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Le Portrait De Manon
''Le portrait de Manon'' is an opéra comique in one act by Jules Massenet to a French libretto by Georges Boyer. It is related to Massenet's 1884 opera ''Manon'', widely regarded to be his masterpiece. However ''Le portrait de Manon'' is rarely performed today. Performance history The opera was first performed at the Opéra Comique in Paris on 8 May 1894. After its premiere the work was performed at La Monnaie in November 1894 and the Teatro del Fondo in Naples in December 1894. The work received its United States premiere at the French Opera House in New Orleans in 1895. It was also produced at The Waldorf-Astoria Hotel on 13 December 1897. The Opéra Comique revived the opera in 1900 and it was mounted at the Théâtre Lyrique in September 1922,Irvine D. ''Massenet: a chronicle of his life and times.'' Amadeus Press, Portland, 1997 after which the work fell out of the performance repertory. After a more than 60-year absence from the stage, ''Le portrait de Manon'' was moun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne), M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" ''Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; ''Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feldkirchen In Kärnten
Feldkirchen in Kärnten ( sl, Trg) is a town in the Austrian state of Carinthia and the capital of the district of the same name. It consists of the Katastralgemeinden ''Fasching'', ''Feldkirchen'', ''Glanhofen'', ''Gradisch'', ''Hoefling'', ''Klein Sankt Veit'', ''Pernegg'', ''Rabensdorf'', ''Sankt Ulrich'', ''Sittich'', ''Tschwarzen'' and ''Waiern''. The name ''Feldkirchen'' means the church in the fields. Geography Location Feldkirchen is located on the northern edge of the Klagenfurt Basin at the junction of the federal highways (''Bundesstraßen'') ''B 93 Gurktal Straße'' toward Friesach, ''B 94 Ossiacher Straße'' to Villach and ''B 95 Turracher Straße'' to Klagenfurt. Waters Both the Glan river and the small ''Tiebel'', main inflow of Lake Ossiach, run through the town. There are three lakes in the vicinity to Feldkirchen * The Lake of Flatschach (''Flatschacher See'') * The Lake of Dietrichstein (''Dietrichsteiner See'') * The Lake of Maltschach (''Maltschacher Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's '' Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Jules Massenet
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amiens
Amiens (English: or ; ; pcd, Anmien, or ) is a city and commune in northern France, located north of Paris and south-west of Lille. It is the capital of the Somme department in the region of Hauts-de-France. In 2021, the population of Amiens was 135,429. A central landmark of the city is Amiens Cathedral, the largest Gothic cathedral in France. Amiens also has one of the largest university hospitals in France, with a capacity of 1,200 beds. The author Jules Verne lived in Amiens from 1871 until his death in 1905, and served on the city council for 15 years. Incumbent French president Emmanuel Macron was born in Amiens. The town was fought over during both World Wars, suffering significant damage, and was repeatedly occupied by both sides. The 1918 Battle of Amiens was the opening phase of the Hundred Days Offensive which directly led to the Armistice with Germany. The Royal Air Force heavily bombed the town during the Second World War. In the aftermath, the city was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeanne Laisné (soprano)
Marie Sophie Jeanne Laisné (born 21 March 1870; year of death unknown) was a French operatic soprano with the Opéra-Comique. She started her career as Sophie in the first French production of Massenet's ''Werther'', and went on to create the roles of Aurore in Jules Massenet's ''Le portrait de Manon'', Jeanne in Benjamin Godard's ''La Vivandière'', La Duchesse de Fronsac in Henri Hirschmann's ''L'amour à la Bastille'', and Henriette in Ernest Lefèvre-Dérodé's ''Le follet''. Other notable roles include Micaela in Bizet's '' Carmen'' and as Mimi in Puccini's ''La bohème''. Biography Laisné studied at the Conservatoire de Paris under Ernest Boulanger, graduating in 1892, after which she was engaged by the Opéra-Comique. She made her opera début on 16 January 1893 as Sophie in the first Paris production of Jules Massenet's ''Werther,'' which also featured Marie Delna, Max Bouvet, and Guillaume Ibos in leading roles. She created the role of Aurore in Jules Masse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Suzanne Elven
Suzanne may refer to: People * Suzanne (given name), a feminine given name (including a list of people with the name) * S. U. Zanne, pen name of August Vandekerkhove (1838–1923), Belgian writer and inventor * Suzanne, pen name of Renée Méndez Capote (1901–1989), Cuban writer * Suzanne (television personality) (born 1986), Japanese variety ''tarento'', actress, and singer * Suzanne Lynch (born 1951), New Zealand singer who performed as "Suzanne" Places * Suzanne, Ardennes, France, a commune * Suzanne, Somme, France, a commune Films * ''Suzanne'' (1932 film), a French film * ''Suzanne'' (1980 film), a Canadian film * ''Suzanne'' (2013 film), a French film * '' Suzanne, Suzanne'', a 1982 documentary film Music * "Suzanne" (Leonard Cohen song), a 1966 poem and 1967 song, covered by numerous artists * "Suzanne" (Creeper song), a 2016 song by English band Creeper * "Suzanne" (VOF de Kunst song), 1983 * "Suzanne" (Journey song), a song from ''Raised on Radio'' by Jour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina ( Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Grivot
Pierre-Antonin-François Grivot (1834 (or possibly 1836) in Paris – 1912) was a French singer and actor who enjoyed a long career in Paris, in both operetta and opéra comique. His wife was the actress and singer Laurence Grivot. Life and career He made his stage debut at the Théâtre Molière before entering the Théâtre Montmartre and Théâtre des Batignolles. At the Théâtre des Délassements-Comiques he appeared in 1862 in ''La reine Crinoline''.La Roque A. ''Acteurs & Actrices de Paris.'' 33 Édition, 4 Serie. Paris, 1899. Appearing at the Théâtre du Vaudeville, he sang in ''La chercheuse d'esprit'' by Charles-Simon Favart where he met his future wife. After touring for two years, Grivot joined the Théâtre de la Gaîté in 1869, helping it through the crisis of the Paris Commune, and spent a season in Cairo with his wife. Returning to France they both were engaged by Offenbach for operettas : at the Théâtre de la Renaissance and again at the Gaîté, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucien Fugère
Lucien Fugère (22 July 1848, Paris – 15 January 1935, Paris) was a French baritone, particularly associated with the French repertory and Mozart roles. He enjoyed an exceptionally long career, singing into his 80s. Life and career Fugère's father died when he was 6, and at the age of 12 he was apprenticed as a mason, working on repairing statues and gargoyles of Notre Dame with his brothers. He also joined, and got noticed, in the singing societies popular in Paris at that time. Fugère was working as a jewellery salesman when he decided to try his luck at a career in music. After taking private voice lessons (he was refused by the Paris Conservatory), he made his debut as a chansonnier at the Bataclan in 1870. He then made his debut in operetta at the Théâtre des Bouffes Parisiens, in 1874, in ''La branche cassée'' by Serpette. In addition Fugère sang in ''La Boite au lait'', '' Madame l'archiduc'', ''Le Moulin du Vent-Galant'' and '' La créole'' at the Bouffes.Gän ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
