Anna Moffo

Anna Moffo (June 27, 1932 – March 9, 2006) was an American opera singer, television personality, and actress. One of the leading lyric- coloratura sopranos of her generation, she possessed a warm and radiant voice of considerable range and agility. Noted for her physical beauty, she was nicknamed "La Bellissima".

Winning a Fulbright to study in Italy, Moffo became popular there after performing leading operatic roles on three RAI television productions in 1956. She returned to America for her debut at the Lyric Opera of Chicago on October 16, 1957. In New York, her Metropolitan Opera debut took place on November 14, 1959. She performed at the Met for over seventeen seasons. Moffo's earliest recordings were made for EMI Records; she signed an exclusive contract with RCA Victor in 1960, recording for the company until the late 1970s. In the early 1960s, she hosted her own show on Italian television and appeared in several operatic films along with other non-singing roles.

In the early 1970s Moffo extended her international popularity to Germany through operatic performances, TV appearances, and several films, all while continuing her American operatic performances. Due to an extremely heavy workload, Moffo suffered a serious vocal-breakdown from which she never fully recovered. Her final appearance at the Metropolitan Opera was in 1983.

Early life

Anna Moffo was born in Wayne, Pennsylvania to Italian immigrant parents, Nicola Moffo (a shoemaker) and his wife, Regina ( Cinti) Moffo. After graduating from Radnor High School, Anna turned down an offer to go to Hollywood and instead attended the Curtis Institute of Music in Philadelphia, where she studied with Eufemia Giannini-Gregory, sister of soprano Dusolina Giannini. In 1954, on a Fulbright scholarship, she left for Italy to complete her studies at the Accademia Nazionale di Santa Cecilia in Rome where she was a pupil of Mercedes Llopart and Luigi Ricci. She later studied voice privately in New York City with Beverley Peck Johnson.

Career

Moffo made her official operatic debut in 1955 in Spoleto as Norina in ''Don Pasquale''. Shortly after, still virtually unknown and little experienced, she was offered the challenging role of Cio-Cio San in an Italian television (RAI) production of '' Madama Butterfly''. The telecast aired on January 24, 1956, and made Moffo an overnight sensation throughout Italy. Offers quickly followed and she appeared in two other television productions that same year, as Nannetta in ''Falstaff'' and as Amina in ''La sonnambula''. She appeared as Zerlina in '' Don Giovanni'', at the Aix-en-Provence Festival and made her recording debut for EMI as Nannetta (''Falstaff'') under Herbert von Karajan, and as Musetta in ''La bohème'' with Maria Callas, Giuseppe Di Stefano and Rolando Panerai. The following year (1957) saw her debut at the Vienna State Opera, the Salzburg Festival, at La Scala in Milan and the Teatro San Carlo in Naples. Moffo returned to America for her debut there, as Mimì in ''La bohème'' next to Jussi Björling's Rodolfo, at the Lyric Opera of Chicago on October 16, 1957. Moffo had three other roles at the Lyric that season: ''Mignon'', ''Le nozze di Figaro'' (with Tito Gobbi, Giulietta Simionato and Eleanor Steber) and ''Lucia di Lammermoor''. On at least one occasion her performance of Lucia's Mad Scene earned Moffo a 10-minute standing ovation.

Her Metropolitan Opera debut took place on November 14, 1959, as Violetta in '' La traviata'', a part that would quickly become her signature role. She performed at The Metropolitan Opera for seventeen seasons in roles such as Lucia, Gilda, Adina, Mimì, Liù, Nedda, Pamina, Marguerite, Juliette, Manon, Mélisande, Périchole, and the four heroines of ''Les contes d'Hoffmann''. Alfred Lunt's production of La Traviata as part of the opening of the new Metropolitan Opera House in the Lincoln Center in 1966 was mounted especially for her. In the late 1950s, she recorded Susanna in ''Le nozze di Figaro'', opposite Elisabeth Schwarzkopf and Giuseppe Taddei, conducted by Carlo Maria Giulini; and recitals of Mozart arias with EMI. She then became an exclusive RCA Victor artist.

Moffo was also invited to sing at the San Francisco Opera where she made her debut as Amina on October 1, 1960. During that period she also made several appearances on American television, while enjoying a successful international career singing at most major opera houses around the world (Stockholm, Berlin, Monte Carlo, Mexico City, Buenos Aires, etc.). At the Metropolitan Opera in March 1961 with Birgit Nilsson and Franco Corelli she performed in ''Turandot'' as Liù, conducted by Leopold Stokowski. She made her debut at the Royal Opera House in London, as Gilda, in a Franco Zeffirelli production of ''Rigoletto.'' Shortly after the Italian tenor Sergio Franchi joined RCA Victor, they recorded a popular album of operetta duets, ''The Dream Duet,'' which peaked at number ninety seven on the ''Billboard'' 200 in 1963. Later that year Franchi and Moffo collaborated in recording excerpts from ''Die Fledermaus'' with the Vienna State Orchestra and Chorus conducted by Oskar Danon

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