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Jeanne Laisné (soprano)
Marie Sophie Jeanne Laisné (born 21 March 1870; year of death unknown) was a French operatic soprano with the Opéra-Comique. She started her career as Sophie in the first French production of Massenet's '' Werther'', and went on to create the roles of Aurore in Jules Massenet's '' Le portrait de Manon'', Jeanne in Benjamin Godard's ''La Vivandière'', La Duchesse de Fronsac in Henri Hirschmann's ''L'amour à la Bastille'', and Henriette in Ernest Lefèvre-Dérodé's ''Le follet''. Other notable roles include Micaela in Bizet's ''Carmen'' and as Mimi in Puccini's '' La bohème''. Biography Laisné studied at the Conservatoire de Paris under Ernest Boulanger, graduating in 1892, after which she was engaged by the Opéra-Comique. She made her opera début on 16 January 1893 as Sophie in the first Paris production of Jules Massenet's '' Werther,'' which also featured Marie Delna, Max Bouvet, and Guillaume Ibos in leading roles. She created the role of Aurore in Jules Mass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Portrait De Manon
''Le portrait de Manon'' is an opéra comique in one act by Jules Massenet to a French libretto by Georges Boyer. It is related to Massenet's 1884 opera '' Manon'', widely regarded to be his masterpiece. However ''Le portrait de Manon'' is rarely performed today. Performance history The opera was first performed at the Opéra Comique in Paris on 8 May 1894. After its premiere the work was performed at La Monnaie in November 1894 and the Teatro del Fondo in Naples in December 1894. The work received its United States premiere at the French Opera House in New Orleans in 1895. It was also produced at The Waldorf-Astoria Hotel on 13 December 1897. The Opéra Comique revived the opera in 1900 and it was mounted at the Théâtre Lyrique in September 1922,Irvine D. ''Massenet: a chronicle of his life and times.'' Amadeus Press, Portland, 1997 after which the work fell out of the performance repertory. After a more than 60-year absence from the stage, ''Le portrait de Manon'' was mounted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Figaro
''Le Figaro'' () is a French daily morning newspaper founded in 1826. It is headquartered on Boulevard Haussmann in the 9th arrondissement of Paris. The oldest national newspaper in France, ''Le Figaro'' is one of three French newspapers of record, along with ''Le Monde'' and ''Libération''. It was named after Figaro, a character in a play by polymath Beaumarchais (1732–1799); one of his lines became the paper's motto: "''Sans la liberté de blâmer, il n'est point d'éloge flatteur''" ("Without the freedom to criticise, there is no flattering praise"). With a centre-right editorial line, it is the largest national newspaper in France, ahead of ''Le Parisien'' and ''Le Monde''. In 2019, the paper had an average circulation of 321,116 copies per issue. The paper is published in Berliner format. Since 2012 its editor (''directeur de la rédaction'') has been Alexis Brézet. The newspaper has been owned by Dassault Group since 2004. Other Groupe Figaro publications include ''Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, ''La Muette de Portici'' (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer. Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second Empire in 1870 he was director of the imperial chap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mignon
''Mignon'' is an 1866 ''opéra comique'' (or opera in its second version) in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's 1795-96 novel '' Wilhelm Meisters Lehrjahre''. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's " The Dead" (''Dubliners'') and Willa Cather's '' The Professor's House''. Thomas's goddaughter Mignon Nevada was named after the main character. Performance history The first performance was at the Opéra-Comique in Paris on 17 November 1866. The piece proved popular: more than 100 performances took place by the following July, the 1,000th was given there on 13 May 1894, and the 1,500th on 25 May 1919. The opera was also adapted and translated into German for performance in Berlin with Madame Lucca as Mignon. Lucca was well received, but the German critics were unhappy with the opera's alterations to the Goethe original, so Thomas composed a shor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Roi L'a Dit
''Le roi l'a dit'' (''The King Has Spoken'') is an opéra comique in three acts by Léo Delibes to a French libretto by Edmond Gondinet. It is a lively comedy, remarkably requiring 14 singers – six men and eight women.MacDonald H. "Le roi l'a dit". In: '' The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. The libretto had first been offered in 1871 to Offenbach. the title also went through various permutations (''Le Talon rouge'', ''Si le Roi le savait'', ''Le Roi le sait'') before settling on its final name. The 1885 revival brought further modifications to the libretto. Performance history The opera was first performed on 24 May 1873 at the Opéra-Comique in Paris, and was seen there until 1900, totalling 79 performances there. The 1885 production included Lucien Fugère, Molé-Truffier and Barnolt and was conducted by Jules Danbé. The revival on 23 March 1898 was in a 2-act version by Philippe Gille. A series of performances took place at the Triano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'amour à La Bastille
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L'Amour may refer to: People * Louis L'Amour (1908–1988), American cowboy novelist * Michelle L'amour (born 1980), American neo-burlesque performer Other uses * ''L'Amour'' (album), a 1983 album by Lewis * ''L'Amour'' (film), a 1973 film * L'Amour (music venue), a New York City rock venue See also * Lamour (other) * Amour (other) * D'Amour, a surname * ''De l'amour'', an 1822 essay by Stendhal * * L'Amore (other) Amore is the Italian word for ''"love"''. It may come from Amare which is ''"to love"'' in Latin. People * Alexis Amore, pornographic actress * Eugenio Amore, Italian beach volleyball player * Gianna Amore, Playboy centerfold Film and TV * '' A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Pré Aux Clercs
''Le pré aux clercs'' (''The Clerks' Meadow'') is an opéra comique in three acts by Ferdinand Hérold with a libretto by François-Antoine-Eugène de Planard based on Prosper Mérimée's ''Chronique du temps de Charles IX'' of 1829.Pougin A. Hérold, biographie critique illustrée', Henri Laurens, Paris, 1906, p. 122 Performance history ''Le pré aux clercs'' was premiered in Paris by the Opéra-Comique company at the Salle de la Bourse on 15 December 1832. After the first performance the leading lady, Madame Casimir, refused – after unsuccessfully demanding more money – to sing in the subsequent performances, and Mlle Dorus of the Opéra was coached by Hérold over five days to take over the role of Isabelle. According to Hérold's biographer Arthur Pougin, this incident exacerbated the composer's ill-health, leading to his death five weeks after the premiere. The opera, Hérold's last completed one, was very successful, inaugurating the new Salle Favart in 1840, and enj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Hérold
Louis Joseph Ferdinand Herold (28 January 1791 – 19 January 1833), better known as Ferdinand Hérold (), was a French composer. He was celebrated in his lifetime for his operas, of which he composed more than twenty, but he also wrote ballet music, works for piano and choral pieces. He is best known today for the ballet ''La fille mal gardée#Jean-Pierre Aumer's new version taddo the music of Hérold, La Fille mal gardée'' and the overture to the opera ''Zampa''. Born in Paris to a musical family, Hérold trained at the Paris Conservatoire and won France's premier musical prize, the Prix de Rome in 1812. After a time in Italy he returned to Paris and worked first at the Comédie-Italienne, Théâtre Italien and then at the Paris Opéra, Opéra. He wrote several ballets for the latter, but was best known as a composer of opéra comique. Some of them particularly in his early days, were hampered by poor librettos, but later he had more successes than failures, and his last two ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Massé
Victor Massé (born ''Félix-Marie Massé''; 7 March 1822 – 5 July 1884) was a French composer. Biography Massé was born in Lorient (Morbihan) and studied at the Paris Conservatoire, winning the Prix de Rome in 1844 for his cantata ''Le Rénégat de Tanger'' before turning his attention to opera. While at the Conservatoire, Massé studied with Jaques Halévy. He wrote some twenty operas, including ''La Chanteuse voilée'' (1850), followed by the more ambitious ''Galathée'' (1852) and ''Paul et Virginie'' (1876). His best-known and most successful work was the ''opéra comique'' ''Les Noces de Jeannette'' (1853). His last work, ''Une Nuit de Cléopâtre'', was performed posthumously in April 1885. Massé died in Paris and is buried in Montmartre Cemetery. in the 9th arrondissement of Paris is named after him. Operas * ''La Chambre gothique'', opéra (1849) * ''La Chanteuse voilée'' (1850, text by Eugène Scribe and Adolphe de Leuven) * ''Galathée'' (1852, text by Jules Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play '' The Merry Wives of Windsor'' and scenes from '' Henry IV, Part 1'' and '' Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 28 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following '' Macbeth'' and '' Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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