataean potters used local clay bodies in their work. Nabataean wares take many forms, and can be classified by their thickness, rim shape, bases, and deco ...
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Art Restoration
The conservation and restoration of cultural property focuses on protection and care of cultural property (tangible cultural heritage), including artworks, architecture, archaeology, and museum collections. Conservation activities include preventive conservation, examination, documentation, research, treatment, and education. This field is closely allied with conservation science, curators and registrars. Definition Conservation of cultural property involves protection and restoration using "any methods that prove effective in keeping that property in as close to its original condition as possible for as long as possible." Conservation of cultural heritage is often associated with art collections and museums and involves collection care and management through tracking, examination, documentation, exhibition, storage, preventive conservation, and restoration. The scope has widened from art conservation, involving protection and care of artwork and architecture, to conservat ...
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Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aege ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ...
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Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he ...
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Color Scheme
In color theory, a color scheme is the choice of colors used in various artistic and design contexts. For example, the "Achromatic" use of a white background with black text is an example of a basic and commonly default color scheme in web design. Color schemes are used to create style and appeal. Colors that create an aesthetic feeling when used together will commonly accompany each other in color schemes. A basic color scheme will use two colors that look appealing together. More advanced color schemes involve several related colors in "Analogous" combination, for example, text with such colors as red, yellow, and orange arranged together on a black background in a magazine article. The addition of light blue creates an "Accented Analogous" color scheme. Use of the phrase ''color scheme'' may also and commonly does refer to choice and use of colors used outside typical aesthetic media and context, although may still be used for purely aesthetic effect as well as for purely ...
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Putto
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent the sacred cherub (plural cherubim), and in Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, ''putto'' means either toddler winged angel or, rarely, toddler boy. It may have been derived from the same Indo-European root as the Sanskrit word "putra" (meaning "boy child", as opposed to "son"), Avestan ''puθra''-, Old Persian ''puça''-, Pahlavi (Middle P ...
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Beidha (archaeological Site)
Beidha ( ar, البيضا ''al-baīḍā'', "the white one"), also sometimes Bayda, is a major Neolithic archaeological site a few kilometres north of Petra near Siq al-Barid in Jordan. (Snippet view). It is included in Petra's inscription as a UNESCO World Heritage Site. Excavation history It was first excavated by Diana Kirkbride in 1957 and later by Brian Byrd. Periods of settlement Three periods of occupation were detected: the Natufian period in the 11th millennium BC, a Pre-Pottery Neolithic B (PPNB) village with masonry construction in the 7th millennium BC and a Nabatean period dating to the 1st or 2nd century BC. Natufian period Natufian Beidha is characterized as a seasonal encampment, repeatedly occupied over a long period of time. Evidence from lithics recovered along with the layout and position of hearths and roasting areas suggested the occupants were primarily engaged in hunting related activities. This was supported by the absence of permanent buildings, sto ...
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