Pierre-Antonin-François Grivot (1834 (or possibly 1836) in

Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. S ...

– 1912) was a French singer and actor who enjoyed a long career in Paris, in both

operetta Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its s ...

and

opéra comique ''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a l ...

. His wife was the actress and singer

Laurence Grivot Laurence Grivot (born Marie Laurent, 29 April 1843,Théâtre des Batignolles. At the Théâtre des Délassements-Comiques he appeared in 1862 in ''La reine Crinoline''.La Roque A. ''Acteurs & Actrices de Paris.'' 33 Édition, 4 Serie. Paris, 1899. Appearing at the

Théâtre du Vaudeville The Théâtre du Vaudeville was a theatre company in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Piis and Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including vaudevilles. Af ...

, he sang in ''La chercheuse d'esprit'' by

Charles-Simon Favart Charles Simon Favart (13 November 1710 – 12 May 1792) was a French playwright and theatre director. The Salle Favart in Paris is named after him. Biography Born in Paris, the son of a pastry-cook, he was educated at the Lycée Louis-le-Grand, a ...

where he met his future wife. After touring for two years, Grivot joined the Théâtre de la Gaîté in 1869, helping it through the crisis of the

Paris Commune The Paris Commune (french: Commune de Paris, ) was a revolutionary government that seized power in Paris, the capital of France, from 18 March to 28 May 1871. During the Franco-Prussian War of 1870–71, the French National Guard had defended ...

, and spent a season in Cairo with his wife. Returning to France they both were engaged by Offenbach for operettas : at the

Théâtre de la Renaissance The name Théâtre de la Renaissance has been used successively for three distinct Parisian theatre companies. The first two companies, which were short-lived enterprises in the 19th century, used the Salle Ventadour, now an office building on t ...

and again at the Gaîté, with premieres such as ''

Le voyage dans la lune ''A Trip to the Moon'' (french: Le Voyage dans la Lune) is a 1902 French adventure film, adventure short film directed by Georges Méliès. Inspired by a wide variety of sources, including Jules Verne's 1865 novel ''From the Earth to the Moon' ...

'' and revivals of ''

Orphée aux enfers ''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act "opéra bouffon" at the Théâ ...

'' and ''Geneviève de Brabant'' (1875).Yon, Jean-Claude. ''Jacques Offenbach.'' Editions Gallimard, Paris, 2000. After a year at the Variétés he moved to the

Opéra-Comique The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne ...

where he remained as a member of the company employed in the

trial In law, a trial is a coming together of Party (law), parties to a :wikt:dispute, dispute, to present information (in the form of evidence (law), evidence) in a tribunal, a formal setting with the authority to Adjudication, adjudicate claims or d ...

repertoire for over 20 years. After his debut as Monostatos in ''

The Magic Flute ''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that inclu ...

'' on 15 November 1879, his many roles included Guillot in ''

La Basoche ''La Basoche'' is an opéra comique in three acts, with music by André Messager and words by Albert Carré. The opera is set in Paris in 1514 and depicts the complications that arise when the elected "king" of the student guild, the Basoche, is ...

'', Dancaire in ''

Carmen ''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first perfo ...

'', Lord Elfort in ''

Le domino noir ''Le domino noir'' (''The Black Domino'') is an ''opéra comique'' by the French composer Daniel Auber, first performed on 2 December 1837 by the Opéra-Comique at the Salle de la Bourse in Paris.Wild and Charlton (2005), p. 226. The libre ...

'', Thibaut in ''

Les dragons de Villars ''Les dragons de Villars'' (''The Dragoons of Villars'') is an opéra-comique in three acts by Aimé Maillart to a libretto by Lockroy and Eugène Cormon. The story of the opera was said to have been borrowed from ''La Petite Fadette'' by George ...

'', Hortensius in ''

La fille du regiment LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure ...

'', Cockburn in ''

Fra Diavolo Fra Diavolo (lit. Brother Devil; 7 April 1771–11 November 1806), is the popular name given to Michele Pezza, a famous guerrilla leader who resisted the French occupation of Naples, proving an "inspirational practitioner of popular insurrect ...

'', the doctor in ''

L'irato ''L'irato, ou L'emporté'' (''The Angry Man'') is an ''opéra-comique'' (styled an ''opéra parade'') in one act by the French composer Étienne Méhul with a French-language libretto by Benoît-Joseph Marsollier. It was first performed at the Th� ...

'', Cantarelli in ''

Le pré aux clercs ''Le pré aux clercs'' (''The Clerks' Meadow'') is an opéra comique in three acts by Ferdinand Hérold with a libretto by François-Antoine-Eugène de Planard based on Prosper Mérimée's ''Chronique du temps de Charles IX'' of 1829.Pougin A. ...

'', Bertrand in '' Les rendez-vous bourgeois'', and Miton in ''

Le roi l'a dit ''Le roi l'a dit'' (''The King Has Spoken'') is an opéra comique in three acts by Léo Delibes to a French libretto by Edmond Gondinet. It is a lively comedy, remarkably requiring 14 singers – six men and eight women.MacDonald H. "Le roi l'a ...

''. He created roles in '' Jean de Nivelle'' by

Léo Delibes Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic music, Romantic composer, best known for his ballets and French opera, operas. His works include the ballets ''Coppélia'' (1870) and ''Sylvia (ba ...

(Le sire de Malicorne), ''

Les contes d'Hoffmann ''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died ...

'' by Offenbach (servant roles), ''L'amour médecin'' (Bahis) and ''Joli Gilles'' (Pasquello) by

Ferdinand Poise Jean Alexandre Ferdinand Poise (3 June 1828 – 13 May 1892) was a French composer, mainly of opéra-comiques, for which he also frequently wrote the librettos. Career Born in Nimes, Poise studied at the Conservatoire de Paris under the tut ...

, and ''

Manon ''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first ...

'' by

Massenet Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic music, Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are ''Manon'' (1884) ...

(Guillot).Wolff S. ''Un demi-siècle d'Opéra-Comique (1900-1950).'' André Bonne, Paris, 1953. After the death of his wife in 1890, he reduced his stage work and retired in 1903.

References

This article includes material adapted from the equivalent on French Wikipedia {{DEFAULTSORT:Grivot, Pierre 1830s births 1912 deaths French operatic tenors 19th-century American male opera singers Singers from Paris