Étienne Méhul
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Étienne Méhul
Étienne Nicolas Méhul (; 16 November 1765 ~ 24 December 1817) was a French composer of the Classical period (music), classical period. He was known as "the most important opera composer in France during the French Revolution, Revolution". He was also the first composer to be called a "Romanticism, Romantic". He is known particularly for his operas, written in keeping with the reforms introduced by Christoph Willibald Gluck and Wolfgang Amadeus Mozart. Life Méhul was born at Givet in Ardennes to Jean-François Méhul, a wine merchant, and his wife Marie-Cécile (née Keuly). His first music lessons came from a blind local organist. When he showed promise, he was sent to study with a German musician and organist, , at the monastery of Lavaldieu, a few miles from Givet. Here Méhul developed his lifelong love of flowers. In 1778 or 1779 he went to Paris and began to study with Jean-Frédéric Edelmann, a harpsichord player and friend of Méhul's idol Christoph Willibald Gluck. ...
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Étienne Méhul
Étienne Nicolas Méhul (; 16 November 1765 ~ 24 December 1817) was a French composer of the Classical period (music), classical period. He was known as "the most important opera composer in France during the French Revolution, Revolution". He was also the first composer to be called a "Romanticism, Romantic". He is known particularly for his operas, written in keeping with the reforms introduced by Christoph Willibald Gluck and Wolfgang Amadeus Mozart. Life Méhul was born at Givet in Ardennes to Jean-François Méhul, a wine merchant, and his wife Marie-Cécile (née Keuly). His first music lessons came from a blind local organist. When he showed promise, he was sent to study with a German musician and organist, , at the monastery of Lavaldieu, a few miles from Givet. Here Méhul developed his lifelong love of flowers. In 1778 or 1779 he went to Paris and began to study with Jean-Frédéric Edelmann, a harpsichord player and friend of Méhul's idol Christoph Willibald Gluck. ...
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Jean-Frédéric Edelmann
Jean-Fr̩d̩ric Edelmann (born Johann Friedrich Edelmann; 5 May 1749 Р17 July 1794) was a French Classical period (music), classical composer. He was born in Strasbourg to a Protestant family of Alsatian descent. After studying law and music, he moved to Paris in 1774 where he played and taught the piano. It is possible that Edelmann worked for some time in London. During the French Revolution he was appointed administrator of the Bas-Rhin. In late May 1794 he was arrested after a false accusation of treason (he was in fact an opposer of the Reign of Terror, terroristic policy and paid the hatred of Louis Antoine de Saint-Just, Saint-Just). Sentenced to death by the Revolutionary Tribunal on 17 July 1794 (29th Messidor), he was executed the same day by guillotine in Place de la Nation, Place de la Barri̬re du Tr̫ne together with his brother Louis, other two Strasbourg citizens, and the Martyrs of Compi̬gne, sixteen Carmelite nuns of Compi̬gne (only eleven days before the f ...
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Napoleon
Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who rose to prominence during the French Revolution and led successful campaigns during the Revolutionary Wars. He was the ''de facto'' leader of the French Republic as First Consul from 1799 to 1804, then Emperor of the French from 1804 until 1814 and again in 1815. Napoleon's political and cultural legacy endures to this day, as a highly celebrated and controversial leader. He initiated many liberal reforms that have persisted in society, and is considered one of the greatest military commanders in history. His wars and campaigns are studied by militaries all over the world. Between three and six million civilians and soldiers perished in what became known as the Napoleonic Wars. Napoleon was born on the island of Corsica, not long af ...
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Conservatoire De Paris
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ...
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Institut De France
The (; ) is a French learned society, grouping five , including the Académie Française. It was established in 1795 at the direction of the National Convention. Located on the Quai de Conti in the 6th arrondissement of Paris, the institute manages approximately 1,000 foundations, as well as museums and châteaux open for visit. It also awards prizes and subsidies, which amounted to a total of over €27 million per year in 2017. Most of these prizes are awarded by the institute on the recommendation of the . History The building was originally constructed as the Collège des Quatre-Nations by Cardinal Mazarin, as a school for students from new provinces attached to France under Louis XIV. The inscription over the façade reads "JUL. MAZARIN S.R.E. CARD BASILICAM ET GYMNAS F.C.A M.D.C.LXI", attesting that Mazarin ordered its construction in 1661. The Institut de France was established on 25 October 1795, by the National Convention. On 1 January 2018, Xavier Darcos took ...
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Chant Du Départ
() is a revolutionary and war song written by Étienne Méhul (music) and Marie-Joseph Chénier (words) in 1794. It was the official anthem of the French Empire, and it is currently the unofficial regional anthem of French Guiana and the presidential anthem of France. The song was nicknamed "the brother of the Marseillaise" by Republican soldiers. The song was first performed on 14 July 1794. 18,000 copies of the music sheets were immediately printed and distributed to the army. Its original title was "Anthem to Liberty"; it was changed to its present title by Robespierre. The song is a musical tableau: each of the seven stanzas is sung by a different character or group of characters: * The first stanza is the discourse of a deputy cheering his soldiers and encouraging them for the fight for the Republic. * The second stanza is the song of a mother offering the life of her son to the fatherland. * The fourth stanza is sung by children exalting Joseph Agricol Viala and Jose ...
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Mélidore Et Phrosine
is an opera by the French composer Étienne Méhul. It takes the form of a ''drame lyrique'' (a type of ''opéra comique'') in three acts. The libretto, by Antoine Vincent Arnault, is loosely based on the myth of Hero and Leander. The work was first performed at the Théâtre Favart in Paris on 6 May 1794. It is an important example of early Romantic opera. Background and performance history Arnault derived his libretto from Gentil-Bernard's narrative poem ''Phrosine et Mélidore''. In his memoirs, he describes the trouble he had with the French Revolutionary censorship of the time. He submitted the libretto to the censor Jean-Baptiste Baudrais, who found "nothing innocent in it." Baudrais explained: "It's not enough...that a work is not against us, it must be for us. The spirit of your opera is not republican; the behaviour of your characters is not republican; the word 'liberty!' is not pronounced a single time. You must bring your opera in harmony with our institutions." For ...
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Stratonice (opera)
''Stratonice'' is a one-act '' opéra comique'' by Étienne Méhul to a libretto by François-Benoît Hoffman, first performed at the Théâtre Favart in Paris, on 3 May 1792. The plot is taken from ''De Dea Syria'' ("On the Syrian Goddess", attributed to Lucian) concerning an incident from the history of the Seleucid dynasty which ruled much of the Middle East during the Hellenistic era of the ancient world. Performance history ''Stratonice'' was a popular opera, receiving over 200 performances during Méhul's lifetime. On 6 June 1792 a parody, ''Nice'', by Jean-Baptiste Desprez and Alexandre de Ségur, appeared at the Théâtre du Vaudeville. In 1821 Méhul's nephew Joseph Daussoigne-Méhul wrote new recitatives for the opera's revival in Paris at the Académie Royale de Musique. Roles Synopsis Antiochus, the son of King Seleucus, is pining away yet he would rather die than name the cause of his disease to his father. The doctor, Erasistratus, suspects love is behind Ant ...
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Adrien (opera)
''Adrien'' (''Hadrian'') is an opera by the French composer Étienne Méhul. The libretto, by François-Benoît Hoffman, is closely based on Metastasio's ''Adriano in Siria''. Written in 1791 and intended for performance at the Paris Opéra in 1792, the work was caught up in the turbulent political climate of the French Revolution and banned until 1799. Performance history The opera was originally entitled ''Adrien, empereur de Rome'' and the premiere was scheduled for 13 March 1792. Hoffman had no political message in mind but the first act contained a scene in which the Emperor Hadrian celebrates a triumph. At the time, France felt under threat from Austria, whose Emperor Leopold II had just died. Rumours also spread that the horses to be used in the triumph were from the stables of Marie-Antoinette, the deeply unpopular French queen and Leopold's sister. Many Parisians began to express their displeasure at the forthcoming opera and on 12 March - in spite of the protests of the ...
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Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ...
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Euphrosine
''Euphrosine, ou Le tyran corrigé'' (''Euphrosine, or The Tyrant Reformed'') is an opera, designated as a 'comédie mise en musique', by the French composer Étienne Nicolas Méhul with a libretto by François-Benoît Hoffman. It was the first of Méhul's operas to be performed, and established his reputation as a leading composer of his time. The premiere was given by the Comédie-Italienne at the first Salle Favart in Paris on 4 September 1790. Performance history ''Euphrosine'' was not the first opera that Méhul had written. The Académie Royale de Musique (the Paris Opéra) had accepted his work ''Cora'' in 1789, but rehearsals had been abandoned on 8 August of that year, probably because of the Académie's financial difficulties. Méhul turned instead to the Opéra-Comique, offering the theatre a new opera, ''Euphrosine'', with a libretto by François-Benoît Hoffman, who would collaborate with the composer on many more works in the 1790s. The premiere, on 4 September 17 ...
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François-Benoît Hoffman
François-Benoît Hoffman (11 July 1760 – 25 April 1828) was a French playwright and critic, best known today for his operatic librettos, including those set to music by Étienne Méhul and Luigi Cherubini (most notably Cherubini's ''Médée'', 1797). Career Hoffman was born in Nancy, and studied law at the University of Strasbourg. Believing that his stammer hindered his legal career, he entered military service in Corsica. He served there for only a very short time, and, returning to Nancy, wrote some poems which brought him into notice at the little court of Lunéville over which the Marquise de Boufflers then presided. In 1784 he went to Paris where he wrote his first opera libretto, ''Phèdre'', for the composer Jean-Baptiste Lemoyne. It was performed at Fontainebleau in October 1786. After quarrelling with Lemoyne, Hoffman offered his libretto ''Adrien, empereur de Rome'' to Cherubini, who turned it down in favour of another Hoffman drama, ''Médée''. ''Adrien'' was acce ...
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