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Grisélidis
''Grisélidis'' is an opera (described as a ' conte lyrique') in three acts and a prologue by Jules Massenet to a French libretto by Armand Silvestre and Eugène Morand. It is based on the play by the same authors first performed at the Comédie-Française on 15 May 1891, which is drawn from the medieval tale of 'patient Grissil'. The story is set in 14th century Provence, and concerns the shepherdess, Grisélidis, and a number of attempts by the Devil to lure her into infidelity. Grisélidis' loyalty to her husband, The Marquis, is strong, however, and the devil is vanquished. Massenet began composition in 1894, completing it by the end of that year, but revising it in the autumn 1898 prior to discussing a potential production with Albert Carré. It was first performed at the Opéra-Comique in Paris on 20 November 1901, with Lucienne Bréval in the title role. The piece achieved 50 performances in the first six months at the Opéra-Comique, was withdrawn from the repertory in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Messager
André Charles Prosper Messager (; 30 December 1853 – 24 February 1929) was a French composer, organist, pianist and conductor. His compositions include eight ballets and thirty opéra comique, opéras comiques, opérettes and other stage works, among which his ballet ''Les Deux Pigeons (ballet), Les Deux Pigeons'' (1886) and opéra comique ''Véronique (operetta), Véronique'' (1898) have had lasting success; ''Les p'tites Michu, Les P'tites Michu'' (1897) and ''Monsieur Beaucaire (opera), Monsieur Beaucaire'' (1919) were also popular internationally. Messager took up the piano as a small child and later studied composition with, among others, Camille Saint-Saëns and Gabriel Fauré. He became a major figure in the musical life of Paris and later London, both as a conductor and a composer. Many of his Parisian works were also produced in the West End theatre, West End and some on Broadway theatre, Broadway; the most successful had long runs and numerous international revival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Huberdeau
Gustave Huberdeau (10 May 1874 – 31 May 1945) was a French operatic bass-baritone who had a prolific career in Europe and the United States during the first quarter of the twentieth century. He sang a wide repertoire encompassing material from French composers like Gounod and Massenet to the Italian grand operas of Verdi, the verismo operas of Mascagni, and the German operas of Richard Wagner and Richard Strauss. He sang in numerous premieres during his 30-year career, including the original production of Puccini's ''La rondine'' in 1917. Although possessing a rich and warm voice, Huberdeau had a talent for comedic portrayals which made him a favorite casting choice in secondary comedic roles as well as leading roles.J.B. Steane, ''Grove Music Online'' After retiring from opera in 1927, Huberdeau remained active as a performer in stage plays and in French cinema throughout the 1930s. Opera career Huberdeau was born in Paris, studied at the Paris Conservatoire and then made hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucienne Bréval
Lucienne Bréval (4 November 1869 – 15 August 1935) was a Swiss dramatic soprano who had a major international opera career from 1892 to 1918. Although she appeared throughout Europe and in the United States, Bréval spent most of her career performing with the Paris Opera where she became a greatly admired interpreter of French grand opera roles and Wagner heroines. She also specialized in the works of Gluck and Rameau, becoming particularly associated with the title roles in Gluck’s '' Armide'' and Rameau's ''Hippolyte et Aricie''. A favorite of the composers of her day, such as Massenet and Dukas, Bréval sang in numerous world premières during her career. Biography Born with the name Bertha Agnès Lisette Schilling, Bréval initially studied to be a pianist at Lausanne and briefly in Geneva before deciding to pursue an opera career."Bréval, Lucienne", ''Die Musik in Geschichte und Gegenwart'', Personenteil:3 p 874. She studied voice with Victor Warot at the Paris Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armand Silvestre
Paul Armand Silvestre (18 April 1837 – 19 February 1901) was a 19th-century French poet and ''conteur'' born in Paris. He studied at the École polytechnique with the intention of entering the army, but in 1870 he entered the department of finance. Silvestre had a successful official career, was decorated with the Legion of Honour in 1886, and in 1892 was made inspector of fine arts. Armand Silvestre made his entry into literature as a poet, and was reckoned among the Parnassians. Works Armand Silvestre's works were published mainly by Alphonse Lemerre and Gervais Charpentier. Some of his poems were set to music by Gabriel Fauré, under the form of mélodies for one voice and piano (''Le Secret'', ''L'Automne''...). Thirteen of his poems were set by André Messager. Silvestre's poem ''Jours Passés'' was set in music by Léo Delibes under the title ''Regrets''. Poetry *''Rimes neuves et vieilles'', with a preface by George Sand (1866) see on Gallic*''Les Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conte Lyrique
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Griselda (folklore)
Griselda (anglicised to Grizzel and similar forms) is a figure in European folklore noted for her patience and obedience. In literature In the most famous version of the Griselda tale, written by Giovanni Boccaccio , Griselda marries Gualtieri, the Marquis of Saluzzo, who tests her by declaring that their two children—a son and a daughter—must both be put to death. Griselda gives both of them up without protest, but Gualtieri does not actually kill the children, instead sending them away to Bologna to be raised. In a final test, Gualtieri publicly renounces Griselda, claiming he had been granted papal dispensation to divorce her and marry a better woman; Griselda goes to live with her father. Some years later, Gualtieri announces he is to remarry and recalls Griselda as a servant to prepare the wedding celebrations. He introduces her to a twelve-year-old girl he claims is to be his bride but who is really their daughter; Griselda wishes them well. At this, Gualtieri reve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucien Fugère
Lucien Fugère (22 July 1848, Paris – 15 January 1935, Paris) was a French baritone, particularly associated with the French repertory and Mozart roles. He enjoyed an exceptionally long career, singing into his 80s. Life and career Fugère's father died when he was 6, and at the age of 12 he was apprenticed as a mason, working on repairing statues and gargoyles of Notre Dame with his brothers. He also joined, and got noticed, in the singing societies popular in Paris at that time. Fugère was working as a jewellery salesman when he decided to try his luck at a career in music. After taking private voice lessons (he was refused by the Paris Conservatory), he made his debut as a chansonnier at the Bataclan in 1870. He then made his debut in operetta at the Théâtre des Bouffes Parisiens, in 1874, in ''La branche cassée'' by Serpette. In addition Fugère sang in ''La Boite au lait'', '' Madame l'archiduc'', ''Le Moulin du Vent-Galant'' and '' La créole'' at the Bouffes.Gän ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Maréchal
Adolphe (Alphonse) Maréchal (26 September 1867 – 1 February 1935) was a Belgian tenor whose career in the French and Italian repertoire took him to France and England.Steane JB. Adolphe Maréchal. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Life and career Maréchal was born in Liège. Having studied at the Liège Conservatoire, Maréchal made his debut at Dijon in 1891 and toured the French provinces, singing in Rheims, Nice, Bordeaux,Scott M. ''The Record of Singing to 1914.'' Duckworth, London, 1977. and especially at the Théâtre du Grand Cercle in Aix-les-Bains.La Roque A. ''Acteurs & Actrices de Paris.'' 33 Édition, 4 Serie. Paris, 1899. He was engaged by the Opéra-Comique in 1895, making his debut as Don José in ''Carmen'' on 7 October 1895. His repertoire at the Opéra-Comique covered ''Cavalleria Rusticana'' (Turriddu), ''Don Juan'' (don Ottavio), '' Les dragons de Villars'' (Sylvain), ''Joseph'', '' Lakmé'' (Gérald), ''Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emile Jacquin
Emil or Emile may refer to: Literature *''Emile, or On Education'' (1762), a treatise on education by Jean-Jacques Rousseau * ''Émile'' (novel) (1827), an autobiographical novel based on Émile de Girardin's early life *''Emil and the Detectives'' (1929), a children's novel *"Emil", nickname of the Kurt Maschler Award for integrated text and illustration (1982–1999) *''Emil i Lönneberga'', a series of children's novels by Astrid Lindgren Military *Emil (tank), a Swedish tank developed in the 1950s * Sturer Emil, a German tank destroyer People *Emil (given name), including a list of people with the given name ''Emil'' or ''Emile'' *Aquila Emil (died 2011), Papua New Guinean rugby league footballer Other * ''Emile'' (film), a Canadian film made in 2003 by Carl Bessai *Emil (river), in China and Kazakhstan See also * * *Aemilius (other) *Emilio (other) *Emílio (other) *Emilios (other) Emilios, or Aimilios, (Greek: Αιμίλιος) is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odysseus
Odysseus ( ; grc-gre, Ὀδυσσεύς, Ὀδυσεύς, OdysseúsOdyseús, ), also known by the Latin variant Ulysses ( , ; lat, UlyssesUlixes), is a legendary Greek king of Ithaca and the hero of Homer's epic poem the ''Odyssey''. Odysseus also plays a key role in Homer's ''Iliad'' and other works in that same epic cycle. Son of Laërtes and Anticlea, husband of Penelope, and father of Telemachus and Acusilaus, Odysseus is renowned for his intellectual brilliance, guile, and versatility (''polytropos''), and is thus known by the epithet Odysseus the Cunning ( grc-gre, μῆτις, mêtis, cunning intelligence). He is most famous for his ''nostos'', or "homecoming", which took him ten eventful years after the decade-long Trojan War. Name, etymology, and epithets The form ''Odys(s)eus'' is used starting in the epic period and through the classical period, but various other forms are also found. In vase inscriptions, we find the variants ''Oliseus'' (), ''Olyseus'' (), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
