Lutz Landwehr Von Pragenau
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Lutz Landwehr Von Pragenau
Lutz Landwehr von Pragenau (born 1963) is a German composer of classical music. He was born in Regensburg and studied composition with Wilhelm Killmayer at the Hochschule für Musik und Theater München, continued in a masterclass with Hans-Jürgen von Bose from 1992 to 1994. He has been teaching music pedagogy at the Regensburg University. Selected works * ''Der Jäger von Fall'', opera after a libretto by Wilhelm Killmayer (1991) Orchestra * ''Times Square Music'' for large orchestra Orchester (1990) * ''Running Riot'' for brass band and orchestra (1993) * ''...mild und leise...'', Tristan's death for large orchestra (2010) Chamber music * ''Klavierquintett für Paul Celan'', piano quintet (1990) * ''Berührungen'' for piano 4 hands and conga (1999) * ''The Day After Rendevouz'' for violin, tuba and tape (1992) * ''Silence invades the breathing wood'' for soprano, violin, viola, cello and small percussion (2011) * ''Takte und Gewichte'', string quartet (2001) * ''In der S ...
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Regensburg
Regensburg or is a city in eastern Bavaria, at the confluence of the Danube, Naab and Regen rivers. It is capital of the Upper Palatinate subregion of the state in the south of Germany. With more than 150,000 inhabitants, Regensburg is the fourth-largest city in the State of Bavaria after Munich, Nuremberg and Augsburg. From its foundation as an imperial Roman river fort, the city has been the political, economic and cultural centre of the surrounding region; it is still known in the Romance languages by a cognate of its Latin name of "Ratisbona" (the version "Ratisbon" was long current in English). Later, under the rule of the Holy Roman Empire, it housed the Perpetual Diet of Regensburg. The medieval centre of the city was made a UNESCO World Heritage Site in 2006 because of its well-preserved architecture and the city's historical importance for assemblies during the Holy Roman Empire. In 2014, Regensburg was among the top sights and travel attractions in Germany. Histor ...
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Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ...
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German Composers
German(s) may refer to: * Germany (of or related to) ** Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * G ...
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Munich University
The Ludwig Maximilian University of Munich (simply University of Munich or LMU; german: Ludwig-Maximilians-Universität München) is a public research university in Munich, Germany. It is Germany's sixth-oldest university in continuous operation. Originally established in Ingolstadt in 1472 by Duke Ludwig IX of Bavaria-Landshut, the university was moved in 1800 to Landshut by King Maximilian I of Bavaria when the city was threatened by the French, before being relocated to its present-day location in Munich in 1826 by King Ludwig I of Bavaria. In 1802, the university was officially named Ludwig-Maximilians-Universität by King Maximilian I of Bavaria in honor of himself and Ludwig IX. LMU is currently the second-largest university in Germany in terms of student population; in the 2018/19 winter semester, the university had a total of 51,606 matriculated students. Of these, 9,424 were freshmen while international students totalled 8,875 or approximately 17% of the student popu ...
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Christian Morgenstern
Christian Otto Josef Wolfgang Morgenstern (6 May 1871 – 31 March 1914) was a German author and poet from Munich. Morgenstern married Margareta Gosebruch von Liechtenstern on 7 March 1910. He worked for a while as a journalist in Berlin, but spent much of his life traveling through Germany, Switzerland, and Italy, primarily in a vain attempt to recover his health. His travels, though they failed to restore him to health, allowed him to meet many of the foremost literary and philosophical figures of his time in central Europe. Morgenstern's poetry, much of which was inspired by English literary nonsense, is immensely popular, even though he enjoyed very little success during his lifetime. He made fun of scholasticism, e.g. literary criticism in "Drei Hasen", grammar in "Der Werwolf", narrow-mindedness in "Der Gaul", and symbolism in "Der Wasseresel". In "Scholastikerprobleme" he discussed how many angels could sit on a needle. Still many Germans know some of his poems ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ...
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Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ...
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Traum Durch Die Dämmerung
"" ("Dream in the Twilight", literally "Dream through the twilight"), is both a German poem by Otto Julius Bierbaum and a (art song) by Richard Strauss, his Op. 29/1. The opening line is "" ("Broad meadows in grey dusk"). It is the first of three songs by Strauss based on love poems by Bierbaum, composed and published in Munich in 1895, and dedicated to Eugen Gura. The works were scored for medium voice and piano, and published by Universal Edition as (''3 songs with piano accompaniment''), later with English versions and orchestral arrangements. Poem "" first appeared in Berlin in 1892 in a collection known as ("Experienced Poems") by Bierbaum that was published by ''Verlag von Wilhelm Issleib'' ("Wilhelm Issleib's Publishing House). Bierbaum dedicated the 217 page collection, with ''Traum durch die Dämmerung'' on page 130, to Detlev von Liliencron as he expressed in the personal foreword. A second edition of the collection appeared one year later. In his anthology (Po ...
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Otto Julius Bierbaum
Otto Julius Bierbaum (28 June 1865 – 1 February 1910) was a German writer. Bierbaum was born in Grünberg, Silesia. After studying in Leipzig, he became a journalist and editor for the journals ''Die freie Bühne'', ''Pan'' and '' Die Insel''. His literary work was varied. As a poet he used forms like the ''Minnesang'' or the folksong and the Anacreontics style. In 1897 Bierbaum published his novel ''Stilpe'' which inspired Ernst von Wolzogen to establish, in 1901, the first cabaret venue ever in Berlin, the ''Überbrettl'' . His novel ''Zäpfel Kerns Abenteuer'' was an adaptation of Carlo Collodi's ''Pinocchio''. Bierbaum's final novel, ''Yankeedoodlefahrt'', was published in 1909 and is the source of the winged words "''Humor ist, wenn man trotzdem lacht''" ("Humor is when you laugh anyway"), which has become a proverb in modern German. Bierbaum died at Kötzschenbroda near Dresden. Works * ''Erlebte Gedichte'' (1892) ** "Traum durch die Dämmerung" * ''Die Schlangendam ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Variations (music)
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: ...
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String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, Antonín Dvořák, Leoš Janà ...
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