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Lythrangomi
Lythrangomi ( gr, Λυθράγκωμη) or Boltaşlı (in Turkish) is a village in the Famagusta District of Cyprus, located on the Karpass Peninsula east of Leonarisso. It is under the ''de facto'' control of Northern Cyprus. The origin of the name Lythrangkomi is uncertain. One suggestion is that it means “erythra komi” (Greek: red village). The Turkish Cypriots adopted the alternative name Boltasli, meaning “many rocks”, in 1958.An Historical Toponymy of Cyprus, by Jack Goodwin, 2 vols., publ, MAM, Nicosia 1984-1985 Until the Turkish invasion of Cyrus in 1974, Lythrangkomi was a mixed village. There was a Turkish/Moslem majority in 1891, when the village had 103 Turkish Cypriots and 89 Greek Cypriots (including 5 at the monastery of Panagia Kanakaria).Census of Cyprus 1891, printed by Eyre & Spottiswoode, London, 1893 Ten years later there were 80 Turks and 111 Greeks.Census of Cyprus 1901, publ. Government printing office, Nicosia, Cyprus, 1901 After this, the Gre ...
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Lythrangomi Mosque And Monastery
Lythrangomi ( gr, Λυθράγκωμη) or Boltaşlı (in Turkish language, Turkish) is a village in the Famagusta District of Cyprus, located on the Karpass Peninsula east of Leonarisso. It is under the ''de facto'' control of Northern Cyprus. The origin of the name Lythrangkomi is uncertain. One suggestion is that it means “erythra komi” (Greek: red village). The Turkish Cypriots adopted the alternative name Boltasli, meaning “many rocks”, in 1958.An Historical Toponymy of Cyprus, by Jack Goodwin, 2 vols., publ, MAM, Nicosia 1984-1985 Until the Turkish invasion of Cyprus, Turkish invasion of Cyrus in 1974, Lythrangkomi was a mixed village. There was a Turkish/Moslem majority in 1891, when the village had 103 Turkish Cypriots and 89 Greek Cypriots (including 5 at the monastery of Panagia Kanakaria).Census of Cyprus 1891, printed by Eyre & Spottiswoode, London, 1893 Ten years later there were 80 Turks and 111 Greeks.Census of Cyprus 1901, publ. Government printing offi ...
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Famagusta District
Famagusta District ( gr, Επαρχία Αμμοχώστου, Eparchia Ammochostu; tr, Mağusa kazası) is one of the six districts of Cyprus. Its main town is the island's most important port, Famagusta. History Most of the district has been under Turkish control since the 1974 invasion. Since 1998, the northeastern section, including the Karpaz Peninsula, has been administered separately as the İskele District, a division not recognized by the Republic of Cyprus and the UN. A district administration in "exile" exists on the Republic of Cyprus-controlled part of the island. This part of the district has a population of 46,900 inhabitants (2015). Cape Greco ( it, Capo Greco; el, Κάβο Γκρέκο, Kavo Greko; "Greek cape"), is a headland in the southeastern part of the district. It is at the southern end of Famagusta Bay. It is visited by tourists for its natural environment, and is a protected coastal nature park. From the high points on the cliff that rests at t ...
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Greek Language
Greek ( el, label=Modern Greek, Ελληνικά, Elliniká, ; grc, Ἑλληνική, Hellēnikḗ) is an independent branch of the Indo-European family of languages, native to Greece, Cyprus, southern Italy (Calabria and Salento), southern Albania, and other regions of the Balkans, the Black Sea coast, Asia Minor, and the Eastern Mediterranean. It has the longest documented history of any Indo-European language, spanning at least 3,400 years of written records. Its writing system is the Greek alphabet, which has been used for approximately 2,800 years; previously, Greek was recorded in writing systems such as Linear B and the Cypriot syllabary. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic, and many other writing systems. The Greek language holds a very important place in the history of the Western world. Beginning with the epics of Homer, ancient Greek literature includes many works of lasting impo ...
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Panagia Kanakaria From NE 1973
Panagia ( el, Παναγία, fem. of , + , the ''All-Holy'', or the ''Most Holy''; pronounced ) (also transliterated Panaghia or Panajia), in Medieval and Modern Greek, is one of the titles of Mary, mother of Jesus, used especially in Eastern Catholicism and Orthodox Christianity. Most Greek churches dedicated to the Virgin Mary are called ''Panagia''; the standard western Christian designation of "St. Mary" is rarely used in the Orthodox East, as Mary is considered the holiest of all created beings and therefore of higher status than the Saints. Iconography ''Panagia'' is also the term for a particular type of icon of the Theotokos, wherein she is facing the viewer directly, usually depicted full length with her hands in the '' orans'' position, and with a medallion showing the image of Christ as a child in front of her chest. This medallion symbolically represents Jesus within the womb of the Virgin Mary at the moment of the Incarnation. This type of icon is also called ...
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Panagia Kanakaria, Lythrangomi, Interior Looking East, As The Monument Stood In 1973
Panagia ( el, Παναγία, fem. of , + , the ''All-Holy'', or the ''Most Holy''; pronounced ) (also transliterated Panaghia or Panajia), in Medieval and Modern Greek, is one of the titles of Mary, mother of Jesus, used especially in Eastern Catholicism and Orthodox Christianity. Most Greek churches dedicated to the Virgin Mary are called ''Panagia''; the standard western Christian designation of "St. Mary" is rarely used in the Orthodox East, as Mary is considered the holiest of all created beings and therefore of higher status than the Saints. Iconography ''Panagia'' is also the term for a particular type of icon of the Theotokos, wherein she is facing the viewer directly, usually depicted full length with her hands in the '' orans'' position, and with a medallion showing the image of Christ as a child in front of her chest. This medallion symbolically represents Jesus within the womb of the Virgin Mary at the moment of the Incarnation. This type of icon is also called ...
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Annunciation
The Annunciation (from Latin '), also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is the Christian celebration of the biblical tale of the announcement by the angel Gabriel to Mary that she would conceive and bear a son through a virgin birth and become the mother of Jesus Christ, the Christian Messiah and Son of God, marking the Incarnation. Gabriel told Mary to name her son Jesus, meaning "YHWH is salvation". According to , the Annunciation occurred "in the sixth month" of Elizabeth's pregnancy with John the Baptist. Many Christians observe this event with the Feast of the Annunciation on 25 March, an approximation of the northern vernal equinox nine full months before Christmas, the ceremonial birthday of Jesus. The Annunciation is a key topic in Christian art in general, as well as in Marian art in the Catholic Church, having been especially prominent during the Middle Ages and Renaissance. ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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Panagia Kanakaria, Lythrangomi, Detail Of Apse Mosaics In 1973
Panagia ( el, Παναγία, fem. of , + , the ''All-Holy'', or the ''Most Holy''; pronounced ) (also transliterated Panaghia or Panajia), in Medieval and Modern Greek, is one of the titles of Mary, mother of Jesus, used especially in Eastern Catholicism and Orthodox Christianity. Most Greek churches dedicated to the Virgin Mary are called ''Panagia''; the standard western Christian designation of "St. Mary" is rarely used in the Orthodox East, as Mary is considered the holiest of all created beings and therefore of higher status than the Saints. Iconography ''Panagia'' is also the term for a particular type of icon of the Theotokos, wherein she is facing the viewer directly, usually depicted full length with her hands in the '' orans'' position, and with a medallion showing the image of Christ as a child in front of her chest. This medallion symbolically represents Jesus within the womb of the Virgin Mary at the moment of the Incarnation. This type of icon is also called ...
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Ravenna
Ravenna ( , , also ; rgn, Ravèna) is the capital city of the Province of Ravenna, in the Emilia-Romagna region of Northern Italy. It was the capital city of the Western Roman Empire from 408 until its collapse in 476. It then served as the capital of the Ostrogothic Kingdom until it was re-conquered in 540 by the Byzantine Empire. Afterwards, the city formed the centre of the Byzantine Exarchate of Ravenna until the last exarch was executed by the Lombards in 751. Although it is an inland city, Ravenna is connected to the Adriatic Sea by the Candiano Canal. It is known for its well-preserved late Roman and Byzantine architecture, with eight buildings comprising the UNESCO World Heritage Site "Early Christian Monuments of Ravenna". History The origin of the name ''Ravenna'' is unclear. Some have speculated that "Ravenna" is related to "Rasenna" (or "Rasna"), the term that the Etruscan civilization, Etruscans used for themselves, but there is no agreement on this point. Ancien ...
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Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ...
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Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ...
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Narthex
The narthex is an architectural element typical of early Christian and Byzantine basilicas and churches consisting of the entrance or lobby area, located at the west end of the nave, opposite the church's main altar. Traditionally the narthex was a part of the church building, but was not considered part of the church proper. In early Christian churches the narthex was often divided into two distinct parts: an esonarthex (inner narthex) between the west wall and the body of the church proper, separated from the nave and aisles by a wall, arcade, colonnade, screen, or rail, and an external closed space, the exonarthex (outer narthex), a court in front of the church facade delimited on all sides by a colonnade as in the first St. Peter's Basilica in Rome or in the Basilica of Sant'Ambrogio in Milan. The exonarthex may have been either open or enclosed with a door leading to the outside, as in the Byzantine Chora Church. By extension, the narthex can also denote a covered porch ...
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