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Leitmotifs
A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglicization of the German ''Leitmotiv'' (), literally meaning "leading motif", or "guiding motif". A musical motif has been defined as a "short musical idea ... melodic, harmonic, or rhythmic, or all three", a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "the smallest structural unit possessing thematic identity." In particular, such a motif should be "clearly identified so as to retain its identity if modified on subsequent appearances" whether such modification be in terms of rhythm, harmony, orchestration or accompaniment. It may also be "combined with other leitmotifs to suggest a new dramatic condition" or development. The technique is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leitmotiv
A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglicization of the German '' Leitmotiv'' (), literally meaning "leading motif", or "guiding motif". A musical motif has been defined as a "short musical idea ... melodic, harmonic, or rhythmic, or all three", a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "the smallest structural unit possessing thematic identity." In particular, such a motif should be "clearly identified so as to retain its identity if modified on subsequent appearances" whether such modification be in terms of rhythm, harmony, orchestration or accompaniment. It may also be "combined with other leitmotifs to suggest a new dramatic condition" or development. The technique i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried Leitmotif
Siegfried is a German-language male given name, composed from the Germanic elements ''sig'' "victory" and ''frithu'' "protection, peace". The German name has the Old Norse cognate ''Sigfriðr, Sigfrøðr'', which gives rise to Swedish ''Sigfrid'' (hypocorisms ''Sigge, Siffer''), Danish/Norwegian ''Sigfred''. In Norway, ''Sigfrid'' is given as a feminine name. official statistics at Statistisk Sentralbyrå, National statistics office of Norway, http://www.ssb.no; Statistiska Centralbyrån, National statistics office of Sweden, http://www.scb.se/ The name is medieval and was borne by the legendary dragon-slayer also known as . It did survive in marginal use into the modern period, but after 1876 it enjoyed renewed popularity d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Game Music
Video game music (or VGM) is the soundtrack that accompanies video games. Early video game music was once limited to sounds of early sound chips, such as programmable sound generators (PSG) or FM synthesis chips. These limitations have led to the style of music known as chiptune, which became the sound of the first video games. With technological advances, video game music has grown to include a wider range of sounds. Players can hear music in video games over a game's title screen, menus, and gameplay. Game soundtracks can also change depending on a player's actions or situation, such as indicating missed actions in rhythm games, informing the player they are in a dangerous situation, or rewarding them for specific achievements. Video game music can be one of two kinds: original or licensed. The popularity of video game music has created education and job opportunities, generated awards, and led video game soundtracks to be commercially sold and performed in concerts. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Wilhelm Jähns
Friedrich Wilhelm Jähns (; 2 January 1809 – 8 August 1888) was a German music scholar, voice teacher, and composer. He is best known for his chronological catalog of the works of Carl Maria von Weber. Jähns was born and died in Berlin. His grave is preserved in the Protestant ''Friedhof I der Jerusalems- und Neuen Kirchengemeinde'' (Cemetery No. I of the congregations of Jerusalem's Church and New Church) in Berlin-Kreuzberg, south of Hallesches Tor The Hallesches Tor was located in today's Berlin district Kreuzberg south of Mehringplatz. Today, as a historic monument listed underground station on the site of the former gate bears the name ''Hallesches Tor''. It is a major transfer point f .... See also * List of compositions by Carl Maria von Weber - a complete listing of the Jähns Catalogue References * 1809 births 1888 deaths German Romantic composers German music educators Musicians from Berlin 19th-century classical composers German male classical co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Critic
A critic is a person who communicates an assessment and an opinion of various forms of creative works such as art, literature, music, cinema, theater, fashion, architecture, and food. Critics may also take as their subject social or government policy. Critical judgments, whether derived from critical thinking or not, weigh up a range of factors, including an assessment of the extent to which the item under review achieves its purpose and its creator's intention and a knowledge of its context. They may also include a positive or negative personal response. Characteristics of a good critic are articulateness, preferably having the ability to use language with a high level of appeal and skill. Sympathy, sensitivity and insight are important too. Form, style and medium are all considered by the critic. In architecture and food criticism, the item's function, value and cost may be added components. Critics are publicly accepted and, to a significant degree, followed becau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diminished Seventh
In classical music from Western culture, a diminished seventh () is an interval produced by narrowing a minor seventh by a chromatic semitone.Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.54. . Specific example of an d7 not given but general example of minor intervals described. For instance, the interval from A to G is a minor seventh, ten semitones wide, and both the intervals from A to G, and from A to G are diminished sevenths, spanning nine semitones. Being diminished, it is considered a dissonant interval. The diminished seventh is enharmonically equivalent to a major sixth. Its inversion is the augmented second. The diminished seventh is used quite readily in the minor key, where it is present in the harmonic minor scale between the seventh scale step and the sixth scale step in the octave above. In an equal tempered tuning, a diminished seventh is equal to nine semitones, a ratio of 29/12:1 (approximately 1.682), or 900 cents. There is no st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord (music)
A chord, in music, is any harmonic set of pitches/frequencies consisting of multiple notes (also called "pitches") that are heard as if sounding simultaneously. For many practical and theoretical purposes, arpeggios and broken chords (in which the notes of the chord are sounded one after the other, rather than simultaneously), or sequences of chord tones, may also be considered as chords in the right musical context. In tonal Western classical music (music with a tonic key or "home key"), the most frequently encountered chords are triads, so called because they consist of three distinct notes: the root note, and intervals of a third and a fifth above the root note. Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz and almost any other genre. A series of chords is called a chord progression. One example of a widely used chord progression in Western traditional music an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection '' Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the '' Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German '' Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and '' Invitation to the Dance''; and many pieces that featured the clarinet, usually written for the virtuoso clar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne Méhul
Étienne Nicolas Méhul (; 16 November 1765 ~ 24 December 1817) was a French composer of the classical period. He was known as "the most important opera composer in France during the Revolution". He was also the first composer to be called a " Romantic". He is known particularly for his operas, written in keeping with the reforms introduced by Christoph Willibald Gluck and Wolfgang Amadeus Mozart. Life Méhul was born at Givet in Ardennes to Jean-François Méhul, a wine merchant, and his wife Marie-Cécile (née Keuly). His first music lessons came from a blind local organist. When he showed promise, he was sent to study with a German musician and organist, , at the monastery of Lavaldieu, a few miles from Givet. Here Méhul developed his lifelong love of flowers. In 1778 or 1779 he went to Paris and began to study with Jean-Frédéric Edelmann, a harpsichord player and friend of Méhul's idol Christoph Willibald Gluck. Méhul's first published composition was a book of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Grétry
André Ernest Modeste Grétry (; baptised 11 February 1741; died 24 September 1813) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous for his '' opéras comiques''. Biography He was born at Liège, his father being a poor musician. He was a choirboy at the church of St. Denis (Liège). In 1753 he became a pupil of Jean-Pantaléon Leclerc and later of the organist at St-Pierre de Liège, Nicolas Rennekin, for keyboard and composition and of Henri Moreau, music master at the collegiate church of St. Paul. But of greater importance was the practical tuition he received by attending the performance of an Italian opera company. Here he heard the operas of Baldassarre Galuppi, Giovanni Battista Pergolesi, and other masters; and the desire of completing his own studies in Italy was the immediate result. To find the necessary means he composed in 1759 a mass which he dedic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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