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Luigi Ricci (vocal Coach)
Luigi Ricci (1893–1981) was an Italian assistant conductor, accompanist, vocal coach, and author. Career Ricci began studying music as a child and at age twelve started accompanying voice lessons given by the famous baritone Antonio Cotogni, who had performed several of Giuseppe Verdi's operas under the composer's supervision. At this early age, Ricci began taking meticulous notes on traditions, which Cotogni was passing on to him from work with 19th-century composers and conductors. Ricci became an assistant conductor with the Rome Opera House and in that capacity worked eight years with Giacomo Puccini and thirty-four years with Pietro Mascagni. Other composers with whom he was associated include Ottorino Respighi, Umberto Giordano, Riccardo Zandonai, and Ildebrando Pizzetti. Among the many great conductors with whom he worked were Gino Marinuzzi, Vittorio Gui, Ettore Panizza, Tullio Serafin, Victor de Sabata; as well as singers such as Ezio Pinza, Beniamino Gigli, Toti da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conductor (music)
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor De Sabata
Victor de Sabata (10 April 1892 – 11 December 1967) was an Italian conductor and composer. He is widely recognized as one of the most distinguished operatic conductors of the twentieth century, especially for his Verdi, Puccini and Wagner. De Sabata was acclaimed for his interpretations of orchestral music. Like his near contemporary Wilhelm Furtwängler, de Sabata regarded composition as more important than conducting but achieved more lasting recognition for his conducting than his compositions. De Sabata has been praised by various authors and critics as a rival to Toscanini for the title of greatest Italian conductor of the twentieth century, and even as "perhaps the greatest conductor in the world". In 1918, aged 26, de Sabata was appointed conductor of the Monte Carlo Opera, performing a wide variety of late-19th century and contemporary works, and earning acclaim from Maurice Ravel. De Sabata became the music director at La Scala in Milan, a post he would hold for over ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezio Flagello
Ezio Domenico Flagello (January 28, 1931 – March 19, 2009) was born in New York City to Italian Americans. He sang at the Metropolitan Opera from 1957 to 1984; a bass particularly associated with the Italian repertory. Career Flagello first studied at the Manhattan School of Musicwhere he was a pupil of Friedrich Schorr and John Brownleeand then at the Santa Cecilia Conservatory, Rome, with Luigi Ricci. Flagello made his professional debut at the Empire State Festival, in Ellenville, New York in 1955, as Dulcamara in '' L'elisir d'amore''. He made his Metropolitan Opera debut on November 9, 1957, as the Jailer in ''Tosca''. Four days later, as a last minute replacement, he sang Leporello in Don Giovanni. He quickly became a favorite with the audience in comic roles, such as Bartolo in ''The Barber of Seville'' and Dulcamara in ''Elisir d'amore'', though he also excelled in more lyrical and dramatic repertory. In his 27 seasons with the company, he sang, notably, Rodolfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosalind Elias
Rosalind Elias (March 13, 1930 – May 3, 2020) was an American mezzo-soprano who enjoyed a long and distinguished career at the Metropolitan Opera. She was best known for creating the role of Erika in Samuel Barber's ''Vanessa in'' 1958. Early life Rosalind Elias was born in Lowell, Massachusetts, the 13th and youngest child of a Lebanese-American family. Her parents, Shelaby Namay and Salem Elias, immigrated from Beirut and her father worked as a real estate agent for some time. Elias grew up listening to Saturday broadcasts of the Metropolitan Opera while doing chores. Her father was initially opposed to her performing, but she pleaded for lessons. She received her first singing lessons in Lowell from Miss Lillian Sullivan. She studied at the New England Conservatory. She appeared with the New England Opera from 1948 to 1952. She then left for Italy to complete her vocal studies at the Accademia Nazionale di Santa Cecilia in Rome, with Luigi Ricci and Nazzareno De Angelis. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Moffo
Anna Moffo (June 27, 1932 – March 9, 2006) was an American opera singer, television personality, and actress. One of the leading lyric- coloratura sopranos of her generation, she possessed a warm and radiant voice of considerable range and agility. Noted for her physical beauty, she was nicknamed "La Bellissima". Winning a Fulbright to study in Italy, Moffo became popular there after performing leading operatic roles on three RAI television productions in 1956. She returned to America for her debut at the Lyric Opera of Chicago on October 16, 1957. In New York, her Metropolitan Opera debut took place on November 14, 1959. She performed at the Met for over seventeen seasons. Moffo's earliest recordings were made for EMI Records; she signed an exclusive contract with RCA Victor in 1960, recording for the company until the late 1970s. In the early 1960s, she hosted her own show on Italian television and appeared in several operatic films along with other non-singing roles. In t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Miller (singer)
Richard Miller (April 9, 1926 – May 5, 2009) was a professor of singing at Oberlin College Conservatory of Music and the author of numerous books on singing technique and vocal pedagogy. He also sang recitals, oratorios, and numerous roles as a lyric tenor with major opera companies in Europe and America. Early life and career Richard Miller was born April 9, 1926, in Canton, Ohio, as the youngest of 5 children. He began singing publicly at age three and a half. Before his voice changed, at age 11, he sang hundreds of times in the Canton, Ohio, area. Advised not to sing during the voice-change period, he studied piano, cello, and organ, but then returned to singing, in musicals at Lincoln High School in Canton. He was drafted upon graduation from high school in 1944, assigned to the 7th Armored Division tank corps and sent to the European theater in January 1945, attached to the British First Army. Stationed near Marseilles after the end of hostilities, he took voice lessons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sesto Bruscantini
Sesto Bruscantini (10 December 1919 – 4 May 2003) was an Italian baritone, one of the greatest buffo singers of the post-war era, especially renowned in Mozart and Rossini. Biography and career Bruscantini was born in Civitanova Marche, Marche, Italy. After obtaining a law degree, he turned to vocal studies in Rome, with Luigi Ricci at the Accademia Nazionale di Santa Cecilia. He won a vocal contest organized by RAI in 1947 and made his debut at La Scala in Milan in 1949, as Geronimo in Cimarosa's ''Il matrimonio segreto''. Bruscantini rapidly established himself in buffo roles in opera by Mozart and Rossini such as ''Le nozze di Figaro'', ''Don Giovanni'', ''Cosi fan tutte'', ''Il turco in Italia'', ''L'italiana in Algeri'', ''Il barbiere di Siviglia'', ''La Cenerentola'' but also in works by Donizetti such as ''L'elisir d'amore'', ''La fille du régiment'' and ''Don Pasquale''. In some of these works he often alternated roles, from Figaro to the Count in ''Nozze'', Guglielmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Nazionale Di Santa Cecilia
The Accademia Nazionale di Santa Cecilia ( en, National Academy of St Cecilia) is one of the oldest musical institutions in the world, founded by the papal bull ''Ratione congruit'', issued by Sixtus V in 1585, which invoked two saints prominent in Western musical history: Gregory the Great, for whom the Gregorian chant is named, and Saint Cecilia, the patron saint of music. Since 2005 it has been headquartered at the Renzo Piano designed Parco della Musica in Rome. It was founded as a "congregation", or "confraternity", and over the centuries has grown from a forum for local musicians and composers to an internationally acclaimed academy active in music scholarship (with 100 prominent music scholars forming the body of the Accademia), music education (in its role as a conservatory) and performance (with an active choir and a symphony orchestra, the Orchestra dell'Accademia Nazionale di Santa Cecilia). The category of alumni of the associated conservatory (which in 1919 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadenzas
In music, a cadenza (from it, cadenza, link=no , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist or soloists, usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over the final or penultimate note in a piece, the lead-in (german: Eingang, link=no) or over the final or penultimate note in an important subsection of a piece. It can also be found before a final coda or ritornello. In concerti The term ''cadenza'' often refers to a portion of a concerto in which the orchestra stops playing, leaving the soloist to play alone in free time (without a strict, regular pulse) and can be written or improvised, depending on what the composer specifies. Sometimes, the cadenza will include small ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Gobbi
Tito Gobbi (24 October 19135 March 1984) was an Italian operatic baritone with an international reputation. He made his operatic debut in Gubbio in 1935 as Count Rodolfo in Bellini's ''La sonnambula'' and quickly appeared in Italy's major opera houses. By the time he retired in 1979 he had acquired a repertoire of almost 100 operatic roles. They ranged from Mozart's mid-range baritone roles through Rossini's Barber through Donizetti and the standard Verdi and Puccini baritone roles to Alban Berg's ''Wozzeck''. He had a worldwide career as operatic baritone, appearing in (or recording the singing role) for over 25 films and, from the mid-1960s onward, was the stage director for about ten different operas which were given close to 35 productions throughout Europe and North America, including a significant number in Chicago for the Lyric Opera of Chicago. Gobbi and his wife, Tilde De Rensis, had a daughter, Cecilia, who now runs the "Associazione Musicale Tito Gobbi", an organizat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Caniglia
Maria Caniglia (5 May 1905 – 16 April 1979) was one of the leading Italian spinto sopranos of the 1930s and 1940s. Life and career Caniglia was born in Naples and studied at the Music Conservatories of Naples with Agostino Roche. She made her professional debut in Turin as Chrysothemis in '' Elektra'' in 1930. The same year she sang Magda in Respighi's ''La campana sommersa'' in Geneva and Elsa in Wagner's ''Lohengrin'' in Rome and made her debut at La Scala in Milan as Maria in Pizzetti's ''Lo straniero''. She sang regularly at La Scala until 1951 in the leading dramatic soprano roles in opera, such as ''Un ballo in maschera'', ''La forza del destino'', ''Aida'', ''Andrea Chénier'', ''Tosca'' and ''Adriana Lecouvreur''. She was particularly successful in roles from the latter verismo school. On the international scene, Caniglia appeared in venues such as the Palais Garnier, Covent Garden, and the Teatro Colón. She made her debut at the Metropolitan Opera in New Yor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Lauri-Volpi
Giacomo Lauri-Volpi (11 December 1892 – 17 March 1979) was an Italian tenor with a lyric voice of exceptional range and technical facility. He performed throughout Europe and the Americas in a top-class career that spanned 40 years. Career and assessment Born in Lanuvio, Italy, he was orphaned at the age of 11. After completing his secondary education at the seminary at Albano and graduating from the University of Rome ''La Sapienza'', he began vocal studies under the great 19th-century baritone Antonio Cotogni at the Liceo Musicale (later Conservatorio) Santa Cecilia in Rome. His nascent singing career was put on hold, however, by the outbreak of World War I in 1914, during which he served with the Italian armed forces reaching the rank of captain and emerged as one of Italy's most decorated soldiers. The war over, he made a successful operatic debut as Arturo in Bellini's ''I Puritani'' in Viterbo, Italy, on 2 September 1919—performing under the name Giacomo Rubini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
