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Lucien Fugère
Lucien Fugère (; 22 July 1848, Paris – 15 January 1935, Paris) was a French baritone, particularly associated with the French repertory and Mozart roles. He enjoyed an exceptionally long career, singing into his 80s. Life and career Fugère's father died when he was 6, and at the age of 12 he was apprenticed as a Masonry, mason, working on repairing statues and gargoyles of Notre Dame de Paris, Notre Dame with his brothers. He also joined, and got noticed, in the singing societies popular in Paris at that time. Fugère was working as a jewellery salesman when he decided to try his luck at a career in music. After taking private voice lessons (he was refused by the Paris Conservatory), he made his debut as a chansonnier (performer), chansonnier at the Bataclan (theatre), Bataclan in 1870. He then made his debut in operetta at the Théâtre des Bouffes Parisiens, in 1874, in ''La branche cassée'' by Gaston Serpette, Serpette. In addition Fugère sang in ''La Boite au lait'', '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucien Fugère 1890
Lucien is a male given name. It is the French form of Luciano (other), Luciano or Latin ''Lucianus'', patronymic of Lucius. People Given name *Lucien, 3rd Prince Murat (1803–1878), French politician and Prince of Pontecorvo *Lucien, Lord of Monaco (1487–1523) *Lucien of Beauvais, Christian saint *Lucien, a band member of Delta-S *Lucien Bégouin (1908-1998), French politician *Lucien Bonaparte (1775–1840), brother of Napoleon *Lucien Bouchard (born 1938), French-Canadian politician *Lucien Bourjeily, Lebanese writer and director *Lucien Carr (1925–2005), member of the original New York City circle of the Beat Generation *Lucien Dahdah (1929–2003), Lebanese politician *Lucien Macull Dominic de Silva (1893-1962), Sri Lankan Sinhala member of the Privy Council *Lucien Ginsburg (1928–1991), birth name of Serge Gainsbourg *Lucien Greaves (born 1975), social activist and the spokesman and co-founder of The Satanic Temple *Lucien Jack (born 1988), the real name o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louise (opera)
''Louise'' is a "musical novel", or "", in four acts and five scenes by Gustave Charpentier. It can be considered an opera. The composer himself penned the French libretto with contributions from Saint-Pol-Roux, a symbolist poet and the inspiration of the surrealists. It is an atmospheric story of working-class life in Paris, with the city itself invoked along the way: young Louise, a seamstress living with her parents, loves Julien, an artist; she desires freedom, associated in her mind with him and the city. (Charpentier would later write a sequel, the opera '' Julien'', describing the artist's aspirations.) Musically the work is considered an example of '' verismo'', and marks the beginning of naturalism in French opera. Performance history ''Louise'' was premiered on 2 February 1900 at the Salle Favart by the Opéra-Comique conducted by André Messager in a production by Albert Carré. It was successful, reaching its 100th performance just over a year later; the 500th perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Basoche
''La Basoche'' is an opéra comique in three acts, with music by André Messager and words by Albert Carré. The opera is set in Paris in 1514 and depicts the complications that arise when the elected "king" of the student guild, the Basoche, is mistaken for King Louis XII of France. The opera was first performed at the Opéra-Comique in Paris in 1890. Productions soon followed in continental Europe, Britain and the US. After that, the piece was revived repeatedly in France and elsewhere well into the 20th century. Background and first production During the 1880s Messager had met with mixed fortunes. His opérette '' La fauvette du temple'' (1885) and opéra comique '' La Béarnaise'' (1885) ran well, and his ballet '' Les deux pigeons'' (1886) was a box-office triumph. But in the late 1880s success eluded him, and he had three failures in a row: '' Le bourgeois de Calais'' (1888), '' Isoline'' (1888), and '' Le mari de la reine'' (1889).Wagstaff, John, and Andrew Lamb"Mess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Chevalier D'Harmental (opera)
''Le chevalier d’Harmental'' is an opéra comique in five acts of 1896, with music by André Messager and a French libretto by Paul Ferrier, after Dumas père and Auguste Maquet. The play of the 1843 novel – in five acts, a prologue and ten tableaux – was first performed on 16 July 1849 at the Théâtre-Historique in Paris. The opera was first performed at the Opéra Comique ( Théâtre Sarah Bernhardt) in Paris on 5 May 1896, but ran for only six performances.Stoullig E. ''Les Annales du Théâtre et de la Musique, 22eme edition, 1896.'' G Charpentier et Cie, Paris, 1897. It was seen at the Vienna Hofoper during the 1896–97 season. The composer lamented that the failure of the work, which had preoccupied him for three years, hurt as he had attached great importance to it, and had put considerable effort into it; he was so discouraged that he did not want to compose, and wanted to go away to England.Fournier, Jean-Claude. La vie et l'oeuvre d'André Messager. In: ''Andr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortunio (opera)
''Fortunio'' is a comédie lyrique or opera in four acts (originally five) and five tableaux by the French composer André Messager. The libretto by Gaston Arman de Caillavet and Robert de Flers is based on Alfred de Musset's 1835 comedy ''Le Chandelier''. It was first performed by the Opéra-Comique at the Salle Favart in Paris, on 5 June 1907, and remained part of the regular repertory until the 1940s. In recent years it has been revived in several productions in France and other countries. The opera has no spoken dialogue and comprises completely sung recitative and arias. Fortunio, clerk to the lawyer Maître André, becomes the decoy for an affair between Jacqueline – the lawyer's wife – and Clavaroche, an army officer, Fortunio falls in love with Jacqueline before discovering what is going on between her and the officer. Eventually she falls for Fortunio's innocent charm and sends Clavaroche away. Background Alfred de Musset's play ''Le Chandelier'' was published in 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Messager
André Charles Prosper Messager (; 30 December 1853 – 24 February 1929) was a French composer, organist, pianist and conductor. His compositions include eight ballets and thirty , opérettes and other stage works, among which his ballet (1886) and (1898) have had lasting success; (1897) and (1919) were also popular internationally. Messager took up the piano as a small child and later studied composition with, among others, Camille Saint-Saëns and Gabriel Fauré. He became a major figure in the musical life of Paris and later London, both as a conductor and a composer. Many of his Parisian works were also produced in the West End theatre, West End and some on Broadway theatre, Broadway; the most successful had long runs and numerous international revivals. He wrote two operatic works in English, and his later output included Musical theatre#Early 20th century, musical comedies for Sacha Guitry and Yvonne Printemps. As a conductor, Messager held prominent positions in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Jongleur De Notre-Dame (opera)
''Le jongleur de Notre-Dame'' is a three-act opera (labelled in the programme as ''Miracle in Three Acts'') by Jules Massenet to a French libretto by Maurice Léna. It was first performed at the Opéra de Monte-Carlo, Opéra Garnier in Monte Carlo on 18 February 1902. It is one of five operas Massenet set in the Middle Ages, the others being ''Le Cid (opera), Le Cid'' (1885), ''Esclarmonde'' (1889), ''Grisélidis'' (1901), and ''Panurge (opera), Panurge'' (1913). Background At this stage of his career, the concierge of Massenet's Paris home would normally sort out speculative libretti submitted to the composer, but the concierge being absent Massenet unexpectedly received the package from Léna and read it through on the train to his country home in Égreville."''Le Jongleur de Notre-Dame''". In: Kaminski, Piotr. ''Mille et Un Opéras''. Fayard, 2003, pp. 889–891. It is based on the story of the same name by Anatole France in his 1892 collection ''L'Étui de nacre'', which was i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quichotte
''Don Quichotte'' (''Don Quixote'') is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo. Massenet's ''comédie héroïque'', like many dramatized versions of the story of Don Quixote, relates only indirectly to the novel ''Don Quixote'' by Miguel de Cervantes. The immediate inspiration was ''Le chevalier de la longue figure'', a play by the poet first performed in Paris in 1904. In this version of the story, the simple farm girl Aldonza (Dulcinea) of the original novel becomes the more sophisticated Dulcinée, a flirtatious local beauty inspiring the infatuated old man's exploits. Composition history Conceiving originally ''Don Quichotte'' to be a three-act opera, Massenet started to compose it in 1909 at a time when, suffering from acute rheumatic pains, he spent more of his time in bed than out of it, and composition of ''Don Quichotte'' became, in his words, a sort of "soothi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Portrait De Manon
''Le portrait de Manon'' is an opéra comique in one act by Jules Massenet to a French libretto by Georges Boyer. It is related to Massenet's 1884 opera ''Manon'', widely regarded to be his masterpiece. However ''Le portrait de Manon'' is rarely performed today. Performance history The opera was first performed at the Opéra Comique in Paris on 8 May 1894. After its premiere the work was performed at La Monnaie in November 1894 and the Teatro del Fondo in Naples in December 1894. The work received its United States premiere at the French Opera House in New Orleans in 1895. It was also produced at The Waldorf-Astoria Hotel on 13 December 1897. The Opéra Comique revived the opera in 1900 and it was mounted at the Théâtre Lyrique in September 1922,Irvine D. ''Massenet: a chronicle of his life and times.'' Amadeus Press, Portland, 1997 after which the work fell out of the performance repertory. After a more than 60-year absence from the stage, ''Le portrait de Manon'' was mounted a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grisélidis
''Grisélidis'' is an opera (described as a ' conte lyrique') in three acts and a prologue by Jules Massenet to a French libretto by Armand Silvestre and Eugène Morand. It is based on the play by the same authors first performed at the Comédie-Française on 15 May 1891, which is drawn from the medieval tale of 'patient Grissil'. The story is set in 14th century Provence, and concerns the shepherdess, Grisélidis, and a number of attempts by the Devil to lure her into infidelity. Grisélidis' loyalty to her husband, The Marquis, is strong, however, and the devil is vanquished. Massenet began composition in 1894, completing it by the end of that year, but revising it in the autumn 1898 prior to discussing a potential production with Albert Carré. It was first performed at the Opéra-Comique in Paris on 20 November 1901, with Lucienne Bréval in the title role. The piece achieved 50 performances in the first six months at the Opéra-Comique, was withdrawn from the repertory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cendrillon (Massenet)
''Cendrillon'' (; ''Cinderella'') is an opera—described as a "fairy tale"—in four acts by Jules Massenet to a French libretto by Henri Caïn based on Perrault's version of the Cinderella fairy tale in his 1697 collection ''Histoires ou contes du temps passé''. It had its premiere performance on 24 May 1899 at the Opéra-Comique in Paris. ''The New Grove Dictionary of Opera'' notes that Massenet's sense of humor and wit is more evident in this work, and the use of recurrent motifs is more discreet, while the love music "reminds us how well Massenet knew his Wagner". Albert Carré (director of the Opéra-Comique and producer of the first staging) persuaded the composer to drop a prologue introducing the characters, but a brief epilogue survives. Another writer comments that Massenet's perfectly proportioned score moves from a scene worthy of Jean-Baptiste Lully's '' Armide'' (in Cendrillon's monologue), through Rossinian vocalises and archaic orchestrations to ballet move ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic music, Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are ''Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the , in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, Drame lyrique, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
